Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In the Works: THE HISTORY OF THE UNIVERSE AS TOLD BY WONDER WOMAN

Kristy Guevara-Flanagan, whose documentary feature debut about female adolescence, GOING ON 13, premiered at Tribeca, continues to focus on “girl power” by exploring female superheroes, and perhaps their most famous representative, Wonder Woman, in her new feature documentary.

Through an exploration of the seventy year history of DC Comics’ Amazon princess and other heroines, THE HISTORY OF THE UNIVERSE AS TOLD BY WONDER WOMAN explores how our culture navigates female identity and empowerment, and the need for powerful, non-sexualized examples of women role models. The twists and turns of the character’s history and representation serves as a case study of modern women’s experiences. Featuring commentary from Lynda Carter, who played the character in the 1970s TV series; Lindsay Wagner, known for another popular female TV hero, THE BIONIC WOMAN; feminist activist Shelby Knox; comic book creators; and more, the film aims to provide a rounded view of women’s place in not only the superhero landscape but in pop culture in general.

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On DVD: THE WINDMILL MOVIE

Coming to DVD next Tuesday, March 22: THE WINDMILL MOVIE

A film more than twenty-five years in the making, THE WINDMILL MOVIE began as an autobiographical project by filmmaker Richard P Rogers, but was left unfinished upon his death in 2001. His former student, photographer Alexander Olch, was brought on to construct a film out of Rogers footage, and the result, his feature debut, had its world premiere at the New York Film Festival in 2008 before going on to a theatrical run at Film Forum in the summer of 2009.

Given this background, THE WINDMILL MOVIE is nothing if not unusual – an autobiographical documentary created by someone else, using a hybrid of fiction and non-fiction to tell Rogers’ story – that of a skilled filmmaker who was nonetheless tortured by unfulfilled success, who carefully documented his life yet still managed to stop short of truly revealing himself. With the help of Rogers’ wife, photographer Susan Meiselas, Olch skillfully found a way to shape the hundreds of hours of footage into an intriguing, poignant, and evocative portrait – one that Rogers might frustratingly have been unable to create, but likely would have approved of. At the same time, the film offers a metacommentary into the construction of fact vs fiction, making it essential viewing for other documentary filmmakers.

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On DVD: WASTE LAND

Coming to DVD tomorrow, Tuesday March 15: WASTE LAND

I offered my thoughts on Lucy Walker’s Oscar-nominated documentary upon its theatrical release here.

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Special Screening: HARLAN COUNTY USA

Closing out the Winter season of NYC’s Stranger Than Fiction next Tuesday, March 15: HARLAN COUNTY USA

Premiering at the New York Film Festival, Barbara Kopple’s portrait of striking Kentucky coal miners took home the 1976 Academy Award for Best Documentary Feature, as well as a special award from the Los Angeles Film Critics Association. Recognized as one of the most significant documentaries on organized labor made in the US, it was added to the US National Film Registry in 1990, the second year of its existence.

Even after 35 years, HARLAN COUNTY USA still retains its impact and relevance, especially given the ongoing controversy in Wisconsin over union rights. The men and women profiled in Kopple’s film wage a long and bitter strike for better working conditions and wages, often facing violence from thugs hired as strikebreakers. Living among the families affected, Kopple and her team themselves face some of this violence as shown in a particularly memorable scene in this beautifully shot and paced documentary. Of note is the focus the film places not only on the striking male workers, but on their wives, strong women who show themselves to be effective organizers and partners in their families’ struggles for a better life.

The event will include a Q&A with Kopple.

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On DVD: THE PARKING LOT MOVIE

Coming to DVD this coming Tuesday, March 15: THE PARKING LOT MOVIE

Director Meghan Eckman made her documentary feature debut with this look at Charlottesville, VA’s Corner Parking and its many attendants through the years. The film premiered at SXSW last year and went on to screen at Hot Docs, BFI London, and RIDM, among others. It had a limited theatrical release via the reRun Gastropub Theater this past August and also screened on Independent Lens in the Fall.

THE PARKING LOT MOVIE is an incredibly likeable film – Eckman ‘s subjects, the owner and past and present employees of the small business, are an eclectic group, perhaps unified in a general slacker nature. Beyond that, with the film’s small college town setting, many of the attendants are or were students, hailing largely from the anthropology and sociology department, and as a result are prone to philosophizing about their experiences, even as they relate anecdotes about cheapskate customers and drunk frat boys looking to pick a fight while they’re on duty. After all, as the film’s tagline reminds us, “It’s not just a parking lot, it’s a battle with humanity.” It’s a doc that anyone who’s ever suffered the tedium of and frustration with an unskilled job can relate to, and bears a look now that it’s coming to DVD.

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indieWIRE @ Hulu Docs: SXSW Flashback

Since SXSW opens tomorrow, I decided to curate a selection of past SXSW film selections for Hulu’s Documentaries page for indieWIRE. View all of these docs for free now!

For more information about the selections, see my iW article.

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SXSW 2011: Documentary Overview

SXSW begins this Friday. I’ve been fortunate to be able to attend the festival for the past two years – the first as a member of the Documentary Competition Jury, and the second with THE CANAL STREET MADAM premiering in that same category – and am returning for a third year, this time mostly to watch films, though I will be taking meetings with filmmakers as a programming Mentor.

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On VOD: OCTOBER COUNTRY

Now available on iTunes: OCTOBER COUNTRY

The ubiquitous filmmakers Michael Palmieri and Donal Mosher are a welcome sight at whatever festival they come through – I just saw them at True/False this past weekend. I’ve previously written about their beautiful film here.

To access OCTOBER COUNTRY via iTunes, click here.

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In the Works: GRANITO Oscar Qualification

Earlier this year, director Pamela Yates brought her sixth documentary to Sundance in the new Documentary Premieres section: GRANITO revisits the story of her award-winning 1982 film, WHEN THE MOUNTAINS TREMBLE, which unexpectedly becomes a key piece of evidence of the genocide perpetrated against the Mayan people by the Guatemalan government. I profiled GRANITO in advance of Sundance here.

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True/False 2011 in Brief

My indieWIRE article covering the just-completed 2011 True/False Film Festival in Columbia, MO is now up here.

As a quick clarification – I didn’t catch every film that screened during the four-day festival, and didn’t write about the films that I’d already seen elsewhere. The eight I wrote about at length generally spoke to the two themes I noticed emerging, and I didn’t mean to suggest that these were the only films worth a look, despite the article’s title. There are a number of other films that are well worth seeing, including titles I profiled in anticipation of their Sundance launch (beginning here, and including, to name just a few, THE INTERRUPTERS, PAGE ONE, THE REDEMPTION OF GENERAL BUTT NAKED, and RESURRECT DEAD), films from Toronto and/or IDFA (ARMADILLO, FAMILY INSTINCT), and others viewed at T/F including THE PRUITT-IGOE MYTH and BLOOD IN THE MOBILE, among others.

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