Category Archives: Documentary

BAMcinemaFest 2019: Documentary Overview

Festival:
The 11th BAMcinemaFest

Dates:
June 12-23

About:
Nearly half of this well-curated Brooklyn event’s lineup consists of docs. Continue reading

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On DVD: CIELO

Coming to DVD today, Tuesday, June 11:
CIELO

Director:
Alison McAlpine

Premiere:
New York Film Festival 2017

Select Festivals:
Hot Docs, RIDM, Full Frame, DOXA, Karlovy Vary, SANFIC

About:
A meditation on the night sky above Chile.

I previously wrote about the doc here.

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On DVD: CONSTRUCTING ALBERT

Coming to DVD today, Tuesday, June 11:
CONSTRUCTING ALBERT

Directors:
Laura Collado and Jim Loomis

Premiere:
San Sebastian 2017

Select Festivals:
SXSW, Hot Docs, Seattle, BAFICI, Palm Springs, Guadalajara, DocPoint, Napa Valley, Newport Beach

About:
After the legendary success of elBulli, chef Albert Adria pursues his follow-ups.

I previously wrote about the doc here.

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On DVD: WRESTLE

Coming to DVD today, Tuesday, June 11:
WRESTLE

Director:
Suzannah Herbert

Co-Director:
Lauren Belfer

Premiere:
San Francisco 2018

Select Festivals:
New Orleans, Traverse City, Rooftop Films, Denver, Indie Memphis, Bahamas, Woodstock, Hot Springs Doc, Milwaukee, Oxford

About:
An intimate look at a Huntsville AL high school wrestling team.

I previously wrote about the doc here.

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Special Screenings: THE EDGE OF DEMOCRACY

photo by Orlando Brito

Coming to NYC’s Rooftop Films tonight, Tuesday, June 11 and to Pure Nonfiction at IFC Center tomorrow, Wednesday, June 12:
THE EDGE OF DEMOCRACY

Director:
Petra Costa

World Premiere:
Sundance 2019

Select Festivals:
Nantucket, Hot Docs, CPH:DOX, San Francisco, Montclair, IndieLisboa, Biografilm

About:
A cautionary tale about Brazil’s recent political scandals.

My pre-Sundance profile of the doc may be found here.

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On TV: ICE ON FIRE

Coming to HBO tomorrow night, Tuesday, June 11:
ICE ON FIRE

Director:
Leila Conners

World Premiere:
Cannes 2019

About:
A look at how the world can reverse climate change.

Despite the efforts of climate change denialists, the scientific community overwhelmingly has demonstrated the reality of the escalating crisis mankind has caused due to carbon emissions and the exploitation and depletion of fossil fuels. There have been countless documentaries exploring the impending doom the planet faces unless we change our ways and force political leaders to take steps to ameliorate the situation through legislation – a particularly challenging task under the present fact-free and science-phobic administration. Into the breach comes another climate change doc, which, like 2016’s BEFORE THE FLOOD, features Leonardo DiCaprio. Unlike the previous film, DiCaprio appears here only as narrator, and, in what will likely be a welcome approach for the more casual viewer, this current project attempts to focus on solutions more than ion scaring audiences with doom-and-gloom prognostications. That’s not to say that it completely avoids the latter, of course, but to director Leila Conners’ credit, there’s something of a lighter and more hopeful approach – perhaps too optimistic, but it’s a change of pace. She helms a well produced project here, with some nice graphics and cinematography, but her film suffers from a certain episodic blandness, consisting primarily of a survey of what feels like dozens of scientists, as well as the odd firefighter or fisherman, who each too-briefly comment on some element of their work connected with climate change before the scene change and DiCaprio introduces the next in line. While likely to appeal primarily to those viewers who are already concerned about climate change, the doc’s solutions-oriented approach might draw in some who have felt a certain amount of looming-disaster fatigue, but probably won’t leave a dramatic impression nor reach skeptics.

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Special Screening: JAMILIA

Coming to NYC’s DCTV screening series tonight, Monday, June 10:
JAMILIA

Director:
Aminatou Echard

World Premiere:
Berlin 2018

Select Festivals:
Cinéma du Réel, Jerusalem, DocumentaMadrid, Vancouver, Open City Docs

About:
An exploration of the cultural impact of a 1958 Kyrgyz novella and its titular heroine.

Chinghiz Aitmatov captured the attention of Kyrgyz society with his story of a married woman who goes against societal restrictions when she falls in love with a young man while her soldier husband is away during World War II. Here Aminatou Echard asks present-day Kyrgyz women to recount the novella and comment on the actions of its heroine. Their reflections are presented in voiceover while grainy, evocative Super-8 footage shows them – and other women – in various settings and activities, the disconnect and texture of the film suggesting a kind of time displacement. As they discuss the novel, they explicitly or implicitly draw connections to their own lives, and especially to the constraints put upon them as women within a traditional male-dominated society. While the story is well known in Kyrgyzstan, that is not the case outside the region, limiting a general audience’s engagement with that aspect of the film. The women’s candid commentary about their own place in society is certainly more universally resonant, but the experimental approach taken creates a distancing effect over time. It’s an artful approach, but wears thin over its running time, and might have been more successful as a short.

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On TV: TO A MORE PERFECT UNION: US V WINDSOR

Coming to PBS’s World Channel today, Monday, June 10:
TO A MORE PERFECT UNION

Director:
Donna Zaccaro

Premiere:
Woodstock 2017

Select Festivals:
Nashville, Rocky Mountain Women’s, Inside Out, LGBT fests in Boston and Miami

About:
The decades-long love between a lesbian couple serves to revisit the story of marriage equality in the US.

I previously wrote about the doc here.

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In Theatres: THE LAVENDER SCARE

Coming to theatres today, Friday, June 7:
THE LAVENDER SCARE

Director:
Josh Howard

World Premiere:
qFLIX Philadelphia 2017

Select Festivals:
Virginia, Sun Valley, Frameline, Inside Out, LGBT fests in Sydney, San Diego, Seattle, Portland, Atlanta, Rochester, Austin, Miami, and Palm Springs

About:
A look back at the Cold War era panic over gays in the government.

In 1953, President Dwight Eisenhower declared war on homosexuals, specifically ordering their purge from the federal government. Motivated by fears over Communist espionage, the premise was that lesbians and gays, forced to break the law to indulge their desires, would be easy marks for blackmail by Russian agents seeking access to government secrets. The result was the destruction of careers, and in some cases lives, as explored through several brief profiles in Josh Howard’s serviceable if sometimes clunky project. While most individuals who were discriminated against had no choice but to go quietly, however, one man, astronomer Franklin Kameny, decided to fight back. Seeking redress for the injustice that ended his scientific career, he sought audience with any politician who might listen, and formed the Washington DC chapter of the gay rights activist organization The Mattachine Society. Howard provides viewers with a worthwhile history lesson about discrimination and resistance, particularly at a time of a present-day administration that is hostile to the victories won by LGBT people.

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On VOD: IF I LEAVE HERE TOMORROW: A FILM ABOUT LYNYRD SKYNYRD

IF I LEAVE HERE TOMORROW: A FILM ABOUT LYNYRD SKYNYRD

Coming to VOD today, Friday, June 7:
IF I LEAVE HERE TOMORROW: A FILM ABOUT LYNYRD SKYNYRD

Director:
Stephen Kijak

World Premiere:
SXSW 2018

Select Festivals:
Cleveland, Nashville, Macon, deadCenter

About:
A history and appreciation of the legendary Southern rock band.

In his latest music doc, director Stephen Kijak chronicles the sometimes tragic history of the iconic band behind “Sweet Home Alabama” and “Free Bird,” particularly focusing on the 1977 plane crash that claimed the lives of frontman Ronnie Van Zant and several others. Taking a largely chronological approach, the well-produced film tracks the origins and early years of the Jacksonville FL band, and details how the hardworking bandmates crossed over with their honky-tonk Americana. While Kijak addresses the band’s adoption of the controversial Confederate flag as a symbol – mandated by their record company – the warm film otherwise steers fairly clear of overt politics to relate instead the closeness of its members, the consequences of the plane crash, and the continued impact of Van Zant’s loss more than four decades ago.

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