Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

New Orleans 2015: Documentary Overview

imagesThe New Orleans Film Festival begins its 26th edition tomorrow, Wednesday, October 14, and runs through Thursday, October 22. I’m excited to be returning to the festival after several years, and am looking forward to serving on the documentary features jury. The following highlights a small fraction of this year’s nearly 40 documentary features:

MissingPeople_1-1442426929Competition titles include: Shamira Raphaëla’s DEAL WITH IT, about the filmmaker’s troubled father and brother; Jack Pettibone Riccobono’s THE SEVENTH FIRE, a profile of a Native American gang leader; Jennifer Redfearn’s TOCANDO LA LUZ, which follows the experience of three blind women in Havana; Poppy Stockell’s SCRUM, a portrait of a gay Aussie rugby team; David Shapiro’s MISSING PEOPLE (pictured), about a woman obsessed by her brother’s unsolved murder and by the work of a New Orleans outsider artist; Jide Tom Akinleminu’s PORTRAIT OF A LONE FARMER, a portrait of the filmmaker’s long absent father; and Irene Gutierrez’s HOTEL NUEVA ISLA, about a man living in an abandoned Havana resort.

AspieSeeksLove_1-1442864206Other nonfiction titles include: Sara Fishko’s look back at NYC’s jazz scene of the late 1950s and ’60s, THE JAZZ LOFT ACCORDING TO W EUGENE SMITH; Gene Fredericks’ portrait of an eccentric photographer, THE PHANTASMAGORICAL CLARENCE JOHN LAUGHLIN; Ian Midgley’s look at the collaboration between innovative agricultural thinkers, REVERSING THE MISSISSIPPI; Bartek Bartos and Piotr Bartos’ look at an atist’s response to Katrina, FLOATING ON FIRE; Julie Sokolow’s ASPIE SEEKS LOVE (pictured), about a man with Asperger’s who has posted personal ads for fifteen years.

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On DVD: BALLET BOYS

Ballet_BoysComing to DVD tomorrow, Tuesday, October 13: BALLET BOYS

Kenneth Elvebakk’s look at three teenage dancers premiered at Thessaloniki Doc last year. Other fest screenings included Krakow, Edinburgh, Bergen, Reykjavik, Cucalorus, Palm Springs, IDFA, and Goteborg.

I previously wrote about the film upon its VOD release here.

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On DVD: ABOVE AND BEYOND

1201-X-782-ABOVE-AND-BEYOND1-400x200Coming to DVD tomorrow, Tuesday, October 13: ABOVE AND BEYOND

Roberta Grossman’s unexpected history of the Israeli Air Force had its world premiere at Jerusalem last year. It went on to screen at DOC NYC, Palm Springs, Heartland, and Jewish fests in San Francisco, Toronto, Boston, Nashville, Hong Kong, and Vancouver.

I previously wrote about the film here.

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On DVD: CALL ME LUCKY

call me luckyComing to DVD tomorrow, Tuesday, October 13: CALL ME LUCKY

Bobcat Goldthwait’s profile of comedian turned activist Barry Crimmins had its world premiere at Sundance this year. Other screenings have included IFF Boston, Boulder, Montclair, Milwaukee, and Cleveland.

I profiled the doc before Sundance here.

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Special Screening & In Theatres & On VOD: THE RUSSIAN WOODPECKER

russian woodpeckerComing to NYC’s Stranger Than Fiction series tomorrow, Tuesday, October 13 and to theatres and VOD this Friday, October 16: THE RUSSIAN WOODPECKER

Chad Gracia’s hidden history of an infamous Soviet-era disaster made its bow at Sundance this year, where it won a grand jury prize. It went to screen at Nantucket, BAMcinemaFest, AFI Docs, Milwaukee, Zurich, and Sydney, among others.

My pre-Sundance profile of the doc may be found here.

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In Theatres & On VOD: A FASTER HORSE

A-FASTER-HORSE_web_3Coming to NYC theatres and to VOD today, Friday, October 9: A FASTER HORSE

David Gelb’s tribute to the Ford Mustang debuted at Tribeca this Spring. After a special one-night-only theatrical bow last night, it now comes to NYC theatres and to VOD via Vimeo on Demand.

Financed by the automaker, Gelb’s film steers clear of any real criticism or indepth analysis of the auto industry or of American manufacturing, though it does briefly acknowledge the impact of the recession and the bankruptcy of Detroit. Instead, the focus is split between a retelling of the Mustang’s origin and how it contributed to Ford’s fortunes, and the pressures on the present-day stewards to redesign the popular car model for 2015. The worshipful tone is set from the very beginning, as the director is told that he – and, by extension, the viewer – should feel honored to be granted access to the secretive inner sanctum of the Mustang redesign process. Perhaps car fanatics might share this sentiment, but for audience members indifferent to the brand, this aspect of the film is only of occasionally mild interest, and that’s really only because the chief engineer, Dave Pericak, seems like a genuine, nice enough guy. Far more appealing is the broader history offered of the brand, detailing how Lee Iacocca developed the Ford in secret, to avoid the shadow cast by the disastrous response to the infamous Edsel.

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In Theatres: UNBRANDED

unbranded_stillComing to NYC theatres today, Friday, October 9: UNBRANDED

Phillip Baribeau’s look at a roadtrip by horseback debuted at Hot Docs this year. It has also screened at Mountainfilm at Telluride, Sedona, and Rhode Island.

I previously wrote about the doc here.

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On Cable: PROPHET’S PREY

prophet's preyComing to Showtime tomorrow, Saturday, October 10: PROPHET’S PREY

Amy Berg’s exploration of the notorious Warren Jeffs and his polygamous cult premiered at Sundance this year. Other fests have included Sarasota, AFI Docs, Edinburgh, BAMcinemaFest, Martha’s Vineyard, Marland, New Zealand, and Melbourne.

I profiled the doc before Sundance here.

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In Theatres & On VOD: WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM

winter-on-fire-570x317Coming to theatres and VOD tomorrow, Friday, October 9: WINTER ON FIRE: UKRAINE’S FIGHT FOR FREEDOM

Evgeny Afineevsky’s record of the Ukrainian revolution premiered at Venice. Screenings have followed at Telluride and Toronto. The film has also just been announced as one of DOC NYC’s Short List titles screening next month.

I previously wrote about the doc here.

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In Theatres: IN MY FATHER’S HOUSE

in my father'sComing to theatres tomorrow, Friday, October 9: IN MY FATHER’S HOUSE

Ricki Stern and Annie Sundberg’s exploration of second chances and fatherhood had its world premiere at Tribeca this year. It has also screened at Nantucket, Bentonville, Nashville, Provincetown, Martha’s Vineyard, Monrtclair, and the upcoming New Orleans film fest.

I previously wrote about the film for Nantucket’s program, saying:
Looking to set down roots and start a family with his new wife, Grammy-winning hip hop musician Che “Rhymefest” Smith buys the childhood home of his estranged father, Brian, whom he hasn’t seen in two decades and presumes is dead. Che is surprised to learn that Brian is still alive and, cognizant of his own share of parental mistakes, he decides to seek him out. Che discovers the alcoholic living on the streets not far away and begins a tentative friendship that soon blossoms into the kind of familial relationship that both men crave – but also one that brings unexpected changes and complications. Filmmakers Ricki Stern and Annie Sundberg present a candid and sensitive exploration of African-American fatherhood across generations.

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