Category Archives: Documentary

In Theatres: THE COLD BLUE

Coming to theatres via Fathom Events for one night only tomorrow, Thursday, May 23:
THE COLD BLUE

Director:
Erik Nelson

Premiere:
AFI Docs 2018

Select Festivals:
New York, Traverse City

About:
A meditation on war composed of archival film of B-17 bombers shot by William Wyler.

Constructed from the recently rediscovered raw color footage shot by William Wyler for his classic 1944 documentary THE MEMPHIS BELLE, Erik Nelson’s project brings together survivors of the Eight Air Force to reflect on their experiences of WWII. For the bulk of the film, excerpts of Wyler’s striking footage plays while veteran airmen offer audio commentary, sometimes instructive, other times poignantly personal, and occasionally darkly humorous. For its coda, Nelson turns the camera onto some of his subjects, contrasting the nonagenarians with archival photos in their military prime, and gently interviewing them about their perception of the sacrifices they made. Organized into titled sections that also provide brief statistics or facts about the missions flown and the dangers faced, the film has a somewhat episodic feel, but manages to remain engaging despite this, buoyed by its breathtaking visuals.

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Special Screening: TONI MORRISON: THE PIECES I AM

photo by Timothy Greenfield-Sanders

Coming to NYC’s Pure Nonfiction at IFC Center this Wednesday, May 23:
TONI MORRISON: THE PIECES I AM

Director:
Timothy Greenfield-Sanders

Premiere:
Sundance 2019

Select Festivals:
Nantucket, Miami, Cleveland, Montclair, Wisconsin

About:
An intimate profile of the Nobel and Pulitzer Prize-winning literary icon.

I profiled the doc before Sundance here.

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Docaviv 2019 Overview

Festival:
The 21st Docaviv: Tel Aviv International Documentary Film Festival

Dates:
May 23-June 1

About:
More than 100 new features are part of the lineup of the well-respected Israeli nonfiction event. Continue reading

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On TV: INGRID

Coming to PBS’s Reel South this Thursday, May 23:
INGRID

Director:
Morrisa Maltz

Premiere:
Slamdance 2018

Select Festivals:
Atlanta, Rhode Island, Bend, Hot Springs Doc, Virginia, Cucalorus

About:
A portrait of a woman who gave up her conventional life to become a hermit artist.

Ingrid Gipson had a successful career as a fashion designer in Dallas in the 1980s, but gave up her career – and her children – to move off the grid to live alone on a farm in Oklahoma. Now 74 years old, the German immigrant is observed in her daily routines, from taking care of her livestock to making art out of nature. Maltz’s project is beautifully shot and deliberately paced, conveying a fascination for her intriguing protagonist. That said, while still somewhat appealing, at under an hour, the film never digs deep enough to become a satisfying whole.

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On DVD: GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE

Photograph by Judy Teller

Coming to DVD tomorrow, Tuesday, May 21:
GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE

Director:
Sasha Waters Freyer

Premiere:
SXSW 2018

Select Festivals:
San Francisco, New Zealand, Thin Line, Vancouver, Haifa

About:
A history and appreciation of acclaimed street photographer.

I previously wrote about the doc here.

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On VOD: LOS VIEJOS (THE OLDIES)

Coming to VOD tomorrow, Tuesday, May 21:
LOS VIEJOS (THE OLDIES)

Director:
Rosana Matecki

Premiere:
Guadalajara 2018

Select Festivals:
New Orleans, Miami, MICGénero, Boston Latino, DC Caribbean, Belize, DOK.Fest Munich, Festival Internacional del Nuevo Cine Latinoamericano

About:
A portrait of three elderly Cuban musicians.

Set in Santa Clara, Rosana Matecki’s warm film follows three aging musicians as they contend with the realities of aging on their bodies while reflecting on their past and the key role music played in their lives. As subjects Zaida, Candido, and Bringuez continue to stay active, performing their traditional Cuban music as best they can, they demonstrate a passion that defies age and that allows them to face the change that comes with each day. At the same time, the project serves as a thematic meditation on Cuba itself, where the long-standing embargo from the US has resulted in a kind of cultural time warp of sorts, and, at least for a moment, appeared to be poised for radical change before the current US presidential administration’s regressive policies.

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On TV: WRESTLE

Coming to PBS’s Independent Lens tonight, Monday, May 20:
WRESTLE

Director:
Suzannah Herbert

Co-Director:
Lauren Belfer

Premiere:
San Francisco 2018

About:
An intimate look at a Huntsville AL high school wrestling team.

I previously wrote about the doc here.

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On TV: PRISON SONGS

Coming to PBS’s Pacific Heartbeat tomorrow, Saturday, May 18:
PRISON SONGS

Director:
Kelrick Martin

Premiere:
Australian TV (January 2015)

Select Festivals:
imagneNATIVE, Human Rights Arts & Film

About:
Aboriginal Australian inmates reveal their lives through music.

Shot entirely behind prison walls in Darwin, Australia, Kelrick Martin’s project profiles the lives of both male and female prisoners of Aboriginal background in the overcrowded Berrimah Prison. Professional composers took the latters’ own words from intimate interviews to craft revealing songs about the common, systemic issues Aboriginal individuals still face and that contribute to statistically outsized rates of incarceration – a similar conceit as used in the 2006 Sundance doc SONGBIRDS by Brian Hill about female prisoners in the UK. The result is nicely shot and well meaning, let down somewhat by the propensity to use Auto-Tune in the arrangements and some attempts to integrate goofy humor.

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On VOD: VENUS

New to VOD this week:
VENUS

Directors:
Mette Carla Albrechtsen and Lea Glob

Premiere:
IDFA 2016

Select Festivals:
True/False, Sheffield, DocPoint, Thessaloniki Doc, Göteborg, DOXBIO, Docs Against Gravity, Biografilm, Sao Paulo

About:
100 women are surveyed about their sexual experiences.

Danish filmmakers Mette Carla Albrechtsen and Lea Glob set out to explore perceptions about female sexuality in their country by announcing an open casting call for women to participate as interview subjects in their project. The film features the various women who show up, walk into the frame, and are interviewed by Albrechtsen and Glob. Questions range from fairly basic to probing – even confrontational – interrogations about virginity, first or uncomfortable sexual experiences, body image issues, and the like, resulting in a kind of riff of the casting couch. The filmmakers even ask if their subjects are willing to pose naked for the camera. The result is a surprisingly engaging and vulnerable study of not only female sexuality, but of the give and take between filmmaker and subject.

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On VOD: ROUGH AUNTIES

Coming to OVID this Sunday, May 19:
ROUGH AUNTIES

Director:
Kim Longinotto

Premiere:
IDFA 2008

Select Festivals:
Sundance, Hot Docs, Thessaloniki Doc, Full Frame, BAFICI, One World, Krakow, Vienna, Big Sky Doc, Durban, Salem

About:
A group of women are on a mission to help the abused and neglected children of South Africa.

I previously wrote about the doc for the Sundance program, saying:
Jackie, Mildred, Eureka, Sdudla, and Thuli are the women behind Bobbi Bear, a nonprofit organization based in Durban, South Africa, that counsels sexually abused children and works to bring their abusers to justice. Born out of a recognition of cultural stigmas that discourage reporting abuse and inadequate methods of communicating with young victims, Bobbi Bear developed a method of letting children use teddy bears to explain their abuse. Since 1992, the multiracial staff has become the fearless and powerful voice for those victims who would otherwise continue to live in fear, powerless against their oppressors and ignored by the legal system. Director Kim Longinotto adeptly and intimately follows Bobbi Bear staff in difficult direct sessions with children and consultations with family members, and on raids with authorities to arrest the perpetrators of these heinous acts. Facing tragedy daily as part of their advocacy work and, heartbreakingly for some, in their personal lives, the women draw strength from each other and find hope despite the suffering around them. Equally as compassionate to the young victims as they are steadfast in their pursuit of justice, these five exceptional women have found themselves transformed by their mission into “rough aunties,” crossing barriers of race, culture, and socioeconomic status to become formidable agents of change in their community.

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