Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

Locarno 2014: Documentary Overview

imagesTomorrow, Wednesday, August 6, is the kick off for the 67th edition of the Locarno Film Festival, which unspools approximately 100 features over the next ten days. The long running Summer event continues to surprise, positioned to introduce its eclectic fare in advance of the major Fall festivals when some of their selections will come to North America for the first time. In contrast to some of the other A-list fests, the Swiss festival affords significant space in its slate for nonfiction and hybrid work – approximately 30 features this year – with such offerings typically appearing spread throughout its sections rather than relegated to one ghettoized program. The following spotlights some of this work: Continue reading

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On VOD: BILL T JONES: A GOOD MAN

Coming to VOD today, Tuesday, August 5: BILL T JONES: A GOOD MAN

Gordon Quinn and Bob Hercules’ profile of the acclaimed choreographer’s creative process premiered at Full Frame in 2011. It went on to screen at Silverdocs, Woods Hole, DOXA, and the Southern Circuit before a limited theatrical release and broadcast on American Masters. FilmBuff now releases the doc on Amazon Instant Video.

I previously wrote about the film out of Silverdocs here.

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On VOD: RICH HILL

RichHill2Coming to VOD today, Tuesday, August 5: RICH HILL

Tracy Droz Tragos and Andrew Droz Palermo’s intimate profile of three boys in a struggling rural town debuted at Sundance, where it won the US Documentary Grand Jury Prize this January. Its fest circuit has included Nantucket, True/False, Dallas, Cleveland, Sarasota, and Ashland, among others.

My pre-Sundance profile of the doc may be found here.

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On DVD/VOD: DREAM DECEIVERS

dream deceiversComing to DVD and VOD tomorrow, Tuesday, August 5: DREAM DECEIVERS

David Van Taylor’s chronicle of disaffected teens and heavy metal on trial debuted simultaneously on POV and at NYC’s Film Forum in 1992. The film was nominated for an Emmy and won an IDA Award, and is now being released on DVD and VOD by First Run Features.

In December 1985, two teenagers near Reno NV carried through on a suicide pact, just after listening to their favorite band, Judas Priest. Ray Belknap succeeded, while James Vance survived, but was left horribly disfigured, and later died under unclear circumstances three years later. Alleging that subliminal lyrics in the heavy metal music prompted their suicide plans, their parents unsuccessfully sued the band. Van Taylor gained access to both families and to the band – a reflection of a more innocent, less media-wary culture 25 years ago – to document the trial and the larger, disturbing issues at its core. A product of its time, there are a few clunky aspects to the film, like meandering scenes with some uninvolved metal fans meant to expose a general sense of teenage alienation. These have nowhere near the impact of Vance’s mother responding too defensively to very revealing cross-examination about her son, or to unsettling interviews with Vance himself before his death. Regardless, what emerges is a captivating portrait of denial, with parents too easily ignoring or excusing more likely factors of depression, violence, and drug and alcohol abuse in their homes, and instead deflecting the responsibility all-too-quickly, and unconvincingly, on external factors like popular music.

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In Theatres: WEB JUNKIE

web junkieComing to NYC’s Film Forum this Wednesday, August 6: WEB JUNKIE

Shosh Shlam and Hilla Medalia’s exploration of China’s response to so-called Internet addiction had its world premiere at Sundance earlier this year. It’s gone on to screen at Miami, Dallas, Melbourne, Traverse City, Revelation, One World, Hong Kong, ZagrebDox, Göteborg, and DOXA, among others.

I profiled the doc before Sundance here.

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On Cable: NIXON BY NIXON: IN HIS OWN WORDS

nixon by nixonComing to HBO tonight, Monday, August 4: NIXON BY NIXON: IN HIS OWN WORDS

Peter W Kunhardt’s damning reveal of the disgraced former President makes its debut as part of HBO Documentaries’ Summer series, in conjunction with the upcoming 40th anniversary of Nixon’s resignation from the presidency.

Culled from over 3700 hours of secret recordings the President made while in office – and fought to keep classified until his death – Kunhardt’s film delivers on its title, offering Nixon’s uncensored, off-the-cuff commentary on the major concerns that affected his administration, from Vietnam to Watergate. Acknowledging from the outset the criticism that such a project of editorial selection would engender, the film offers a 1982 warning from Nixon’s former chief domestic advisor, John Erlichman, about forming an erroneous impression of his complex boss based on snippets of tapes. As a sort of corrective, Kunhardt interweaves footage from Nixon’s post-presidential public interviews – his official reflection on key events of his time in office. Presented in juxtaposition with the more candid closed-door recordings, however, they generally don’t do the man any favors, as he is caught in misdirection or outright lie more than once, or spews uncomfortably racist, anti-Semitic, and sexist rhetoric as a matter of course. While more conventionally presented than Penny Lane’s playful OUR NIXON, Kunhardt’s project provides an insightful, incendiary peek at a paradoxically distrustful yet unguarded world leader.

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On DVD/VOD: BREASTMILK

Breastmilk-Key-Image-Photo-by-by-Cynthia-Van-Elk-280x140Coming to DVD and VOD next Tuesday, August 5: BREASTMILK

Dana Ben-Ari’s eye-opening exploration of mother’s milk had its premiere at Woodstock last Fall. It went on to screen at DOC NYC, Citizen Jane, and Australia’s Human Rights Arts & Film Fest before a limited theatrical release. In addition to DVD, the film will be available on VOD platforms including iTunes, Amazon Instant Video, Google Play, and directly through its website.

I previously wrote about the doc upon its release here.

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On DVD: MORE THAN THE RAINBOW

More-than-a-Rainbow-Key-Image-Photo-by-Arlene-Muller-580x300Coming to DVD next Tuesday, August 5: MORE THAN THE RAINBOW

Dan Wechsler’s portrait of a New York cabbie-turned-photographer made its debut at DOC NYC in 2012. It went on to screen at SF DocFest and at the Coney Island Film Festival, and enjoyed a limited theatrical release this past Spring.

I previously wrote about the doc upon its release here.

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On DVD: 12 O’CLOCK BOYS

12 oclock boysComing to DVD next Tuesday, August 5: 12 O’CLOCK BOYS

Lotfy Nathan’s portrait of an African-American dirt-biking subculture had its premier at SXSW last year. It went on to screen at Hot Docs, Full Frame, Maryland, Sundance Next Weekend, Philadelphia, and CPH:DOX, among others.

I included the doc in my SXSW coverage here.

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In Theatres: FINDING FELA

finding felaComing to theatres tomorrow, Friday, August 1: FINDING FELA

Alex Gibney’s exploration of the history and legacy of the acclaimed Nigerian musician/activist had its world premiere at Sundance this past January. It went on to screen at Montclair, Sydney, Martha’s Vineyard, and Seattle, among other fests.

My pre-Sundance profile of the doc may be found here.

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