Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

Hamptons International Film Festival 2011: Documentary Overview

For nearly twenty years, the Hamptons has served as a perfect opportunity to escape the city for a long weekend of well-selected films and well-heeled events in New York’s legendary getaway seaside communities. Taking place post-season, the festival caters more to the year-round locals than to the summer crowd, but also draws an impressive number of industry from NYC for a more casual cinema-going experience.

It’s been a few years since my schedule has allowed me to attend, but I’m hoping to make it for a couple of evenings later this week – the festival opens this Thursday and wraps on Monday. Documentaries are regularly represented in the fest’s “Films of Conflict & Resolution” strand, some of which are also part of the documentary competition. This year, the Hamptons screens thirty new feature-length docs. Continue reading →

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On DVD: ARMADILLO

Coming to DVD next Tuesday, October 18: ARMADILLO

Janus Metz’s riveting portrait of Danish soldiers in Afghanistan made its debut at Cannes last year, where it won Critics Week, and kicked off an extensive festival run that included Karlovy Vary, Toronto, and London, among others. Kino Lorber gave the film a theatrical release this past spring.

I wrote about the film out of Toronto here.

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In Theatres: CONNECTED

Coming to NYC’s Angelika this Friday, October 14: CONNECTED

Tiffany Schlain’s directorial debut about technology and interdependence premiered at Sundance. The film already screened theatrically in California and Seattle, expanding for a one-week NYC run this Friday.

I profiled the film before Sundance here.

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In Theatres: THE SWELL SEASON

Coming to LA’s Downtown Independent today, Friday, October 7, with additional cities later this month and next: THE SWELL SEASON

A trio of directors follow the real-life story of the couple from the Academy Award-winning ONCE in this intimate doc, which premiered at Tribeca and opened Silverdocs.

I wrote about the film out of Tribeca here.

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Dear Documentary Filmmakers: Meta

Dear Documentary Filmmakers: Your struggles to make your film are too insular to serve as its focus.

I’ve already written at length about the unfortunate trend of filmmakers including themselves in their documentaries when their presence is not really necessary, so I’m not going to dwell too much on that issue here. My concern here is related, but broader – meta filmmaking.

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In Theatres (Again): HELL AND BACK AGAIN

Coming to theatres this Friday, October 7: HELL AND BACK AGAIN

War correspondent Danfung Dennis made his documentary feature debut at Sundance earlier this year with his portrait of a soldier back from war. After picking up two jury awards there, the film has screened extensively and had an Oscar-qualifying run this summer as part of Docuweeks.

My pre-Sundance profile of the film may be found here.

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In Theatres: INCENDIARY

Coming to NYC’s IFC Center this Friday, October 7: INCENDIARY: THE WILLINGHAM CASE

Steve Mims and Joe Bailey Jr’s exposé of a case of alleged arson and murder premiered at SXSW earlier this year, where it picked up the Louis Black/Lone Star Jury Award. With the tragic consequences of the death penalty recently in the headlines with the Troy Davis case, this release is timely.

I wrote about the film out of Silverdocs here.

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In Theatres: EVERYDAY SUNSHINE

Coming to Brooklyn’s reRun Gastropub Theatre for one week beginning this Friday, October 7: EVERYDAY SUNSHINE: THE STORY OF FISHBONE

Lev Anderson and Chris Metzler’s in-depth profile of the acclaimed alternative band made its premiere at the Los Angeles Film Festival last year and has played the festival circuit extensively. reRun hosts the film’s NYC theatrical premiere.

I wrote about the film out of SXSW here.

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Special Screening: LA TOMA/THE SIEGE

Coming to NYC as part of Latin Media and Entertainment Week this coming Monday, October 3: LA TOMA/THE SIEGE

Angus Gibson and Miguel Salazar’s gripping account of the 1985 siege of Bogota, Colombia’s Palace of Justice made its US premiere earlier this summer as part of the Human Rights Watch Film Festival. Cinema Tropical brings the film back to NYC during LMEW for a free screening at the New York Times Building (to attend RSVP as directed at the LMEW link above).

The film relates the shocking assault on the government building that housed Colombia’s Supreme Court by a guerilla group known as M-19. For 27 hours, the guerillas hold hundreds of citizens hostage, including the Supreme Court Justices. After the military breaks the siege in a violent firefight, scores are dead, but, strangely, a dozen people vanish. Despite denials, many believe they were “disappeared” by the government for alleged collaboration with the guerillas, and 25 years later, their families lead the charge to find out what happened that day. To tell the story, Gibson and Salazar employ remarkable footage of the siege that was shot on the ground as the action unfolded, lending the doc a freshness and immediacy that is truly riveting. Unlike many other films about the disappeared, the film’s focus on a trial against the leader of the military operation, Colonel Plazas Vega, provides a welcome sense of resolution to the story. With such instances of people “vanishing” sadly all-too-common in other regimes in Central and South America, the families’ case resonates with hope for a return to justice.

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indieWIRE @ Hulu Docs: Jewish Portraits

In commemoration of Rosh Hashanah, this week’s indieWIRE-curated Hulu documentaries offers up a series of unique portraits of Jewish lives and Jewish identity, past and present. View all of these docs for free now!

For more information about the selections, see my iW article.

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