Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: YOU’RE LOOKING AT ME LIKE I LIVE HERE AND I DON’T

Coming to PBS’ Independent Lens this Thursday, March 29: YOU’RE LOOKING AT ME LIKE I LIVE HERE AND I DON’T

Scott Kirschenbaum’s intimate exploration of the life of a woman with Alzheimer’s made its premiere last fall at Camden. It has also screened at Big Sky, in addition to universities and senior program centers.

Lee Gorewitz suffers from Alzheimer’s and tries to make sense of her daily life in a nursing home in this smart, sensitively-drawn verité portrait. Fittingly, Kirschenbaum’s filmmaking and structure seem to approximate Lee’s experiences – there’s an unusual sense of stasis to the pacing, mimicking the Alzheimer’s patient’s inability to understand or remember the passage of time. The result is a film that is strangely, compellingly watchable, but also often somewhat frustrating – but that’s not a complaint, as it’s wholly appropriate and engenders a tangible feeling of empathy for Lee’s plight. In hand with this are the attempts of the filmmaker to interview Lee – a largely futile, but at the same time revelatory experience for the audience. Throughout the film, the viewer is simultaneously placed in her position, but is also made aware of the voyeurism that’s at play in watching her, heartbreakingly summed up by the film’s title.

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On DVD: THE WAR ROOM

Released on DVD last week by the Criterion Collection: THE WAR ROOM

Legendary Direct Cinema filmmakers Chris Hegedus and DA Pennebaker premiered their film at Toronto in 1993. It later went on to screen at the New York Film Festival and Berlin, among others, and enjoyed a limited theatrical release. The film was nominated for an Academy Award for Best Documentary the following year.

Embracing the still largely pre-Internet media in a way unlike any previous Presidential candidate, then Governor Bill Clinton gave permission for Hegedus and Pennebaker to film the goings-on at this campaign center in Little Rock AR, the source for their film’s title. While Clinton is occasionally on-camera, the real stars of the doc are lead campaign strategist James Carville and communications director George Stephanopoulos, the masterminds behind Clinton’s 1992 win over incumbent President George HW Bush. Embedded, the filmmakers follow these two men from the New Hampshire Democratic primary through the November election, hitting highlights along the way, including the Gennifer Flowers tabloid scandal, the emergence of Ross Perot as a contender, and dramatic shifts in opinion polls that left the outcome of the campaign in question. Nearly twenty years later, the film remains absolutely compelling, and its infectiously likable subjects as they steer Clinton’s ship to the White House. It’s a remarkable achievement, placing the machinery of election campaigning under scrutiny in a clear manner, from media spinning to speechwriting to analysis of even the most seemingly inconsequential items like the kind of lettering to feature on campaign signs – and all of it always compulsively watchable. This doc set the standard for all campaign docs that have followed, and it’s still the best.

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On DVD: EL BULLI: COOKING IN PROGRESS

Coming to DVD tomorrow, Tuesday, March 27: EL BULLI: COOKING IN PROGRESS

Gereon Wetzel premiered his mouthwatering behind-the-scenes look at a top restaurant at IDFA in 2010. The film screened extensively at festivals since then, and was released theatrically last Summer.

I wrote about the film upon its theatrical release here.

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In the Works: IN THEIR ROOM: LONDON

A celebrated documentary series about gay men and intimacy crosses the Pond.

Filmmaker Travis Mathews has spent the last several years filming gay men in various cities in self-reflection, all from the privacy of their bedrooms. Attaining a remarkable closeness with his subjects, Mathews encourages them to open up about things they might never articulate publicly, from erotic fantasies to confessions of deep-seated fears. The result is an unusually revelatory peek into the private thoughts and lives of gay men. After successful episodes filmed in San Francisco and Berlin, the next stop is London, for an hour-long piece. Continue reading →

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Thessaloniki Documentary Festival 2012 in Brief, Part Three: True Crime

Wrapping up my thoughts on the Thessaloniki Documentary Festival (part one, covering Greek films may be found here, and part two, looking at international portraits may be found here, while Indiewire articles are here and here), today’s post looks at a surprising number of films dealing primarily with prisons or crime. Continue reading →

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In Theatres: THE ISLAND PRESIDENT

Coming to NYC’s Film Forum next Wednesday, March 28 and SF on Friday, March 30: THE ISLAND PRESIDENT

Jon Shenk’s portrait of the climate change activism of the recently deposed President of the lowest-lying country in the world made its premiere last Fall with berths at Telluride and Toronto, winning the People’s Choice Award at the latter event. Since then, it has screened at DOC NYC and Thessaloniki Doc Fest, among others. Samuel Goldwyn picked up the the film for theatrical distribution, expanding it next month to Los Angeles, Washington DC, San Diego, Minneapolis, and Detroit, with additional cities planned.

One of the most popular films debuting on the Fall circuit, Shenk’s doc benefits from a camera-friendly subject, the charismatic President of the Maldives, Mohamed Nasheed. Granted impressive behind-the-scenes access to Nasheed’s domestic and world affairs, Shenk presents a confident, likable figure, having served as a freedom fighter and credited by many as bringing democracy to his country. Made up of a series of islands, the Republic of Maldives is threatened to vanish if projections of sea-level changes come to pass. The charismatic Nasheed sees the opportunity to bring a spotlight to this serious issue through the Copenhagen Climate Change talks, becoming a kind of everyman hero in the process. A thoroughly satisfying film, it unfortunately has just received an entirely unanticipated coda: Last month, a coup d’etat forced Nasheed from the presidency. Showcasing what he was able to accomplish in his first year in office, perhaps the doc can help mobilize awareness and support to eventually reinstate him.

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Thessaloniki Documentary Festival 2012 in Brief, Part Two: Portraits

Earlier this week, Indiewire posted my articles about the Thessaloniki Documentary Festival here and here, while I included some expanded thoughts on the Greek selections here. TDF screens more than just Greek films, so many in fact that I’m splitting up my post on the international selections into two: Today’s covers a number of portraits of places and people, while the next will focus on a thematic of crime and prisons. Continue reading →

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On DVD: CORMAN’S WORLD

Coming to DVD next Tuesday, March 27: CORMAN’S WORLD: EXPLOITS OF A HOLLYWOOD REBEL

Alex Stapleton’s portrait of a truly indie producer premiered at Sundance last year before appearing at Cannes, Karlovy Vary, Deauville, Pusan, and the New York Film Festival. It had a limited theatrical release this past Winter.

I wrote about the film before Sundance here.

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Thessaloniki Documentary Festival 2012 in Brief, Part One: Greek Docs

Yesterday I returned from five nights in Greece, where I attended the Thessaloniki Documentary Festival for the first time. I wrote about the event at more length for Indiewire here and highlighted a number of docs in progress presented at the event here. Since I didn’t write about too many specific films in Iw, my usual fest roundup of films watched will be covered here for the Greek films and in another post later this week for the international selections. Continue reading →

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Special Screening: GAEA GIRLS

Coming to NYC’s 92YTribeca this Friday, March 23: GAEA GIRLS

UK director Kim Longinotto and her sometime collaborator Jano Williams premiered their look at Japanese female wrestlers at Toronto in 2000. It screened at the Thessaloniki Documentary Festival, Chicago, and AFI Fest the same year, picking up awards at the latter two. After extensively touring the LGBT circuit the next year, including NewFest, Frameline, and Outfest, it received a limited theatrical release.

The acclaimed co-directors of SHINJUKU BOYS and DREAM GIRLS returned to those films’ Japanese setting for this gripping documentary exploration of the world of the professional women wrestlers known as the Gaea Girls. Taking a purely observational approach, Longinotto & Williams allow their powerful footage to speak for itself. The naive recruits of the Gaea training camp aspire to be professionals, but first they have to survive the tough-love charge of the arrogant coach, Nagayo Chigusa, and the physically grueling and mentally exhausting training regimen she puts them through before they get their shot in the ring. Sublimely transcending its subject matter, the doc offers a fascinating insight into the lives of young women who go against Japanese cultural dictates for women to be submissive to instead express aggression and sheer physicality.

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