Category Archives: Documentary

On VOD: SAVE MY SEOUL

Coming to VOD today, Tuesday, July 4:
SAVE MY SEOUL

Director:
Jason Y Lee

Premiere:
LA Asian Pacific 2017

Select Festivals:
Asian American fests in New York and Silicon Valley

About:
Korean-American filmmaking brothers investigate the illegal but condoned culture of prostitution in Korea.

While visiting Korea, brothers Jason and Eddie naively begin an undercover investigation, using hidden cameras and sound recording equipment while they visit the red light district. Interviews with police about how brothels are able to operate yield only evasive answers, but when the Lees convince former working girls Crystal and Esther to speak on camera, they learn details about their negative experiences, later bolstered by access to a working pimp who defends his profession. Supplementing these compelling figures are frequent and superfluous vox pops with ordinary Korean citizens, which drag out the proceedings for what is a well-intentioned but often clumsy project that would have benefited from the overzealous filmmakers not including themselves on camera.

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In Theatres: CITY OF GHOSTS

Coming to theatres this Friday, July 7:
CITY OF GHOSTS

Director:
Matt Heineman

Premiere:
Sundance 2017

Select Festivals:
Nantucket, Tribeca, CPH:DOX, San Francisco, Hot Docs, Jeonju, Sheffield, AFI Docs, Jerusalam, Seattle, Montclair, Traverse City

About:
A courageous group of citizen journalists risk their lives to expose the truth behind ISIS.

I profiled the doc before Sundance here.

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On VOD: VEGAS BABY

Coming to VOD via Netflix tomorrow, Tuesday, July 4:
VEGAS BABY

Director:
Amanda Micheli

Premiere:
Tribeca 2016

Select Festivals:
San Francisco, AFI Docs, IFF Boston, Cleveland, Miami

About:
People struggling with infertility participate in a contest held by a fertility clinic.

I previously wrote about the doc here.

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On TV: THE WAR SHOW

the_warshow_still_1_h_2016Coming to PBS’s POV tonight, Monday, July 3:
THE WAR SHOW

Directors:
Obaidah Zytoon and Andreas Dalsgaard

Premiere:
Venice 2016

Select Festivals:
Toronto, IDFA, Bergen, Reykjavik, London, Dubai, Goteborg

About:
A group of friends capture the de-evolution of Syria’s revolution into civil war.

I previously wrote about the doc here.

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Special Screening: QUEST

Coming to Rooftop Films tomorrow, Saturday, July 1:
QUEST

Director:
Jonathan Olshefski

Premiere:
Sundance 2017

Select Festivals:
Nantucket, True/False, New Directors/New Films, Cleveland, RiverRun, Nashville, Ashland, Hot Docs, Dallas, DOXA,

About:
A longitudinal portrait of an African-American family in North Philly.

I profiled the doc before Sundance here.

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In Theatres: THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY

Coming to theatres today, Friday, June 30:
THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY

Director:
Errol Morris

Premiere:
Telluride 2016

Select Festivals:
Toronto, New York, Chicago, IDFA, Hong Kong, Provincetown, Moscow, IFF Boston,

About:
A large-scale Polaroid photographer reflects on her work on the eve of her retirement.

Laying aside his Interrotron for the moment, master documentarian Morris goes for a warmer, more personal interaction with his latest subject, visiting Elsa Dorfman in her Cambridge MA photography studio which doubles as a cramped archive. The photographer discovered her medium in the early 1980s when she encountered a 20×24 Polaroid camera, and has been taking large-print portraits ever since. Morris’ film’s title derives from her practice of shooting two portraits with the same client, keeping the rejected one – the “b-side” – for herself. As a result of Polaroid’s bankruptcy and its discontinuation of 20×24 instant film, Dorfman faces impending retirement, prompting a sometimes wistful look back at her career and the strikingly optimistic work she has produced. What emerges is a subtle contemplation of time, mortality, and legacy.

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In Theatres: MALI BLUES

Coming to theatres today, Friday, June 30:
MALI BLUES

Director:
Lutz Gregor

Premiere:
Visions du Reel 2016

Select Festivals:
Toronto, IDFA, Munich, Dubai, Indielisboa, Santa Barbara, Minneapolis St Paul, Warsaw, Stockholm

About:
A world music star returns to her homeland of Mali to perform for the first time in defiance of radical Islamic law.

Like many performers, singer Fatoumata Diawara has been unable to pursue her passion in Mali in recent years because of the spread of sharia law and its ban on secular music and dance. When the situation improves, Diawara and several other musicians return to perform in large concert, the Festival of Niger. Lutz follows them as they prepare, filling in their back stories and exploring their connection to an Islam that is not repressive or violent. Diawara eclipses the other protagonists here, suggesting that Lutz might have been better off focusing his attention on either just her or fewer subjects. While well-produced, the film tends toward full-on concert film territory rather than expanding on the situation facing musicians in Mali – a subject which was also already explored in the earlier THEY WILL HAVE TO KILL US FIRST.

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In Theatres & On VOD: THE REAGAN SHOW


Coming to theatres this Friday, June 30, and to VOD next Tuesday, July 4:
THE REAGAN SHOW

Directors:
Pacho Velez and Sierra Pettengill

Premiere:
Tribeca 2017

Select Festivals:
Nantucket, Montclair, Seattle, AFI Docs

About:
In 1918, Hollywood actor Ronald Reagan took on the role of a lifetime: the 40th President of the United States.

I previously wrote about the doc for Nantucket’s program, saying:
Trading on his celebrity to curry favor with voters, Ronald Reagan transitioned from Hollywood actor to politician, ultimately attaining the highest office in the land. Composed entirely of 1980s news footage and behind-the-scenes videos produced by his own administration, this insightful, entertaining, and strangely prescient film details how Reagan used public relations savvy to become the first made-for-TV president – one uniquely suited to face off against a charismatic Russian rival.

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On DVD: LAST DAYS OF SOLITARY

New to DVD this week:
LAST DAYS OF SOLITARY

Director:
Dan Edge

Premiere:
Salem 2017

About:
An inside look at a high security prison’s reforms to reduce the number of inmates in solitary confinement.

Set in Maine State Prison, this PBS Frontline film explores a forward thinking program instituted by its warden to focus on rehabilitation rather than punishment, responding to the deleterious impact of solitary confinement on mental health, shown from years of study but largely ignored by the prison industry. Edge showcases the prison segregation unit, where prisoners spend 23 hours in their cells and often resort to self-harm to try to exercise some level of control on the corrections officers, smuggling razor blades and cutting themselves to force a cell extraction; or otherwise causing disruption such as flooding their cells by stopping up toilets. Followed over three years, the prison’s new reforms see counseling being substituted for additional persecution, with the goal of bringing prisoners out of solitary and eventually back into the general population. Several prisoners are profiled, including one violent participant in the program who’s subsequent murder of another inmate forces the warden to leave his post. Surprisingly, the next prison commissioner does not abandon the reforms but accelerates them, ultimately finding success, reducing the number of prisoners in solitary to a fraction of what they were, and seeing recidivism stats decline. Edge’s doc is an engaging look at a topic that’s been well covered before, but one that notably has an unusually hopeful message.

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In Theatres: HIRED GUN

Coming to theatres for one-night-only engagements tonight, Thursday, June 29:
HIRED GUN

Director:
Fran Stine

Premiere:
SXSW 2016

Select Festivals:
Noise Pop, Calgary, Melbourne

About:
20 FEET FROM STARDOM for unsung session musicians.

Stine’s affectionate film profiles about a half dozen “hired guns” – dependable, accomplished professional musicians who are called in to work with A-list performers in the studio or in concerts. Known within the industry but generally not by the general public, they support the likes of Billy Joel, Alice Cooper, Pink, Ozzy Osbourne, Mandy Moore, Hillary Duff, and Metallica. Among the several musicians profiled who pop are Liberty Devitto, a drummer who worked extensively for Billy Joel for three decades until a change in direction left him bitter and without a gig; Rudy Sarzo, who played bass for hair metal bands like Ozzy, Quiet Riot, and Whitesnake; and Jason Hook, who went from being kept on retainer by Hillary Duff to out of a job until he formed the successful Five Finger Death Punch. While tackling similar ground as STARDOM, Stine’s survey lacks a strong driving structure and depends too much on anecdotes to leave as strong impression as that film.

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