Category Archives: Documentary

Now on VOD: FINDING GASTON

Patricia Perez’s exploration of a country through its cuisine debuted at San Sebastian last year. Other fest screenings have included Napa Valley, Miami, and Cine+Mas SF Latino.

Perez offers a laudatory profile of Gaston Acurio, a French-trained chef who re-embraced his Peruvian background, becoming a rockstar restaurateur whose Astrid y Gaston establishments have sprung up around the world. As repeated ad nauseum here, he’s credited not only with revitalizing ad universalizing Peruvian cuisine, but with bolstering Peruvian pride in general. Strangely omitting Acurio’s wife altogether, Perez instead offers a parade of admirers, from Noma’s Rene Redzepi and Osteria Francescana’s Massimo Bottura to ordinary Peruvians, to praise the likeable chef. More interesting is Acurio’s championing of regional sourced ingredients, meeting with local farmers and fishermen, and celebrating sustainability. Still, for all of its shortcomings, Perez’s film does present a healthy dose of food porn which will prove very appealing to foodie audiences.

Coming to VOD today, Tuesday, October 6: BALLET BOYS

Kenneth Elvebakk’s portrait of dancers’ dreams made its debut at Thessaloniki Doc last year. Its fest circuit also included Krakow, Edinburgh, Bergen, Reykjavik, Cucalorus, Palm Springs, IDFA, and Goteborg.

Elvebakk follows three teenagers – the only male dancers in their class – as they contemplate their commitment to ballet over four years. Torgeir is finding himself distracted by girls, Syvert struggles with balancing dance and academics, while Lukas is the most serious-minded about pursuing the artform as his career. While Elvebakk captures the grace and beauty of their performances, there’s a distinct lack of energy to the rest of the film. The boys’ friendship is appealing, but never quite developed beyond the surface to offer any deeper insight. Despite its pointedly gendered title, neither does the film address in any real depth issues related to being male in a discipline that overwhelmingly celebrates female dancers, nor how the trio navigates any potential flack they might conceivably receive from their non-dancer social circles.

Coming to DVD today, Tuesday, October 6: BATKID BEGINS

Dana Nachman’s retelling of the day a city made a little boy’s wish come true debuted at Slamdance this year. It also screened at Cleveland, Dallas, Ashland, Cinequest, and Bentonville, among others

After combatting leukemia, super-hero-obsessed five-year-old Miles Scott is given the opportunity by the Make-a-Wish Foundation to have his greatest dream realized: Becoming Batman – or, in this case, Batkid. When his dream goes viral, the foundation’s modestly elaborate plan attracts thousands of volunteers, effectively shutting down large parts of San Francisco to transform it into a Gotham City stage for the young boy’s daylong adventure. Beyond a fitting comic-book-themed animated sequence toward its beginning, Nachman’s starry-eyed film is fairly straightforward, combining after-the-fact interviews with planners and participants together with footage Make-a-Wish captured of Miles’ activities that day, all set to a relentless, upbeat score. The takeaway – voiced multiple times – is meant to be the inspirational way that everyone came together to help a little boy. Beyond the entire population of SF, from its mayor and chief of police, to its local sports team mascot, the rest of the world chimed in, including President Obama and composer Hans Zimmer, with additional messages of support from far-flung countries. It’s a a nice thought, but what’s left largely unsaid is how this groundswell actually takes over the day from the one person it really is meant to be about. While Miles initially seems game, if somewhat confused, not only does he basically get over the adventure halfway through the day, having to be coaxed to continue, but the various set-pieces seem designed more to appeal to the adults involved, and go over his head. In the end, even his mother isn’t really sure that he understood what happened – but everyone else sure feels good about it. Just like the horde that responded to the Batkid idea, it’s easy to get swept up in the self-congratulatory aspect of this often very sweet film rather than step back and question if this is really what Miles wanted.