Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

2013 Sundance Docs in Focus: GOOGLE AND THE WORLD BRAIN

POSTER7-735x1024Continuing my spotlight on this year’s World Cinema Documentary Competition: From the UK/Spain, Ben Lewis’ GOOGLE AND THE WORLD BRAIN, about the international controversy behind the Internet giant’s quest to copy the world’s books.

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In the Works: WHO TOOK JOHNNY

The makers of BATTLE FOR BROOKLYN profile a determined mother who searches for her missing son – more than thirty years after his disappearance.

who took johnnyOn September 5, 1982, twelve-year-old Johnny Gosch went on his regular newspaper delivery route in West Des Moine, IA. He was never seen again – except as the first missing child whose photo appeared on the side of a milk carton. His mother, Noreen, facing inadequate action from the authorities, began a personal mission to find out what happened to Johnny – a quest that continues to today. In the face of strange theories and unconfirmed sightings, Noreen persists in her work, not only for her son, but for other missing children, helping to save other parents from the pain she has endured for decades. The filmmakers behind Rumur – David Beilinson, Suki Hawley, and Michael Galinsky – tell Noreen’s story, with the goal of shedding light on Johnny’s fate. Continue reading →

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2013 Sundance Docs in Focus: FIRE IN THE BLOOD

fire in the bloodNext up in Sundance’s 2013 World Cinema Documentary Competition: From India, Dylan Mohan Gray’s FIRE IN THE BLOOD, on the battle to secure affordable treatment for AIDS in the developing world.

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2013 Sundance Docs in Focus: FALLEN CITY

fallen cityMoving over to the 2013 World Cinema Documentary Competition: From China, Qi Zhao’s FALLEN CITY, a meditation on the aftermath of the devastating 2008 Sichuan earthquake.

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2013 Sundance Docs in Focus: VALENTINE ROAD

valentine roadToday’s Sundance doc profiles open with the sixteenth and final film in the 2013 US Documentary Competition: VALENTINE ROAD, Marta Cunningham’s insightful investigation into a fatal school shooting.

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2013 Sundance Docs in Focus: TWENTY FEET FROM STARDOM

twenty feet from stardomWrapping up today’s profiles is the penultimate film in the 2013 Sundance US Documentary Competition: Morgan Neville’s TWENTY FEET FROM STARDOM, a celebration of music’s largely unheralded backup singers.

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2013 Sundance Docs in Focus: NARCO CULTURA

narco culturaHeading into the final stretch of this year’s US Documentary Competition: Shaul Schwarz’s NARCO CULTURA, about the impact of Mexico’s drug wars on Mexican and Latino-American pop culture.

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2013 Sundance Docs in Focus: MANHUNT: THE SEARCH FOR OSAMA BIN LADEN

manhuntThe 2013 Sundance US Documentary Competition sees the premiere of alum Greg Barker’s newest film: MANHUNT: THE SEARCH FOR OSAMA BIN LADEN, tracing the CIA’s efforts to stop the al Qaeda mastermind.

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In Theatres: MY BROOKLYN

my brooklynComing to Brooklyn’s reRun Theater this Friday, January 4: MY BROOKLYN

Kelly Anderson and Allison Lirish Dean’s exploration of gentrification made its premiere at last year’s Brooklyn Film Festival, picking up an audience award. Since then, it has had a number of largely Brooklyn-focused community and grassroots screenings, as well as the Red Hook and Lund, Sweden’s International Architecture fests.

The film’s tagline, THE BATTLE FOR THE SOUL OF A CITY, signals both its personal and public focus, pointing out the wide-ranging social, cultural, and historical impact of gentrification on an area, and the passion the issue engenders from stakeholders on both sides of the debate. Anderson deliberately positions herself within this complex story of Brooklyn’s gentrification, both as an early gentrifier – moving to the borough in 1988 to take advantage of the cheaper rents – and as its victim – changes to her neighborhood pricing her out of her longtime home. As Anderson and her neighbors face the controversial redevelopment of the Fulton Mall – a consistently profitable shopping district with a cherished history that has long catered largely to the areas African American population – she profiles a number of the individuals whose livelihood and homes will be affected, while also candidly acknowledging the contradictory feelings she experiences about the proposed changes. Smartly, however, Anderson expands the scope of her film beyond the strictly personal – and beyond the specificity of Brooklyn – to consider the factors that come to play in gentrification in general, both historically and in the present: class, race, politics, economics, and, greed. The result is a film that intelligently confronts a phenomenon that is more and more common around the world, but one that many would rather not directly address.

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Happy New Year!

sundance 2013 logoI hope everyone had a safe and fun New Year’s Eve last night. In recognition of the holiday, w(n)td is taking a break from regular posting until tomorrow, when the film-by-film profiles of the 2013 Sundance Film Festival documentary line-up will resume. The US Documentary Competition will wrap up later this week – if you missed any, the series starts here. Happy 2013!

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