Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

2011 Sundance Docs in Focus: SENNA

Wrapping up this year’s World Cinema Competition is Asif Kapadia’s SENNA, from the UK, the story of the eponymous three-time Formula One world champion.

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2011 Sundance Docs in Focus: PROJECT NIM

Heading into the homestretch of this year’s World Cinema Competition is Academy Award-winning British director James Marsh’s portrait of the simian subject a unique 1970s scientific experiment, PROJECT NIM.

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2011 Sundance Docs in Focus: POSITION AMONG THE STARS

The third of three films in the World Cinema Documentary Competition that also screened at IDFA, Leonard Retel Helmrich’s POSITION AMONG THE STARS, from The Netherlands, concludes his three-film portrait of a poor Indonesian family and how they are coping with modernization.

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2011 Sundance Docs in Focus: SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE

The World Cinema Documentary Competition heads to San Francisco, care of Australian director Matthew Bate, with his SHUT UP LITTLE MAN! AN AUDIO MISADVENTURE, the behind-the-scenes story of a worldwide viral audio cult phenomenon.

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2011 Sundance Docs in Focus: FAMILY PORTRAIT IN BLACK & WHITE

The next film in the World Cinema Documentary Competition comes from Canada – Julia Ivanova’s exploration of an unusually large Ukrainian foster family, FAMILY PORTRAIT IN BLACK & WHITE.

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2011 Sundance Docs in Focus: THE FLAW

The second half of this spotlight on the World Cinema Documentary Competition begins with David Sington’s THE FLAW, from the UK, which offers a comprehensive analysis of the US financial crisis.

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Special Panel: Programming Documentary Festivals at UnionDocs

If you’re based in the NYC area or planning on being in town this coming Sunday, January 16 at 7:30pm, I’m taking part in a panel at UnionDocs, an organization that presents innovative documentary film and panel programming in Williamsburg, Brooklyn.

The panel, entitled “Why Festivals? Doc Film Fest Programmers Discuss,” examines the role of film festivals in bringing films to audiences and to the wider distribution landscape, and specifically addresses the programming process. I’m joined by Sky Sitney (Silverdocs), Charlotte Selb (RIDM – Montreal International Documentary Festival), Ben Fowlie (Camden International Film Festival), and Sally Berger (The Museum of Modern Art’s Documentary Fortnight), with UnionDocs’ Artistic Director/Founder Christopher Allen and Programmer Steve Holmgren moderating.

Read more about the panel and participants here.

Note: This post has been edited to reflect Sally Berger’s recent inclusion as a panelist.

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In Theatres: I’M DANGEROUS WITH LOVE

Opening in NYC next Wednesday, January 12: I’M DANGEROUS WITH LOVE

Veteran documentary director/producer Michel Negroponte is perhaps best known for 1995’s JUPITER’S WIFE, which won a Special Jury Prize at the 1995 Sundance Film Festival and won Best Documentary Feature at Vancouver later that year; and for 2005’s METHODONIA, which premiered at the New York Film Festival. His latest film premiered at Sheffield Doc/Fest in 2009, receiving a special mention from the international jury. It went on to be included in Doc/Fest’s Best of the Fest Tour in the spring of last year, and also screened at Stranger Than Fiction and Hot Docs, among other festivals and series.

I’M DANGEROUS WITH LOVE focuses on former drug addict and alcoholic Dimitri Mugianis, who became clean and sober through the use of the illegal hallucinogen ibogaine, which comes from Africa and is used in shamanistic rituals. Like the protagonists in Negroponte’s other films, Mugianis is decidedly an outsider, intentionally breaking the law by using the drug to help detox other addicts. Like the experimental treatment he uses, and goes through himself in order to confront his own inner demons, the film is dark and intense, exploring what drives a man on a personal crusade, and how far he is willing to go.

For more information and to purchase tickets to screenings at the IFC Center, click here.

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2011 Sundance Docs in Focus: THE BLACK POWER MIXTAPE 1967-1975

This film-by-film look at the World Cinema Documentary competition reaches the halfway point with Göran Hugo Olsson’s Swedish/US co-production, THE BLACK POWER MIXTAPE 1967-1975, an astute condensation of pivotal years in the movement from a non-American viewpoint.

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2011 Sundance Docs in Focus: THE GREEN WAVE

The second of three IDFA titles to compete for the World Cinema Documentary jury prize is Ali Samadi Ahadi’s story of the Iranian political revolution of 2009, THE GREEN WAVE, a German/Iran co-production.

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