Category Archives: Documentary

Edinburgh 2015: Documentary Overview

edinburgh-international-film-festival-2013This Wednesday, June 17 marks the opening of the 69th Edinburgh International Film Festival, the first edition under new Artistic Director Mark Adams, formerly the chief film critic of Screen International. Over the course of twelve nights, 164 new and retrospective features, including 30 documentaries, will unspool, including several world and UK premieres. The following offers a brief look at some of these: Continue reading

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On TV: LIMITED PARTNERSHIP

limited partnershipComing to PBS’s Independent Lens tonight, Monday, June 15: LIMITED PARTNERSHIP

Thomas G Miller’s look at a longstanding fight for marriage equality debuted at last year’s Los Angeles Film Festival. Other fest screenings included DOC NYC, Aspen, Tallgrass, Woodstock, Antenna Doc, Hawaii, Denver, Cleveland, Palm Springs, Sheffield, Frameline, Outfest, and LGBT fests in Austin, Taiwan, Hong Kong, Atlanta, Seattle, Brazil, Toronto, and Melbourne.

I previously wrote about the film for DOC NYC, saying:
American Richard Adams married Australian Tony Sullivan in Boulder, Colorado in 1975, during a brief period when same-sex marriage was legal in that state, and subsequently filed for a green card for Tony. After receiving an explicitly homophobic denial and an order for deportation, the couple filed the first federal lawsuit seeking equality in transnational LGBT marriage immigration cases. Thomas G. Miller’s film is a poignant portrait of a couple’s four decades of devotion despite overwhelming odds.

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In Theatres: LIVE FROM NEW YORK!

content_LIVEFROMNEWYORK___PHOTO_COURTESY_OF_EDIE_BASKIN_-4Coming to theatres today, Friday, June 12: LIVE FROM NEW YORK!

Bao Nguyen’s exploration of the pop cultural phenomenon of SATURDAY NIGHT LIVE made its debut as the opening night selection of this year’s Tribeca. Other fest screenings have included Nashville, Maui, Hot Docs, and the upcoming Provincetown.

Nguyen’s film debuted in the midst of SNL’s 40th anniversary season – and in fact was made specifically to tie-in to that milestone – which ends up being both a blessing and a curse. It’s a boon because the anniversary lends a certain gravitas, as well as a logical motive for a retrospective consideration of the program, complete with some occasional gems of archival footage, like some of the screen tests of the original Not Ready for Prime Time Players. On the other hand, however, the film comes after SNL’s own multi-hour anniversary special, which, unfortunately for Nguyen’s project, already utilized that choice archival footage, as well as other more familiar clips, in addition to generally addressing the same terrain. Even excusing this, Nguyen would always face a difficult task in trying to summarize, lionize, and even kind of criticize a still-running series in less than ninety minutes – while appealing to the show’s core fanbase and the casual viewer at the same time. Though he makes something of an attempt to contextualize his film as a study of how the program evolved over time from subversion to institution, this never feels fully formed or developed, making fairly obvious points about sexism or lack of diversity in television before quickly retreating to familiar sketches and laudatory talking heads. As a result, while the doc makes for a diverting enough reminiscence of SNL’s highs and occasional lows, it’s unfortunately fairly generic and not particularly memorable in itself.

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Special Screening: WELCOME TO LEITH

welcome to leithComing to NYC’s Rooftop Films tomorrow, Friday, June 12: WELCOME TO LEITH

Michael Beach Nichols and Christopher K Walker’s gripping chronicle of a small town standoff bowed at Sundance earlier this year. It has since screened at SXSW, Dallas, Boulder, and the upcoming Nantucket Film Festival, among others.

My pre-Sundance profile of the doc may be found here.

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Human Rights Watch 2015: Documentary Overview

hrwlogo copyReturning tonight, Thursday, June 11, the Human Rights Watch Film Festival showcases 16 films and three special programs addressing a wide range of human rights issues to audiences for its 26th edition in New York City, which will run through Sunday, June 21. The following offers highlights from this year’s thematic programming: Continue reading

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On TV: UNITED IN ANGER

Coming to Link TV tonight, Wednesday, June 10: UNITED IN ANGER: A HISTORY OF ACT UP

Jim Hubbard’s look back at the influential activist group debuted at MoMA’s Documentary Fortnight in 2012. It went on to screen at Hot Docs, and at several LGBT fests, including Frameline, Outfest, and Mix Brasil.

I previously wrote about the film out of Hot Docs here.

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In Theatres: THE WOLFPACK

wolfpackComing to NYC and LA theatres this Friday, June 12: THE WOLFPACK

Crystal Moselle’s stranger than fiction story of a group of brothers raised on movies premiered at Sundance earlier this year, winning the US Documentary Grand Jury Prize. Screenings have followed at Cleveland, Full Frame, Sarasota, Tribeca, Riverrun, IFF Boston, San Francisco, Seattle, and the upcoming Nantucket Film Festival.

I previously profiled the film before Sundance here.

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In Theatres & On VOD: THE YES MEN ARE REVOLTING

1201x782-Yes-Men-TYMAR-still-03-Jason-Nicholas-1160x652Now available on VOD and coming to theatres this Friday, June 12: THE YES MEN ARE REVOLTING

Laura Nix and The Yes Men’s portrait of a life of prankster activism made its debut at Toronto last Fall. It went on to screen at DOC NYC, Berlin, CPH:DOX, Seattle, Movies That Matter, Human Rights Watch, !f Istanbul, DOXA, Documentary Edge, and Calgary Underground, among several others. The Orchard has made the doc available on VOD platforms beginning this week, in addition to select theatrical dates around the country.

The third of three films chronicling the often jaw-droppingly brazen actions of The Yes Men, Andy Bichlbaum and Mike Bonanno, a duo who have made it their life’s mission to call to task corporate and government interests that are rarely aligned with the public good. In the face of climate change denial, industrial accidents, or other malfeasance that has consequences for the ordinary citizen, The Yes Men stage publicity-generating interventions, typically involving hoodwinking the major media into believing that they themselves are corporate spokesmen finally willing to make mea culpas. Their latest film takes a more reflective approach, focused not only on the pair’s continuing concern about mankind’s disastrous impact on the environment, but also on the toll that a life of dedicated activism can take on their personal lives and relationships. The result is a welcome, humanizing look behind The Yes Men’s typically unflappable public personae.

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Los Angeles 2015: Documentary Overview

los-angeles-film-festival-20151The Los Angeles Film Festival returns for its 21st edition tonight, Wednesday, June 10, and runs through Thursday, June 18. After a major shift in its programming team which saw the departure of longtime programmers David Ansen and Doug Jones and the addition of curator Elvis Mitchell, associate director Roya Rastegar, and senior programmer Jennifer Cochis, the event has gone through some significant retooling, with the introduction of several new sections and a refocusing of existing ones. Just over 70 features will screen, with nearly two dozen documentaries counted within that number. Among the highlights are the following: Continue reading

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On VOD: GTFO THE MOVIE

gtfo-1Coming to VOD today, Tuesday, June 9: GTFO THE MOVIE

Shannon Sun-Higginson’s investigation of hostility against women in the gaming world had its world premiere at SXSW earlier this year. It has since screened at DOXA, IFF Boston, Global Visions, and SF DocFest. FilmBuff now releases the doc on iTunes and Vimeo on Demand.

Last Summer’s Gamergate exposed rampant misogyny within some elements of the gamer community. While Sun-Higginson’s film is not focused on the particulars of that controversy, addressing it only as a postscript, she assembles more than enough damning testimony that speaks to the challenges faced by women in gaming, a player population that has been on the rise. As the film relates, at its most (relatively) benign, gaming culture historically and consistently has set up barriers to entrance to females, and displays a lack of diversity and representation within its design and play that caters nearly exclusively to males. At its most extreme, gaming has proven outright hostile at times, escalating a “boys club” sentiment that moves from condescension to harassment to even threats of physical violence against women who are encroaching on their territory. In addition to revisiting notorious examples of such hostility, Sun-Higginson surveys a range of women about their individual experiences. While the topic is engaging, essential, and rife with potential, the execution is sadly wanting – talking heads dominate and are repetitive, production values vary and are often rough, and music is overused and distracting. The film does make some good use of 8-bit graphics and titles, but much more could have been done to make this more visually arresting.

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