Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In Theatres: RUNNING FROM CRAZY

running from crazyComing to theatres tomorrow, Friday, November 1: RUNNING FROM CRAZY

Barbara Kopple’s look at the legacy of mental illness on a celebrated family had its world premiere at Sundance this year. Its festival circuit has included Sundance London, Tribeca, Nantucket, Hamptons, Provincetown, Camden, Full Frame, and Sarasota, among others. After opening at NYC’s Angelika this weekend, OWN expands the film to Los Angeles and San Francisco next week, with Chicago to follow later in the month.

My pre-Sundance profile of the doc may be found here.

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Toronto 2013: Docs in Brief, Part Two

The Dark Matter Of LoveContinuing my attempt to get caught up on docs from last month’s Toronto International Film Festival, this post wraps up the TIFF Docs section and also includes a couple of films from the fest’s high-profile Gala Presentations. One additional post will round out the remaining sections. Continue reading →

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On TV: THE GRADUATES – BOYS

gustavo_graduatesComing to PBS’ Independent Lens this coming Monday, November 4: THE GRADUATES/LOS GRADUADOS – BOYS

Bernardo Ruiz’s look at the Latino/a high school dropout crisis concludes its PBS bow with the second of two hour-long docs. Both have screened at the Los Angeles Latino International Film Festival and will continue to be made available at community screenings.

Ruiz’s contribution to the AMERICAN GRADUATE initiative profiles six Latino/a teens who have struggled with school, emblematic of the challenges faced by their peers around the country. This second film focuses on three young men, statistically more at-risk for dropping out than their female counterparts. As in the first film, Ruiz selects geographically diverse subjects, underscoring the permeation the Latino/a population has made throughout the country. Eduardo, from San Diego, serves as an inspiring figure, able, with the fortunate support of a mentor, to escape gang life, go to college, and become a role model in return. The frustrations and aspirations of DREAMers are represented by Gustavo, who was brought to Georgia from Mexico at nine years old, and became an outspoken activist to ensure the future of his education. The third subject, Juan, considered dropping out, largely because of feelings of isolation due to his sexuality, ultimately finding support through the performing arts. While Juan is sympathetic, his story, beyond reflecting the general diversity of the Latino/a community, sticks out because it doesn’t seem to have much to do with the specific concerns of Latino/a students. While there’s some discussion of his mother’s devout Christianity, and brief mentions of Latino machismo, the larger impact of his ethnic and cultural identity on his sexuality is lacking. Still, taken as a whole, Ruiz’s project drives home the point that these young subjects, and the countless others they represent, make up a significant part of the fabric of modern America, and their educational performance can either contribute to this country’s future success or hasten its failure.

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2013 DOC NYC in Focus: Metropolis

Exposed-Key-Image-Photo-by-Ande-Whyland1-280x140Metropolis, the second of two feature documentary competitions at next month’s DOC NYC, focuses on New York stories, from crooked cops to teenage immigrants. Continue reading →

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In Theatres: BEHIND THE BLUE VEIL

beyond the blue veilComing to theatres this Friday, November 1: BEHIND THE BLUE VEIL

Robin Symon’s look at the plight of the Tuareg in the modern world is making its world premiere at NYC’s Quad Cinema for an exclusive one-week run. It will expand to Los Angeles at the Beverly Hills Laemmle’s Music Hall in early December.

Symon’s film offers a broad survey, but with a particular focus on Mamatal, the son of a Tuareg chief, who is on a quest to preserve his people’s culture. Traditionally matriarchal and nomadic, the Tuareg in recent decades have been hemmed in by politics and geographical boundaries they have had no hand in controlling. Like other indigenous people around the world, they have been historically victimized and vilified, and more recently have become targets for so-called anti-terrorism forces, even though the people largely have resisted the growing encroachment of Al Qaeda in the region – a narcotrafficking presence that has cut off the Tuareg from their only means of income as desert transport guides. As the Mali government collapses – a government that provided little to no assistance to the people, systematically withholding resources and education and taxing them into insolvency – Tuareg rebels find themselves struggling for their self-determination and resisting Al Qaeda’s efforts to install a new government that would impose harsh Sharia law on the region and likely lead to their end as a distinct people.

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2013 DOC NYC in Focus: Viewfinders

The-Dark-Matter-Key-Image-280x140Next month’s DOC NYC features three competitions – one for shorts, and two for feature-length films. The following runs down the eight films vying for the Grand Jury Prize and Audience Award in the Viewfinders section, a tightly-curated selection from this year’s program demonstrating distinct directorial visions. Continue reading →

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Toronto 2013: Docs in Brief, Part One

unknownknown_01In the midst of a busy programming season, I’ve been remiss in posting my thoughts on the documentaries of the Toronto International Film Festival, which I should have done several weeks ago. In this breather before DOC NYC begins, I now have the opportunity to play catch up. This post will look at some of the films in the TIFF Docs section, programmed by my colleague Thom Powers, and includes several titles that will be making their NYC bow at DOC NYC in the coming weeks, while following posts will roundoff this section and cover nonfiction programming from other festival strands. Continue reading →

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2013 DOC NYC in Focus: Special Events

Errol-Morris-280x140-1Continuing my section-by-section profile of DOC NYC 2013, coming November 14-21, here’s a closer look at the Special Events Artistic Director Thom Powers has curated. Continue reading →

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2013 DOC NYC in Focus: Galas

temp doc nyc coverOn Thursday, November 14, the 4th edition of DOC NYC opens, now the country’s largest nonfiction film festival. It’s my second year with the festival, and my first as Senior Programmer. Over the past several months, I’ve worked with Artistic Director Thom Powers and Executive Director Raphaela Neihausen to put together an expansive selection of some of the most compelling new documentary films for NYC audiences. Over the next two and half weeks leading up to our opening, I’ll be profiling different programming strands here, starting with our Gala presentations. Continue reading →

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In the Works: MUDBLOODS

A sport escapes the imagination of JK Rowling to be played on the fields of college campuses across the world.

mudbloodsFew recent literary series have achieved the global popularity that met HARRY POTTER. Thanks in large part to the successful film adaptations, Rowling’s tales came to life for younger and older readers alike, allowing a glimpse into a secret world of wizards with their own schools of witchcraft, battles with dark forces, and even a popular competitive contact sport – Quidditch, a chaotic team game played on flying broomsticks. First-time feature director Farzad Nikbakht Sangari explores the Muggle (non-magic, for those unfamiliar with the series) version of the sport, which has quickly spread to hundreds of other campuses in just the past eight years. Sangari follows UCLA’s quidditch team as they make a run for the Quidditch World Cup against reigning champions Middlebury College, where the real-world version of the game was first developed by fans in 2005. Continue reading →

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