Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On DVD: SMASH & GRAB

smashComing to DVD tomorrow, Tuesday, December 3: SMASH & GRAB: THE STORY OF THE PINK PANTHERS

Havana Marking’s investigation into an infamous gang of jewel thieves had its world premiere at IDFA last year. Its fest circuit has also included Sheffield, East End, Ireland’s Stranger Than Fiction, Zagreb, and Dubai, and the film was released theatrically this Summer.

I included the doc in my IDFA coverage here.

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On DVD: MR ANGEL

mr angelComing to DVD tomorrow, Tuesday, December 3: MR ANGEL

Dan Hunt’s portrait of FTM porn star and activist Buck Angel had its world premiere at SXSW earlier this year. It’s gone on to screen at Brooklyn, Rio, and at LGBT fests in Paris, Hamburg, Copenhagen and Atlanta, among others.

I included the doc in my SXSW coverage here.

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On VOD: LA CAMIONETA

camionetaNow available on VOD: LA CAMIONETA

Mark Kendall’s look at the journey of one school bus from the US to Guatemala had its debut at SXSW last year. Other fest berths included DOC NYC, Los Angeles, Philadelphia, Denver, DocsDF, Big Sky, Nashville, Guadalajara, Cleveland, and It’s All True, among others. It’s now available on iTunes.

I previously wrote about the doc out of SXSW here.

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In the Works: LIFE ITSELF

The director of HOOP DREAMS and THE INTERRUPTERS profiles the man who popularized film criticism in the United States.

life itselfSteve James’ latest project tells the story of Roger Ebert, who, with fellow Chicago critic Gene Siskel, became unlikely celebrities through their weekly television show reviewing movie releases. While their rating system, “Two Thumbs Up,” quickly became familiar to even the most casual filmgoer, the pair’s reviews on air and in print demonstrated a deep love of cinema. After Siskel’s untimely death in 1999, the Pulitzer Prize-winning Ebert continued their show, becoming the most recognizable and influential film critic in the country. A familiar face at film festivals, often in the company of his beloved wife Chaz, and an active presence online, he struggled with various cancer diagnoses for more than a decade before passing away earlier this year. Based on Ebert’s titular memoir, James details the critic’s life and work, drawing on an impressive range of interview subjects, from the film’s executive producer Martin Scorsese to other directors Ebert championed, from Errol Morris to Ava DuVernay. Continue reading →

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Special Screening: THE CONTRADICTIONS OF FAIR HOPE

The Contradictions Of Fair Hope CastComing to NYC’s Mayles Cinema as part of the Doc Watchers series this coming Monday, December 2: THE CONTRADICTIONS OF FAIR HOPE

S Epatha Merkerson and Rockell Metcalf’s thought-provoking exploration of a Southern African American mutual aid association and its eyebrow-raising present-day activities had its world premiere at the San Diego Black Film Festival last year. Its fest circuit has included Chicago’s Black Harvest, Annapolis, BronzeLens, Langston Hughes, Pan African, and the San Francisco, Montreal, Newark, Texas, and American Black Film Festivals, among others.

Merkerson and Metcalf’s directorial debut reveals the largely forgotten history and crucial role of benevolent societies in African American communities after the Civil War – community organizations that worked together to provide financial and social services for one another in times of need, typically formed as a response to the absence of governmental support. Mutual aid associations like Alabama’s Fair Hope Benevolent Society, the focus of the film, promoted black self-reliance and community cooperation for decades, feeding their hungry, caring for their sick, and burying their dead. But even as the filmmakers delved into the rich traditions and untold stories of the group, they learned about how one of their signature events, the Foot Wash, had changed in disturbing ways over time. For the past half-century, what began as a low-key Benevolent Society reunion has morphed into a raucous three-day carnival that profits on decadence and debauchery, with prostitution and drugs rampant. Unflinchingly chronicling its present-day state, Merkerson and Metcalf question how this change came to pass, and what the cultural, sociological, and even psychological impact is of a community ignoring its history and traditions.

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In Theatres: SHORED UP

shored upComing to NYC’s Cinema Village today, Friday, November 29: SHORED UP

Ben Kalina’s look at coastal communities in the face of climate change debuted earlier this year at Montclair. It’s gone on to screen at DOXA, SF Green, Provincetown, and Sidewalk, among several other engagements, as well as to cable on DirecTV.

Kalina’s focus is on beach replenishment – where massive quantities of sand are re-introduced to coastlines that have suffered erosion – and its efficacy, or lack thereof, exploring how the US Army Corps of Engineers are fighting a seemingly neverending (and futile) battle, in part, to allow people to live on steadily vanishing beaches. Despite maps from decades ago providing stark evidence of the vanishing barrier islands along the Jersey Shore, (over)development continues, driven by real estate profit. In North Carolina, politicians are more than willing to bury their heads in the (vanishing) sands, banning the discussion of sea level rise so they can overturn environmental protections that have slowed development. The film was nearing completion when Superstorm Sandy made landfall, destroying communities and costing lives just over a year ago. In response, Kalina was able to integrate footage about its devastating aftermath, making it one of the first feature docs to cogently address the disaster and call for solutions to help prevent similar future recurrences.

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African Diaspora International Film Festival 2013: Documentary Overview

African_Diaspora_Film_Festival_logoNew York’s African Diaspora International Film Festival, one of the oldest events focusing on filmmaking by and about the people of Africa and the African Diaspora, enters its third decade beginning this Friday, November 29 and continuing through Sunday, December 15. The 21st edition of the fest brings over 70 films to audiences, including more than thirty documentary features made up of both new films and little seen retrospective programming. Special programming strands explore Afro-Brazilian, Haitian, Jamaican, and other Caribbean themes, with films representing 35 countries on offer.

SpiesOfMississippiThe Gala nonfiction presentations include: Pratibha Parmar’s ALICE WALKER: BEAUTY IN TRUTH, an insightful portrait of the acclaimed author/activist; Centerpiece YOUTHS OF SHASHA, Emanuele Cicconi’s look at the musically talented but unsupported youths in an Ethiopian village; Joel Zito Araújo and Megan Mylan’s RACE (RAÇA), showcasing three black Brazilians who make a stand for equal rights and representation; and Closing Night film SPIES OF MISSISSIPPI (pictured), Dawn Porter’s intriguing tale of a state-funded covert spy agency fighting integration during the height of the Civil Rights struggle.

don been through the snake's skinAmong the other recent documentary offerings are: Ada M Babino’s I DON’ BEEN THROUGH THE SNAKE’S SKIN & COME OUT CLEAN (pictured), about the perspective and knowledge passed down by a long-lived Louisiana couple to their children and grandchildren; Nevline Nnaji’s REFLECTIONS UNHEARD: BLACK WOMEN IN CIVIL RIGHTS, a reclamation of the unheralded influence of women within the black power and feminist movements; James Brown’s RED, WHITE, BLACK & BLUE, which follows a South Central Los Angeles rugby team to a competition in New Zealand; Tukufu Zuberi’s AFRICAN INDEPENDENCE, a wide-ranging look at the history and struggles of post-colonial governance in Africa; Jaime Otero’s A COMMON ENEMY, about the first free elections after Tunisia’s Arab Spring; Joseph Hillel’s AYITI TOMA, THE LAND OF THE LIVING, a complex consideration of Haiti’s demonized voudou culture and historical exploitation by outsiders; and Valerie Scoon’s GRENADA: COLONIALISM AND CONFLICT, on the dark legacy of the Caribbean island nation’s colonial past.

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On DVD: GOOD OL’ FREDA

fredaComing to DVD next Tuesday, December 3: GOOD OL’ FREDA

Ryan White’s portrait of the woman behind the Beatles made its debut at SXSW this Spring. Other stops on the fest circuit included Hot Docs, San Francisco, Cleveland, Full Frame, Martha’s Vineyard, Nantucket, DocAviv, and Dallas, among others, before a limited theatrical and VOD release this Fall.

I previously wrote about the film out of SXSW here.

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In Theatres & On VOD: THE PUNK SINGER

The_Punk_Singer_3.470x264Coming to theatres and to VOD this Friday, November 29: THE PUNK SINGER

Sini Anderson’s portrait of pioneering riot grrrl Kathleen Hanna made its debut at SXSW earlier this year. The film has gone on to screen at DOC NYC, Seattle, London, IFF Boston, Sidewalk, Brisbane, Melbourne, and Hot Docs, among others.

I previously wrote about the doc out of Hot Docs here.

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On VOD: MEAT HOOKED!

meat_hookedComing to VOD today, Tuesday, November 26: MEAT HOOKED!

Suzanne Wasserman’s exploration of butchering and its recent resurgence debuted at the NYC Food Film Festival last year. It went on to screen at the Miami and Vermont film festivals, and to be broadcast on PBS’s America ReFramed series. FilmBuff now makes the doc available on iTunes, Amazon Instant Video, Google Play, Xbox Video, Sony PlayStation, Cinemanow and Vudu.

Wasserman offers a look at modern day butchering, primarily focusing on four amiable New York City butchers – Essex Street Market’s Jeffrey Ruhalter, Chelsea Market’s Jacob Dickson, and Fleisher’s Organic and Grass-Fed Meat Market’s Joshua and Jessica Applestone – who cater to the public’s newly rediscovered taste for authenticity and a closer connection to their food, perhaps best illustrated here in an extended and absorbing sequence detailing a pig slaughter. A dash of history – some provided by old-time Italian-American butcher Moe Albanese – helps round out this diverting featurette, which could stand to lose both its cheesy titular exclamation point and the wholly unnecessary personal narration from the filmmaker, which is intermittently, and distractingly, inserted at random for no discernible reason.

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