Category Archives: Documentary

In Theatres & On VOD: FIGHT FOR SPACE

Coming to theatres and to VOD this Friday, May 19:
FIGHT FOR SPACE

Director:
Paul Hildebrandt

Premiere:
DOC NYC 2016

About:
Members of an African-American Baltimore high school stepping team pursue their goals of higher education.

I wrote about the film for DOC NYC’s program, saying:
In 1962, spurred by the Cold War, President John F Kennedy famously made the bold proclamation that NASA would send astronauts to the moon by the end of the decade, not because it was easy, but because it was a challenge. The Space Race inspired a generation to pursue careers in science and technology, but as the balance of world power shifted, interest in space exploration declined. Paul Hildebrandt’s film serves as an urgent call to re-awaken our sense of wonder and discovery.

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In Theatres: ABACUS: SMALL ENOUGH TO JAIL

Coming to theatres this Friday, May 19:
ABACUS: SMALL ENOUGH TO JAIL

Director:
Steve James

Premiere:
Toronto 2016

Select Festivals::
New York, Chicago, IDFA, Palm Springs, True/False, Cleveland, Full Frame, Dallas, Hong Kong, Montclair

About:
A small Chinatown bank becomes the only institution to face criminal charges as a result of the 2008 financial crisis.

I previously wrote about the doc here.

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Special Screening: ONE OCTOBER

Coming to NYC’s Stranger Than Fiction series tomorrow, Wednesday, May 17:
ONE OCTOBER

Director:
Rachel Shuman

Premiere:
Full Frame 2017

Select Festivals:
IFF Boston

About:
A portrait of New York City in October 2008.

Shuman’s city symphony of sorts portrays NYC and its diverse residents as they look forward hopefully to Barack Obama’s election as US president, while still reckoning with the immediacy of the still-fresh financial crisis. Giving a loose structure to this hourlong survey is the filmmaker’s proxy, WFMU radio reporter Clay Pigeon, who conducts man-on-the-street interviews with a range of city residents, while also revealing a sense of uncertainty about his own financial security. In some ways, the film hinges on the viewer’s response to Pigeon, who is prone to posing well-meaning but sometimes invasive questions – particularly cringe-worthy is an exchange with a transgender woman – and to whatever personal associations the audience brings to today’s political climate, almost unthinkable in the world documented just over eight years ago.

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On TV: UNBROKEN GLASS

Coming to the World Channel’s America ReFramed tonight, Tuesday, May 16:
UNBROKEN GLASS

Director:
Dinesh Das Sabu

Premiere:
Seattle South Asian Film Festival 2016

Select Festivals:
Dallas VideoFest, Asian American fests in Austin, Seattle, and Los Angeles

About:
The filmmaker’s personal exploration of mental illness in his Indian-American family.

Twenty years ago, Sabu and his four sibling suddenly found themselves orphans, losing first their father to cancer and, shortly thereafter, their mother to suicide stemming from a struggle with schizophrenia. Traumatized by this loss, the family kept their mother’s mental illness a secret, and, miraculously, the older children successfully raised the younger ones to adulthood. Having struggled with depression, the filmmaker seeks answers to this silenced family history, despite the hesitancy of some of his siblings, prompting sometime painful interviews as well as a not-particularly relevant trip to India. While Sabu tackles a taboo topic with understandable restraint, unfortunately at times he loses his way in his exploration, betraying his inexperience as a filmmaker. He also fails to fully explore the most intriguing aspects of his family’s story – how they essentially reared one another, and how this ultimately impacted them all.

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Cannes 2017: Documentary Overview

Festival:
The 70th anniversary Cannes Film Festival

Dates:
May 11-20

About:
Nearly 100 features screen within the prestigious official festival and its two autonomous sidebars, Directors’ Fortnight and Critics’ Week, though documentaries remain underrepresented, numbering fewer than 20. Continue reading

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Special Screening: STEP

Coming to NYC’s Stranger Than Fiction series tomorrow, Tuesday, May 16:
STEP

Director:
Amanda Lipitz

Premiere:
Sundance 2017

Select Festivals:
Nantucket, True/False, Seattle, San Francisco, Wisconsin, Montclair

About:
Members of an African-American Baltimore high school stepping team pursue their goals of higher education.

I profiled the doc before Sundance here.

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On TV: MOMMY DEAD AND DEAREST

Coming to HBO tonight, Monday, May 15:
MOMMY DEAD AND DEAREST

Director:
Erin Lee Carr

Premiere:
SXSW 2017

Select Festivals:
Hot Docs, Docaviv

About:
A girl plagued by health problems and her doting mother find themselves at the center of a shocking crime.

Dee Dee Blanchard was a loving, protective caretaker to her wheelchair-bound young daughter Gypsy Rose, who suffered from a range of debilitating physical and developmental conditions, including leukemia, multiple sclerosis, and mental retardation. The Hurricane Katrina survivors charmed everyone they met in their new community of Springfield MO with their devotion to one another. When Dee Dee is found brutally murdered, with Gypsy Rose nowhere to be found and her Facebook page celebrating her mother’s death, their close-knit community begins to question everything they thought they knew about the pair. But this dark turn in the Blanchards’ story is not the strangest thing that emerges, as this riveting film reveals. Carr expertly peels back a lifetime of deception, neuroses, and abuse to reveal a surprising, disturbing true crime tale which prompts the audience to change their sympathies with each twist and turn.

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On TV: FOREVER PURE

Coming to PBS’s Independent Lens tonight, Monday, May 15:
FOREVER PURE

Director:
Maya Zinshtein

Premiere:
Jerusalem 2016

Select Festivals:
DOC NYC, Toronto, IDFA, CPH:DOX, Zurich, Chicago, Palm Springs, Gothenburg, Watch Docs, Cleveland, Seattle

About:
Fans turn against an Israeli soccer team when the owner signs two Chechnan Muslim players.

Zinshtein’s film focuses on Beitar Jerusalem FC and an outspoken group of fans, known as La Familia, as both players and adherents reckon with the divisive decision of team owner Arcadi Gaydamak to add Zaur Sadayev and Dzhabrail Kadiyev to the roster. Long linked to conservative political party Likud, Beitar experiences a shocking backlash as La Familia organizes protests adorned with racist slogans and rejects formerly beloved team players who dare to support Sadayev and Kadiyev. Zinshtein captures the scandal as it unfolds, expanding beyond the pitch to impact larger Israeli society, while she also explores Gaydamak’s motivations and the financial and political undercurrents of sports.

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On TV: FINDING SAMUEL LOWE

Coming to the World Channel’s Doc World series this Sunday, May 14:
FINDING SAMUEL LOWE

Director:
Jeanette Kong

Premiere:
Los Angeles Pan African 2014

Select Festivals:
Urbanworld, Trinidad & Tobago, San Diego Black, ReelWorld

About:
A woman of mixed Jamaican/Chinese heritage tracks down the long-lost Asian side of her family.

Together with her siblings, Paula Williams Madison, a successful television executive, traces the history of her family, and, specifically, the Asian background of her Jamaican-born mother, partly out of a desire to reclaim African American heritage that doesn’t exclusively begin with slavery. She learns about her maternal grandfather, a man named Samuel Lowe, a Chinese immigrant working on Jamaica’s plantations, who returned to his homeland when Paula’s mother was only a young girl. Through her investigations, she eventually finds information which leads her to discover a large extended family of relatives in China. Kong’s film yields a few moments of curiosity, but otherwise takes a conventional, workmanlike approach which robs the story of conflict or drama.

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In Theatres: THE LAST SHAMAN

Coming to theatres today, Friday, May 12:
THE LAST SHAMAN

Director:
Raz Degan

Premiere:
Docaviv 2016

About:
A depressive affluent twentysomething seeks out ayahuasca as a last resort to ease his suffering.

James, having suffered from debilitating depression for several years, places all of his hopes in tracking down ayahuasca, pledging to commit suicide if it doesn’t work. Degan tracks his protagonist as he travels to Peru to seek out a shaman who will help him, only to witness the commodification of the ancient ritual, with conmen more than willing to take advantage of curious and desperate gringos. Even Ron, a dubious white man-turned-shaman is unable or unwilling to help the needy, and frankly annoying James. Finally, James finds Pepe, a village shaman who seems genuine in his desire to help others, but the latter finds he ultimately must sacrifice everything as a result of assisting James. While James’ condition improves, and, with it his insufferable arrogance and behavior, he remains an unpleasant subject in a project that is not particularly distinguished from several others which have focused on ayahuasca.

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