About: A longitudinal portrait of a historically Black South Side Chicago neighborhood as it faces destruction.
For generations, Englewood has been home for hundreds of Black families, part of a legacy that stretches back to the Great Migration. Notably, despite decades of inequities and racist policies that have historically limited the ability of many Black people to be homeowners, Englewood has beaten the odds, with half of its families owning their homes. David Schalliol’s film begins in 2012, when the Norfolk Southern railroad company has already begun to decimate Englewood, buying up property to expand its nearby rail yard. Working in concert with local politicians, all too eager to reframe the neighborhood as suffering from urban blight and to erase its long history, Norfolk Southern’s victory is sadly inevitable. Despite this, some local residents refuse to go quietly, demanding to be treated with respect and to be offered fair compensation for their homes. Schalliol follows their righteous, if Sisyphean, struggle – and the sad demise of Englewood – over five years in this sensitively observed profile.
Courtesy of Sundance Institute | photo by Black Ticket Films
WRITING WITH FIRE Rintu Thomas and Sushmit Ghosh chronicle the trailblazing work of India’s only news outlet run by Dalit women – once known as “untouchable.”
Festival Section: World Cinema Documentary Competition
About: Bob Dylan’s legendary tour from the mid-1970s is filtered through the Martin Scorsese’s distinctive lens.
The film screened as part of DOC NYC, for which our program notes read: In 1975, Bob Dylan embarked on a two-year tour that became legendary. Now Martin Scorsese draws upon footage shot on that tour to create a documentary as unique as Dylan, with fictional elements interwoven. The film includes a parade of iconic figures including Allen Ginsberg, Joan Baez, Joni Mitchell, Gordon Lightfoot, and Patti Smith.
TAMING THE GARDEN Salomé Jashi artfully captures the unusual disruption caused by the removal and transport of several massive trees from small Georgian villages.
Festival Section: World Cinema Documentary Competition
About: An expansive consideration of how the movement of Black people has been policed in American history.
Based on Gretchen Sorin’s book DRIVING WHILE BLACK: AFRICAN AMERICAN TRAVEL AND THE ROAD TO CIVIL RIGHTS, this screen version reveals the pivotal role transportation and movement have played in African American life in the 20th century. While mainstream (white) audiences were introduced to the treacherous aspects of road travel for Black individuals via Hollywood’s GREEN BOOK, Sorin and her co-director Ric Burns delve more deeply, and broadly, into the concept of the transformative possibilities – and limits – of travel by African Americans in the US, from slavery through Jim Crow, the Great Migration through the Civil Rights era and into the present day. They cover a wide swath of history, perhaps too wide – an exploration of the restrictions on the Black body for any of these periods could easily fill its own feature length treatment – but it’s an informative and insightful meditation that remains all too relevant to this day.
Swedish teenager Jonatan Leandoer Håstad found inexplicable fame online, sharing his music on SoundCloud under the alias Yung Lean. Filmmaker Henrik Burman recounts Jonatan’s unusual emergence at the age of 15, and the darker side of fame for him and his Sad Boys crew. While boasting impressive access to his subject, the director constructs a fairly by the numbers surface portrait that will register chiefly with the artist’s fanbase and leave all others scratching their heads at what all the fuss is about.