Author Archives: basiltsiokos

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About basiltsiokos

Basil Tsiokos is a Senior Programmer for the Sundance Film Festival, focusing on nonfiction features. He was most recently with DOC NYC for nearly a decade, where he served as Director of Programming since 2014, and with the Nantucket Film Festival as its Film Program Director. Prior to those positions, Basil was the longtime Artistic and Executive Director of NewFest. He has been affiliated with Sundance since 2005 as a Programming Associate. Basil serves on the feature nominating committees for the International Documentary Association Awards and Cinema Eye Honors. He has written about documentaries daily since 2010 on what (not) to doc. Basil holds a Masters degree from New York University and two undergraduate degrees from Stanford University.

In the Works: Untitled Asexuality Documentary

A few months back, I helped indieWIRE relaunch its long-running but recently dormant monthly “In Production” column, which spotlighted upcoming films that were currently, well, in production. Together, we took a broader approach for the relaunch of the column, expanded it into a regular weekly column, and renamed it “In the Works”.

I’m always curious about what filmmakers are working on, so in addition to tweeting about iW‘s column, I’ll occasionally spotlight some of these types of projects here as well.

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On DVD: SWEETGRASS

Being released on DVD this week: SWEETGRASS

Having screened at Berlin, New York, AFI Fest, CPH:DOX, and elsewhere, Ilisa Barbash and Lucien Castaing-Taylor’s evocative documentary is a mesmerizing film that bears repeat viewings. The film follows cowboys as they bring their flocks of sheep into the Beartooth Mountains of Montana for the last time.

It’s as simple as that – man and creature against the stunning backdrop of nature. The viewer immediately adapts to the film’s natural pace and gets swept up in its imagery and its indelible sense of place, as it evokes the myth of the cowboy, the West, and the frontier.

Information on purchasing the film is available on Cinema Guild’s website. It should also be available on demand or instant Netflix.

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SummerFest: DISCO AND ATOMIC WAR

My third interview for SnagFilms’ SummerFest is up today at indieWIRE. DISCO AND ATOMIC WAR, which screened at Telluride and IDFA, tells the darkly comic story of how DALLAS and KNIGHT RIDER helped break through the Iron Curtain in Estonia (via Finland).

Watch the film for free for the next two weeks and read my interview with director Jaak Kilmi here.

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In Theatres: ENEMIES OF THE PEOPLE

Opening in NYC today, and in LA next Friday, August 6: ENEMIES OF THE PEOPLE

After premiering at IDFA at the end of 2009, Rob Lemkin & Thet Sambath’s documentary went on to screen as part of Sundance‘s World Cinema Documentary Competition this year, winning a Special Jury Prize. It’s gone on to win awards at numerous other festivals, including Full Frame, True/False, One World, Hong Kong, and the Human Rights Watch International Film Festival.

Co-Director Sambath is an integral part of this story, a journalist who spent years getting to know a number of individuals who participated in the genocide against Cambodians under the Khmer Rouge regime. He manages to get them to discuss the past on camera, revealing dark secrets that have left an indelible mark on Cambodia and its people, including survivors like Sambath, who lost multiple family members in the Killing Fields.

ENEMIES OF THE PEOPLE is a powerful personal documentary that transcends Sambath’s own story to speak to to a much larger issue – how does a country deal with the legacy of genocide?

Update: indieWIRE has an interview with Rob Lemkin here.

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SummerFest: SHOOTING ROBERT KING

My series of interviews with the directors featured in SnagFilms’ SummerFest, continues today with the second film in the series, SHOOTING ROBERT KING. The film, originally entitled BLOOD TRAIL, premiered at Toronto in 2008, and follows the titular subject, a war photographer, over the course of 15 years and three wars.

Watch the film for free for the next two weeks and read my interview with director Richard Parry here.

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On TV: EL GENERAL

Coming to POV on July 20: EL GENERAL

Natalia Almada’s film debuted in 2009 at Sundance, where she won the award for Best Documentary Director. The film was later nominated for the 2010 Independent Spirit Awards’ Truer Than Fiction Award.

Focusing on the titular figure, Almada’s great-grandfather, one of the country’s most controversial leaders who served as a general during the Mexican Revolution before serving as President from 1924-1928, EL GENERAL weaves together original and archival material from Mexico and Hollywood films in a stunningly wrought examination of both personal and national history and identity. The film succeeds in bridging together decades of history with Almada’s family memoir, uniting the public with the personal in an artful, poignant manner.

To find out more about the POV screening on PBS, click here.

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SummerFest: THE AGE OF STUPID

Over the next six weeks at indieWIRE I’ll be conducting a series of interviews with the directors featured in SummerFest, an online festival organized by SnagFilms offering free, exclusive access to notable new documentaries.

The first film in the series is the Pete Postlethwaite starring documentary/narrative hybrid on climate change, THE AGE OF STUPID. Watch the film for free for the next two weeks and check out my interview with director Franny Armstrong here.

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Sundance Institute Grants & Labs

The previous post ran down some useful information on the 2011 Sundance Film Festival. Filmmakers should remember that the festival is just one program of the larger Sundance Institute, which also offers a number of resources for filmmakers each year, including grants and labs. This post provides information on most of these programs.


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Some Notes on Sundance 2011

I’ve been a Programming Associate for the Sundance Film Festival since 2005, focusing on US Documentary Features. With the programming cycle for the 2011 festival (January 20-30) beginning, it seems like a good idea to remind filmmakers about submission deadlines and other information, if you’re aiming to have your work considered.

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Dear Documentary Filmmakers: Selection

Dear Documentary Filmmakers: Picking the right subjects to follow is so important. The ones in the film I’m watching are the right ones.

Dear Documentary Filmmakers: Two films in a row about the same exact topic? Really? sigh.

Dear Documentary Filmmakers: Next time, please try to have a point before making your film. Filming your search for one is not new or fun.

These tweets are about filmmakers doing their homework, being prepared, and making smart editorial decisions – largely before getting too far along into their projects.

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Filed under Dear Documentary Filmmakers, Documentary, Film