Category Archives: Documentary

2021 Sundance Docs in Focus: HOMEROOM

Courtesy of Sundance Institute | photo by Sean Havey


HOMEROOM
Peter Nicks profiles an Oakland high school class in the tumultuous year of COVID and a widespread reckoning of racial injustice.

Festival Section:
US Documentary Competition

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In Theatres/Virtual Release: THE REASON I JUMP

Coming to select theatres and to virtual cinemas tomorrow, Friday, January 8:
THE REASON I JUMP

Director:
Jerry Rothwell

World Premiere:
Sundance 2020

Select Festivals:
DOC NYC, Hot Docs, AFI Docs, Docs Against Gravity, London, ReelAbilities

About:
A profile of non-verbal autistic young people, based on the New York Times bestseller by Naoki Higashida.

My pre-Sundance profile of the doc may be found here.

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In Virtual Release: BEAUTIFUL SOMETHING LEFT BEHIND

Coming to virtual cinemas tomorrow, Friday, January 8:
BEAUTIFUL SOMETHING LEFT BEHIND

Director:
Katrine Philp

World Premiere:
SXSW 2020 (unscreened)

Select Festivals:
DOC NYC, Camden, Reykjavík, Nordisk Panorama, Haifa, Bergen, Montclair

About:
An intimate child’s eye view of a counseling center which focuses on mourning the loss of loved ones.

The film screened as part of DOC NYC, for which our program notes read:
New Jersey’s Good Grief counseling center offers a holistic approach to mourning. Filmmaker Katrine Philp presents viewers with a child’s perspective of its programs, offering an affectionate and intimate look at the lives of several children who have recently lost their parents and must navigate their grief by embracing sadness with honesty, bravery, humor, and love. The result is an enlightening film in which the students become our teachers in finding better ways of coping with loss.

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2021 Sundance Docs in Focus: CUSP

Courtesy of Sundance Institute


CUSP
Parker Hill and Isabel Bethencourt intimately chronicle the lives of three teenage girls in a Texas military town.

Festival Section:
US Documentary Competition

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2021 Sundance Docs in Focus: AT THE READY

Courtesy of Sundance Institute


AT THE READY
Maisie Crow profiles Latinx teens in El Paso as they contemplate careers in border patrol and law enforcement against the backdrop of increasing xenophobia.

Festival Section:
US Documentary Competition

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In Virtual Release: MY REMBRANDT

Coming to virtual cinemas today, Wednesday, January 6:
MY REMBRANDT

Director:
Oeke Hoogendijk

World Premiere:
IDFA 2019

Select Festivals:
Docs Against Gravity, Montclair, Vancouver, GlobeDocs, Docville, Cologne

About:
Profiles of various owners – private and institutional – of works by the Old Master.

While still limited to the elite, there are surprisingly more private owners of Rembrandt paintings than one might expect. Filmmaker Oeke Hoogendijk introduces viewers to a handful in her somewhat shambolic art world exploration, such as the amiable Richard Scott, the 10th Duke of Buccleuch, who renovates his sitting room to serve as the perfect backdrop for his beloved Rembrandt, Old Woman Reading; Baron Eric de Rothschild, whose Paris home is crammed full of remarkable work, including Portrait of Marten Soolmans and Portrait of Oopjen Coppit, a pair of Rembrandts that are sought by both the Louvre and the Rijksmuseum; and art dealer Jan Six XI, the latest in a family of Rembrandt collectors. Others float in and out of Hoogendijk’s film, which unfortunately has too much of a loose, episodic structure for most of its running time before settling in for the final stretch around a controversy around Six’s discovery (and sale) of a hitherto unknown new work by the Old Master.

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On TV: A THOUSAND CUTS

Coming to PBS’s Frontline this Friday, January 8:
A THOUSAND CUTS

Director:
Ramona Diaz

World Premiere:
Sundance 2020

Select Festivals:
Hot Docs, SXSW, AFI Docs, Full Frame, San Francisco, Cleveland

About:
A chilling look at the assault on fundamental democratic freedoms in the Philippines.

My pre-Sundance profile of the doc may be found here.

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2021 Sundance Docs in Focus: ALL LIGHT, EVERYWHERE

Courtesy of Sundance Institute | photo by Corey Hughes.


ALL LIGHT, EVERYWHERE
Theo Anthony interrogates the idea of objectivity through the shared histories of cameras, weapons, policing, and justice.

Festival Section:
US Documentary Competition

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2021 Sundance Docs in Focus: AILEY

Courtesy of Sundance Institute | photo by Jack Mitchell


AILEY
Jamila Wignot presents a revealing, moving portrait of pioneering choreographer Alvin Ailey.

Festival Section:
US Documentary Competition

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2021 Sundance Docs in Focus

The 37th Sundance Film Festival takes place later this month, running January 28-February 3 both online and via satellite screens, with a lineup consisting of 71 features, 50 shorts, 4 episodics, and 14 exhibitions, performances, and VR experiences.

Once again, as I’ve done since 2011’s festival, I’ll profile each of the more than 30 feature and long-form episodic documentaries in advance of the festival, beginning tomorrow.

Please note: These are not reviews. As a Documentary Programming Associate for Sundance, I recommend every film in the 2021 lineup. These profiles instead provide background about the teams behind this year’s docs in anticipation of the festival and the films’ later release. For a sample, check out last year’s series, which began here.

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