Category Archives: Documentary

Special Screening: BATHTUBS OVER BROADWAY

Coming to NYC’s Stranger Than Fiction tomorrow, Tuesday, September 18:
BATHTUBS OVER BROADWAY

Director:
Dava Whisenant

Premiere:
Tribeca 2018

Select Festivals:
Nantucket, Hot Docs, AFI Docs, Traverse City, Nashville, Sidewalk, Mill Valley, Vancouver

About:
A comedy writer becomes obsessed with corporate musicals.

I previously wrote about the doc for Nantucket’s program, saying:
As a comedy writer researching a segment for the LATE SHOW WITH DAVID LETTERMAN, Steve Young stumbled upon the wonderfully strange world of Broadway-style industrial musicals created by companies like General Electric and Ford to motivate their sales teams at private corporate retreats. Absurd but delightful productions like LIPTON ON THE MOVE and THE BATHROOMS ARE COMING! became Steve’s obsession. Dava Whisenant follows him in his entertaining quest to uncover the secret history of this unusual corporate American art form.

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On TV: 93QUEEN

Coming to PBS’s POV tonight, Monday, September 17:
93QUEEN

Director:
Paula Eiselt

Premiere:
Hot Docs 2018

Select Festivals:
San Francisco Jewish, Marfa, Charlotte Jewish

About:
A driven woman faces controversy when she sets out to form the first all-female Hasidic EMT corps.

I previously wrote about the doc here.

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In Theatres: SCIENCE FAIR

Coming to theatres today, Friday, September 14:
SCIENCE FAIR

Directors:
Cristina Costantini and Darren Foster

Premiere:
Sundance 2018

Select Festivals:
SXSW, Edinburgh, Cleveland, New Zealand, Vancouver, Sun Valley, Portland, Provincetown

About:
A profile of participants in the world’s premier science fair.

My pre-Sundance profile of the doc may be found here here.

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In Theatres: THE DAWN WALL

Coming to theatres today, Friday, September 14:
THE DAWN WALL

Directors:
Josh Lowell and Peter Mortimer

Premiere:
IDFA 2017

Select Festivals:
SXSW, Banff Mountain, Mountainfilm, Melbourne, Greenwich

About:
Two free climbers attempt to scale a seemingly unscalable rock face.

Named for the section of Yosemite’s El Capitan sheer rock face that captures the first light of the day, Lowell and Mortimer’s appealing film chronicles the 2015 effort of climbing partners Tommy Caldwell and Kevin Jorgeson to ascend the granite monolith. The pair are free climbers, only using ropes as supports in case they slip. El Capitan has long been declared an impossible goal for free climbers, but Caldwell – whose background contains a few surprises – has been wanting to conquer it for a decade. The well-shot film is its most engaging and even thrilling as it shadows the two men for the nineteen days of their attempt, witnessing the punishing lengths they take to complete sections of the course, and celebrating their dedication and teamwork. The filmmakers struggle with pacing, however, interrupting the flow of their climb with sometime superfluous interviews apparently meant to inject more human interest long after it’s really needed, as well as with structure. Given the worldwide media attention the pair received, it’s a strange decision to have the entire narrative hinge on the foregone conclusion of their climb, only to abruptly end with very little reflection from the men afterward.

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In Theatres: AMERICAN CHAOS

Coming to theatres today, Friday, September 14:
AMERICAN CHAOS

Director:
James D Stern

Premiere:
Montclair 2018

Select Festivals:
Zurich, Martha’s Vineyard

About:
Another look back at the 2016 US Presidential election.

The unlikely ascent of Donald Trump to the top of the Republican Party ticket motivates director James D Stern – a lifelong Democrat – to try to understand the businessman’s appeal to his supporters. Stern – who appears on camera in Michael Moore mode, but unassuming where that veteran director is instead confrontational – sets out across the country expressly just to listen, rather than to debate. The results, this long after the events of 11/08/16, are not at all surprising – Trump supporters range from individuals with legitimate viewpoints, acknowledging some of their candidate’s negative aspects, but willing to let them slide, to those with a pathological hatred of Hillary Clinton and a persecution complex. All along, Stern, only rarely so incensed to very delicately challenge some outright lies being spouted, lets them have the stage, subjecting the film’s viewers to his exasperation after the fact. His is a well-intentioned project, but it doesn’t reveal anything really new, and it’s hard to imagine who will want to revisit this terrain yet again.

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In Theatres: HALE COUNTY THIS MORNING, THIS EVENING

Coming to theatres tomorrow, Friday, September 14:
HALE COUNTY THIS MORNING, THIS EVENING

Director:
RaMell Ross

Premiere:
Sundance 2018

Select Festivals:
CPH:DOX, True/False, New Directors/New Films, Full Frame, Sheffield, Ambulante, Champs-Élysées, Maryland, DOK.fest Munich, Martha’s Vineyard African American, San Francisco, Montclair

About:
An impressionistic portrait of two young African American men in the American South.

My pre-Sundance profile of the doc may be found here.

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In Theatres & On VOD: REVERSING ROE

Coming to theatres and to Netflix today, Thursday, September 13:
REVERSING ROE

Directors:
Ricki Stern and Annie Sundberg

Premiere:
Telluride 2018

About:
An exploration of the politicization of the abortion debate over time.

Coming at a sadly all-too-timely moment in American political history, Stern and Sundberg’s carefully composed and illuminating film puts into perspective abortion both before Roe v Wade, when the procedure was generally considered a personal matter between women (or couples) and their doctors, and after, when it quickly erupted into a deeply divisive political issue, spurred on by a highly mobilized evangelical Christian base. While the film covers somewhat familiar ground about TRAP laws already explored in other documentaries on the topic, this makes it no less urgent as it chronicles the coordinated campaigns by anti-choice forces to put ever-increasing restrictions on abortion providers, leading to widespread closures of clinics and reduced access to women in need of such services, with the ultimate goal of reversing Roe via a conservative, anti-choice US Supreme Court. Significantly, Stern and Sundberg don’t rely on preaching to only one choir here, instead giving space for both sides of the bitter debate to have their say, and offering hope that they might watch – though it’s hard to be optimistic that they’ll find any common ground.

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In Theatres: LETTER FROM MASANJIA

Coming to theatres tomorrow, Friday, September 14:
LETTER FROM MASANJIA

Director:
Leon Lee

Premiere:
Hot Docs 2018

Select Festivals:
NYC Asian American, DOXA, Bergen, Calgary, Lunenberg, Newburyport, Chagrin Doc, United Nations Association

About:
A Chinese dissident prisoner makes a desperate attempt to reveal his plight to the outside world.

While unpacking Halloween decorations, a woman in Oregon discovered letters from an anonymous Chinese author recounting human rights violations at the forced labor camp which produced the goods. When human rights groups proved unresponsive, she contacted the media, and the story went viral. Lee’s film investigates further, discovering the identity of the letter writer, a Falun Gong practitioner, Sun Yi, to tell his story of persecution, and to expose efforts to reform the labor camp system. While Lee wisely makes use of Yi’s cartooning skills to bring a critical, creative visual element to the film, as a whole the proceedings feel overlong and often sentimental, hampered further by a plodding score, undercutting the essential and worthwhile aspects Yi’s ultimately tragic story.

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On TV: BASQUIAT: RAGE TO RICHES

Photo by Marion Busch

Coming to PBS’s American Masters tomorrow, Friday, September 14:
BASQUIAT: RAGE TO RICHES

Director:
David Shulman

Premiere:
BBC broadcast (October 2017)

About:
An exploration of the life and art of Jean-Michel Basquiat.

Basquiat emerged in late 1970s New York, anonymously using the graffiti tag SAMO© together with collaborator Al Diaz. Eventually, he revealed himself, alienating Diaz and launching himself fully into the vibrant arts and cultural scene with his expressive, singular paintings. Using evocative period footage and interviews with Basquiat’s sisters, friends, and lovers, as well as fellow artists and gallerists, Shulman’s thoughtful film traces the artist’s rise to fame, while also exploring formative influences, and the subtle and overt racism that threatened to limit his potential, and, ultimately, contributed to the self-destructive behavior that cost him his life at the age of only 27.

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In Theatres: ANTONIO LOPEZ 1970: SEX FASHION & DISCO

Coming to theatres this Friday, September 14:
ANTONIO LOPEZ 1970: SEX FASHION & DISCO

Director:
James Crump

Premiere:
London 2017

Select Festivals:
DOC NYC, IDFA, Guadalajara

About:
A portrait of an unheralded figure in the 1970s fashion scene.

The film screened as part of DOC NYC, for which our program notes read:
Antonio Lopez was the most influential fashion illustrator of 1970s New York and Paris, known for discovering talents such as Pat Cleveland, Grace Jones, and Jerry Hall. Filmmaker James Crump takes us back to the swinging seventies when fashion designers and their entourages gained the prominence of rock stars. He explores the intimate relationship between Antonio and Karl Lagerfeld, while unpacking Lagerfeld’s deep-seated rivalry with Yves Saint Laurent. Interviews with Grace Coddington, Jessica Lange, Bill Cunningham, and many others bring this crucial chapter of fashion history to vivid life.

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