Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV (Encore): LAST TRAIN HOME

Returning to POV for an encore screening this Monday, August 5: LAST TRAIN HOME

Lixin Fan’s masterful examination of Chinese migrant workers bowed at IDFA in 2009, where it picked up the best feature documentary award. It went on to screen at a host of fests, including Sundance, New Directors/New Films, San Francisco, Seattle, Human Rights Watch, Cleveland, Cinema du Reél, RiverRun, Thessaloniki Doc, and Hong Kong. POV originally screened the film in its 2011 season.

I previously wrote about the doc upon its theatrical release here.

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Special Screening: CUTIE AND THE BOXER

cutieComing to Rooftop Films this Saturday, August 2: CUTIE AND THE BOXER

Zachary Heinzerling’s complex portrait of marriage, compromise, and art had its world premiere this year at Sundance. Since then, it has screened extensively, including True/False, San Francisco, Tribeca, Sarasota, Karlovy Vary, Nantucket, and Provincetown, and will bow theatrically later this month.

I profiled the doc prior to Sundance here.

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In Theatres: RISING FROM ASHES

RisingFromTheAshes_450x250Coming to theatres this Friday, August 2: RISING FROM ASHES

TC Johnstone’s look at the development of a Rwandan athletic team made its debut at last year’s Hamptons. Its fest circuit has included Denver, Bahamas, Dallas, Austin, RiverRun, and Santa Barbara.

At the outset of the Rwandan genocide, the possession of a simple bicycle as a means of escape literally meant the difference between life and death for many. More than a decade after the violence, the rebirth of competitive cycling in the nation may hold the promise of reconciliation. At least that’s the hope of Tom Ritchie, one of the creators of the mountain bike, and an initially hesitant Jock Boyer, a former Tour de France competitor, who set out to form and train the Rwandan National Cycling Team, composed of both Hutus and Tutsis. Johnstone’s inspirational and beautifully shot film chronicles their six-year mission to get the team in shape to compete at the London Olympics, profiling various athletes and the personal impact their country’s tragic past has had on them. Demonstrating the power of sports to bridge deep-set cultural and historical divides, the talented young men bond as a team, across ethnic lines, at times even poignantly sacrificing their own glory for the good of a would-be traditional “enemy” turned ally.

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Special Screening: THE EXPEDITION TO THE END OF THE WORLD

expeditionComing to Rooftop Films tomorrow, Thursday, August 1: THE EXPEDITION TO THE END OF THE WORLD

Daniel Dencik’s ridealong to the Arctic Circle made its bow at CPH:DOX last year. It has gone on to screen extensively, including at True/False, Docville, Thessaloniki Doc, Planete+ Doc, Karlovy Vary, Los Angeles, AFI Docs, and Traverse City.

I included the doc in my True/False coverage here.

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On Cable: OUR NIXON

our nixonComing to CNN this Thursday, August 1: OUR NIXON

Penny Lane’s behind-the-scenes tour through Nixon’s administration had its world premiere at Rotterdam earlier this year. Additional fest slots included SXSW, New Directors/New Films, Los Angeles, Ann Arbor, Nantucket, Seattle, AFI Docs, and Traverse City, among others. The film will also receive a national theatrical rollout beginning at the end of August via Cinedigm.

I previously wrote about the doc out of SXSW here.

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On VOD: RADIO UNNAMEABLE

Coming to VOD today, Tuesday, July 30: RADIO UNNAMEABLE

Paul Lovelace and Jessica Wolfson’s portrait of a WBAI radio legend debuted at Full Frame last year. Its fest circuit also included berths at Silverdocs, Big Sky, BAMcinemaFest, and Sarasota, among others. After a limited theatrical release, the doc comes to iTunes, XBOX, and Playstation via FilmBuff.

I previously wrote about the film out of Silverdocs here.

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Traverse City 2013: Documentary Overview

Anderson_TraverseCityFilmFestivalThe 9th annual edition of Michael Moore’s Traverse City Film Festival technically begins tomorrow, Tuesday, July 30, and runs through Sunday, August 4, but “pre-festival” screenings have actually been taking place since Saturday afternoon. The festival offers its audiences the opportunity to experience a wide selection of “just great movies,” representing standouts from larger festivals like Sundance and SXSW, as well as a sampling of brand new films and some retrospectives. Among these are more than forty documentary features, including its Centerpiece slot, Chiemi Karasawa’s ELAINE STRITCH: SHOOT ME, and the following:

Sole-SurvivorScreening as part of the pre-fest “Friends Only” show was the world premiere of Ky Dickens’ SOLE SURVIVOR (pictured), recounting the experiences of people who miraculously survived plane crashes. Also exploring a tragic air accident is Kristina Borjesson’s TWA FLIGHT 800, which investigates claims made by whistleblowers of a cover-up. Robert Greenwald’s WAR ON WHISTLEBLOWERS: FREE PRESS AND THE NATIONAL SECURITY STATE takes as its subject the fates facing those who would publicly reveal government wrongdoing.

This-is-What-Winning-Looks-Like_1Other newer or lesser-seen docs appearing at the festival are Ben Anderson’s THIS IS WHAT WINNING LOOKS LIKE (pictured), about the transition facing Afghanistan as US forces leave the war-torn country to its own security and defense forces; Shosh Shlam and Ada Ushpiz’s GOOD GARBAGE, following Palestinian men and boys as they attempt to support their families by picking through garbage at a Hebron dump; and Jane Gillooly’s SUITCASE OF LOVE AND SHAME, an auditeuristic exploration of a 1960s affair conducted through tape recordings. Finally, of special note is Traverse City’s tribute to Michael Apted with a retrospective screening of all the docs in the UP series.

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Special Screening Redux: THE CENTRAL PARK FIVE

central park 5Rooftop Film’s previously cancelled screening of Sarah Burns, David McMahon, and Ken Burns’ doc will now take place tomorrow, Tuesday, July 30.

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In Theatres: SMASH & GRAB

smashComing to NYC’s Film Forum this Wednesday, July 31: SMASH & GRAB: THE STORY OF THE PINK PANTHERS

Havana Marking’s exploration of the notorious jewel thief gang had its world premiere at IDFA last year. It went on to screen at Sheffield and the East End Film Festival.

I previously wrote about the doc out of Amsterdam here.

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In the Works: JESSE HEIMAN: WORLD’S GREATEST EXTRA

Can a background extra use an appearance in a Super Bowl commercial to become a leading man?

jesse heiman extraLike so many others, Jesse Heiman moved to Los Angeles hoping to become successful in the entertainment business. Lacking contacts, training, and a job, he signed up for background extra work. His distinctive, unusual looks have led to steady work ever since, garnering split-second appearances in the backgrounds of scores of popular films and TV series. After a Swedish man began to notice Heiman popping up in various films, he compiled these appearances in a YouTube video that heralded the young actor as the “World’s Greatest Extra.” That video went viral, leading to a guest appearance on Leno, and, most significantly, a Super Bowl commercial for GoDaddy. With this set up, director/producer Nick Weis and producer/editor Emily Carroll follow Heiman for the next year, to see if this newfound attention can be harnessed into lasting fame, or if instead he’s destined to return to the shadowy backgrounds while others take the spotlight. Continue reading →

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