Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On TV: DONOR UNKNOWN

Coming to PBS’ Independent Lens tomorrow, Thursday, October 20: DONOR UNKNOWN

Jerry Rothwell’s entertaining look at sperm donation and family connections made its world premiere at Sheffield last year before making appearances at other major fests including IDFA and Tribeca, where it snagged the Best Feature Award for the online component of the latter event.

In my coverage of IDFA for indieWIRE, I wrote:

Rothwell’s film was introduced as covering a lighter topic than many of the more social issue-oriented selections, but while perhaps not as ultra-serious in approach, its core is still thought-provoking. The titular figure is Jeffrey, a Venice Beach RV dweller who used to make a substantial amount of money by donating sperm to the California Cryobank. After some of his many biological offspring find one another thanks to an online registry database, leading to a New York Times cover story, he reveals his identity. The film focuses on one of his daughters, JoEllen, as she explains how she found more than a dozen half-siblings (so far), and sets out to meet Jeffrey in person for the first time. In the process, the film explores concepts of family and parenthood, and attains poignancy when Jeffrey’s kids and their mothers confront the reality behind who he is versus their idealized fantasies based on his donor questionnaire.

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Hamptons 2011: Docs in Brief

The Hamptons International Film Festival wrapped up its 19th edition yesterday, with awards announced at a ceremony the previous evening. Because of scheduling issues, it had been quite a few years since I’d been able to attend the festival, but I was happy to make it this year for a couple of nights. The fest has an easy-going feel while still remaining true to its upscale setting, especially with regard to its party locations. Even if the weather in October doesn’t match that of the summer season, just being in East Hampton feels like a welcome getaway from the city. While in town, I managed to see most of the docs I had hoped to, though I sadly had to leave PARADISE LOST 3: PURGATORY early to catch the jitney back into the city – for that reason, I’ll hold off writing about it until I see the epilogue. That said, my thoughts on seven other films: Continue reading →

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On Cable: MISS REPRESENTATION

Premiering on OWN as part of Oprah’s Documentary Club this Thursday, October 20: MISS REPRESENTATION

Jennifer Siebel Newsom tackles media objectification of women in her documentary debut, which premiered earlier this year at Sundance and has gone on to a healthy festival run since. After an Oscar-qualifying run this summer via DocuWeeks, the film makes its cable bow with the endorsement of the queen of media, Oprah.

I profiled the film before Sundance here.

Support the OWN Documentary Club by tuning in Thursday at 9pm!

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In Theatres: BEING ELMO

Coming to theatres this Friday, October 21: BEING ELMO: A PUPPETEER’S JOURNEY

Constance Marks brought her portrait of the man behind Elmo to Sundance for its world premiere, picking up a Special Jury Prize in the process. Additional awards have followed at other fests since then.

My pre-Sundance profile may be found here.

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On Cable: SING YOUR SONG

Coming to HBO tonight, Monday, October 17: SING YOUR SONG

Susanne Rostock’s biography on performer/activist Harry Belafonte premiered at the beginning of the year at Sundance. Since then, it has screened at numerous additional festivals, and makes its cable premiere with HBO.

My pre-Sundance profile of the film may be found

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On DVD: BEATS, RHYMES & LIFE

Coming to DVD tomorrow, Tuesday, October 18: BEATS, RHYMES & LIFE: THE TRAVELS OF A TRIBE CALLED QUEST

Michael Rapaport brought his documentary directorial debut to Sundance for its world premiere. It was released theatrically this summer by Sony Pictures Classics.

I profiled the film before Sundance

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In the Works: I AM DIVINE

John Waters’ inimitable and outrageous muse gets the bio doc treatment by the filmmaker who’s already crafted the definitive portraits of porn star Jack Wrangler, activist Vito Russo, and filmmaker showman William Castle.

Jeffrey Schwarz adds another larger-than-life character to his already impressive list of film biographies with this portrait of Harris Glenn Milstead, better known as the one and only Divine. Through his outrageous collaborations with John Waters, the Baltimore native became heralded the world over as the queen of trash cinema and a symbol of proud non-conformity. The imposing Divine took drag to a new, confrontational, and almost surreal extreme, creating an unforgettable persona who was always the standout of Waters’ films until her untimely death in 1988. I AM DIVINE aims to capture Milstead’s – and Divine’s – lives through her work, rare archival footage, and interviews with those who knew the performer best.

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On DVD: PAGE ONE

Coming to DVD next Tuesday, October 18: PAGE ONE: INSIDE THE NEW YORK TIMES

Director Andrew Rossi premiered his in-depth study of the Gray Lady at Sundance. The film went on to screen at numerous other festivals and had a limited theatrical release this summer.

I profiled the doc before Sundance here.

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Dear Documentary Filmmakers: Advocacy

Dear Documentary Filmmakers: Are these endless scenes of committee meetings supposed to win me over to your cause?

Social issue documentary can be an incredibly important and potentially powerful tool to instill change. Done properly, it can help strengthen the support of those already on your side, and, ideally get the word out to educate others on your issue and hopefully win new supporters. Mishandled, your doc makes no difference, reaches no one, and has cost you time and resources that could have served your cause better in another way.

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In Theatres: BOMBAY BEACH

Coming to NYC’s IFC Center this Friday, October 14 and LA’s Laemmle’s Sunset 5 next Friday, October 21: BOMBAY BEACH

Noted music video director Alma Har’el made her doc feature directorial debut about California’s barren Salton Sea and its residents. The film premiered at Berlin, then went on to claim Best Documentary at this year’s Tribeca. It’s screened at numerous festivals since then, and claimed a Special Jury Award at Sheffield.

I wrote about the film out of Tribeca here.

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