Category Archives: Documentary

In Theatres: ELIÁN

Coming to theatres tomorrow, Friday, May 12:
ELIÁN

Directors:
Ross McDonnell and Tim Golden

Premiere:
Tribeca 2017

Select Festivals::
Montclair

About:
A look back at the story of the 6-year-old Cuban boy who became a symbol of US/Cuban relations in 1999-2000.

McDonnell and Golden chronicle the 150+ days Elián Gonzales spent in the media spotlight after he was rescued from drowning by two fishermen, Donato and Sam, following an attempt by Elián’s mother to take a boat from Cuba to Miami. Caught in a very public tug-of-war between his father, still in Cuba, and his Miami relatives, including his surrogate mother figure, cousin Marisleysis, which quickly became emblematic of US/Cuban relations, and, particularly, the contentious relationship between Cuban-Americans and their home country. Utilizing contemporary news footage alongside new interviews with principal players in the saga – including a now 23-year-old Elián – the filmmakers craft a comprehensive and engaging film from a familiar story. While perhaps too grounded in a play-by-play of Elián’s time in Miami, and somewhat shortshrifting the details of his subsequent life in Cuba, the film offers an intriguing wider, critical scope as it considers the impact this political hot potato issue had on the 2000 US presidential election.

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Docaviv 2017 Overview

Festival:
The 19th annual Docaviv

Dates:
May 11-20

About:
Nearly 100 new features screen as part of this Tel Aviv, Israel documentary festival. Continue reading

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On DVD: BURIED ABOVE GROUND

New to DVD this week:
BURIED ABOVE GROUND

Director:
Ben Selkow

Premiere:
Woodstock 2015

Select Festivals::
SF Indie, Cleveland, Fargo, Vail

About:
A look at three individuals dealing with PTSD.

I previously wrote about the doc here.

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EDOC 2017 Overview

Festival:
The 16th annual EDOC – Encuentros del Otro Cine

Dates:
May 10-21

About:
More than 60 new features screen at Ecuador’s largest nonfiction festival in both Quito and Guayaquil. Continue reading

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On DVD: EVERY BRILLIANT THING

New to DVD this week:
EVERY BRILLIANT THING

Directors:
Randy Barbato and Fenton Bailey

Premiere:
DOC NYC 2016

About:
A filmed one-man performance about suicide.

I previously wrote about the film here.

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On DVD: HOLY HELL

Coming to DVD today, Tuesday, May 9:
HOLY HELL

Director:
Will Allen

Premiere:
Sundance 2016

Select Festivals:
Hot Docs, Nashville, Montclair, Minneapolis-St Paul, DocAviv, Martha’s Vineyard, Biografilm

About:
An inside look at life as a cult member.

I profiled the doc before Sundance here.

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On VOD: MOM AND ME

Coming to VOD today, Tuesday, May 9:
MOM AND ME

Director:
Ken Wardrop

Premiere:
Telluride 2015

Select Festivals:
Nantucket, Cleveland, RiverRun, Edinburgh, Sydney, Denver

About:
An exploration of the unique bond between mothers and sons.

I previously wrote about the doc for Nantucket’s lineup, saying:
Just before Mother’s Day, a local talk radio show in Oklahoma City – “the manliest city in the United States” – asks male listeners to call in and talk about their relationships with their moms. The responses frame this warm, often humorous film. Exhibiting surprising vulnerability and sharing alternately charming and poignant stories, callers are a diverse group, from a contrite prisoner eager to reconnect with his wronged mom to a bachelor whose mother badgers him for grandkids. Ultimately, what emerges is a multifaceted exploration of a bond that is unique for each mother-son pair, yet wonderfully universal at the same time.

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On VOD: KEDI

kedi_screen_shotComing to VOD today, Tuesday, May 9:
KEDI

Director:
Ceyda Torun

Premiere:
!f Istanbul 2016

Select Festivals:
Full Frame, Sheffield, Seattle, Melbourne, Vancouver, DocPoint, Goteborg, Salem, Palm Springs

About:
Istanbul through the eyes of its colorful street cats.

I previously wrote about the doc here.

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Special Screening: ABACUS: SMALL ENOUGH TO JAIL

Coming to NYC’s Stranger Than Fiction series tomorrow, Tuesday, May 9:
ABACUS: SMALL ENOUGH TO JAIL

Director:
Steve James

Premiere:
Toronto 2016

Select Festivals::
New York, Chicago, IDFA, Palm Springs, True/False, Cleveland, Full Frame, Dallas, Hong Kong, Montclair

About:
A small Chinatown bank becomes the only institution to face criminal charges as a result of the 2008 financial crisis.

While America’s financial institutions were bailed out following the economic meltdown of 2008 because they were deemed “too big to fail,” the Abacus Federal Savings Bank, it is argued in Steve James’ latest film, became the sacrificial lamb for the industry. Founded by Thomas Sung, a Chinese lawyer and American immigrant, and run by two of his daughters, Abacus prided itself on serving New York’s Chinatown community with mortgages and small business loans. When evidence arises that a loan officer was engaging in fraud, the family reports the crime, only to find the bank under siege by an ambitious DA, with the Sungs’ reputation on the line. James crafts a compelling legal and family drama as Abacus seeks vindication in the courts.

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On TV: GOOD LUCK SOUP

Coming to the World Channel’s America ReFramed tomorrow, Tuesday, May 9:
GOOD LUCK SOUP

Director:
Matthew Hashiguchi

Premiere:
Cleveland 2016

Select Festivals::
CAAMFest, American Doc, Chagrin Doc, Asian American fests in Seattle, Philadelphia, and Boston

About:
The filmmaker explores the complexity of identities in his extended mixed-race family.

Taking an understandably personal but ultimately unfocused approach to his subject matter, the biracial Japanese/Italian Hashiguchi, who grew up in a predominantly white, Irish-Catholic part of Cleveland, ruminates on his ambivalence towards his Japanese American heritage while also surveying various family members about their own experiences. What first seems like a rough-hewn and familiar but appealing portrait of the filmmaker’s grandmother, Eva – an 88-year-old Japanese-American born in California and interned during WWII – too soon gives way to interviews with Hashiguchi’s immediate and extended family members. While their perspectives on overt or subtle racism, passing, and embracing or rejecting elements of their ethnic backgrounds offer some interest, the project as a whole never fully coheres.

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