Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

On DVD: TEENAGE PAPARAZZO

Coming to DVD this Tuesday, March 29: TEENAGE PAPARAZZO

ENTOURAGE star Adrien Grenier turns the camera on a young paparazzo in his provocative Sundance 2010 documentary – I wrote about the film upon its HBO debut this fall here.

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Special Screening: RESURRECT DEAD: THE MYSTERY OF THE TOYNBEE TILES

Opening the Spring Season of NYC’s Stranger Than Fiction this coming Tuesday, March 29: RESURRECT DEAD: THE MYSTERY OF THE TOYNBEE TILES

Jon Foy’s debut documentary was among my favorites at this year’s Sundance, where Foy won the jury award for directing. My thoughts on the film could be found here.

Note: There will be a Q&A with director Jon Foy after the screening.

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Special Screening: THE PIPE

Coming to NYC’s Stranger Than Fiction as a pre-Spring Season special screening this Monday, March 28: THE PIPE

After its premiere at Toronto last September, I offered brief thoughts on Risteard Ó Domhnaill’s doc on the impact of a natural gas pipeline on a small Irish village here.

Note: There will be a Q&A with director Risteard Ó Domhnaill & producer Rachel Lysaght after the screening.

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In the Works: VIGILANTE VIGILANTE: THE BATTLE FOR EXPRESSION

San Francisco Bay Area filmmaker Max Good (assistant producer, THE MOST DANGEROUS MAN IN AMERICA: DANIEL ELLSBERG AND THE PENTAGON PAPERS) takes a distinctly different look at street art in his feature documentary directorial debut, focusing on anti-graffiti activists.

In VIGILANTE VIGILANTE, Good and producer Nate Wollman track down four men who have made it their missions to clean up their cities from graffiti in its various forms – artwork, tags, stickers, and posters – usually by painting over it. As a result, they’ve started to become condemned not only by graffiti artists whose work they destroy, but also by authorities and other critics who note that the anti-graffiti vigilantes are themselves engaging in the same behavior of their sworn nemeses. In 2008, Good noticed a particular back-and-forth battle being waged between one subject, known as “the Silver Buff” or “Buffman” (“buffing” is the term used to describe removing or painting over the street art), and graffiti artists in Berkeley and set out to get the story.

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New Directors/New Films 2011: Documentary Overview

The 40th edition of New Directors/New Films, a co-presentation of the Museum of Modern Art and the Film Society of Lincoln Center, begins this Wednesday, March 23 and runs through Sunday, April 3.

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Call for Submissions: 2011 Wallabout Film Festival

This semester, I have been teaching an undergraduate course at Pratt which culminates in the 3rd annual Wallabout Film Festival, a student-run student film festival that will take place on Wednesday, April 20 at the landmark BAM Rose Cinemas in Brooklyn. The event should be an interesting bit of counterprogramming to a certain larger Manhattan-based festival that launches the same night…

Technically the submission deadline is today, but for readers of my blog (and anyone to whom you spread the word, which I strongly encourage), I can extend the deadline until the end of this week, Friday, March 25. My students would love to take a look at US or international short films of any genre, 10 minutes or less, provided they are made by students (current or within one year of graduation). Submission is free! For more information on submitting, click here.

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SXSW 2011: Docs in Brief, Part Two: Non-Competition

In this second of two post-SXSW entries, I’m offering some thoughts on docs that screened outside of the main competition, including the Spotlight Premieres, Emerging Visions, 24 Beats Per Second, and SX Global sections. Take a look at part one, on the eight competition titles, here.

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In Theatres: MY PERESTROIKA

Coming to theatres, beginning with an exclusive one-week engagement at NYC’s IFC Center on Wednesday, March 23: MY PERESTROIKA

Director Robin Hessman’s feature documentary debut had its world premiere in competition at last year’s Sundance, and has been blazing through more than thirty festivals ever since, including New Directors/New Films, Hot Docs, Doha Tribeca, Sheffield, and Silverdocs and Full Frame, claiming awards at the last two. It’s now on the brink of its US theatrical premiere, with screenings scheduled in nearly a dozen locations through the beginning of the summer.

Having spent most of the 1990s living in Russia, Hessman brings a personal touch to this intimate portrait of a generation of Russians – the last generation to grow up behind the Iron Curtain. She spent five years crafting MY PERESTROIKA, finding her participants, shooting new interviews, and going through a wealth of archival footage – from Soviet propaganda to personal home movies of her five subjects, former classmates who now make up the new middle-class in Russian society, undreamt of in their childhood. By focusing her camera on the stories of ordinary people, Hessman gains extraordinary insight into the hopes and dreams, disappointments and disillusionment of the modern Russian.

Note: Hessman will be in attendance for the March 23 opening screening, and for selected shows through the weekend at the IFC Center.

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SXSW 2011: Docs in Brief, Part One: Competition

I’m back from Austin TX and another year of SXSW film, which actually continues through this Saturday night. Awards were announced on Tuesday evening, with DRAGONSLAYER (pictured) being the big doc winner with two nods. Other non-fiction features recognized included KUMARÉ, WHERE SOLDIERS COME FROM, THE CITY DARK, BECOMING SANTA, and INCENDIARY: THE WILLINGHAM CASE. For a full list of winners, check out indieWIRE‘s coverage here.

As I’ve done in the past after attending other festivals, I’ll offer some brief reactions to docs which screened at SXSW – I managed to view many of the titles I was most anticipating which I wrote about in my pre-fest overview. This post will cover all eight of the world premieres in the Documentary Competition, while tomorrow’s will focus on a selection of offerings from other sections.

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indieWIRE @ Hulu Docs: SXSW Flashback, Part Two

For many attendees of SXSW film, Austin is slowly receding as we make our way back to reality following the awards on Tuesday night, despite films continuing through Saturday. If you weren’t able to make it to Austin, or already miss SXSW’s eclectic programming, take a look at my second round of flashbacks from past editions for indieWIRE via Hulu. View all of these docs for free now!

For more information about the selections, see my iW article.

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