Category Archives: Documentary

In Theatres: DREAMCATCHER

dreamcatcherComing to theatres today, Friday, March 13: DREAMCATCHER

Kim Longinotto’s intimate look at a woman on a mission debuted at Sundance earlier this year, where it picked up the World Cinema Documentary Directing Award. Other fest engagements have included Rotterdam, Glasgow, ZagrebDox, and the upcoming Thessaloniki and One World.

My pre-Sundance profile of the doc may be found here.

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On TV: SOLAR MAMAS

Rafea-Solar-Mama-Key-Image-Photo-by-by-Neil-Davenport-580x300Coming to The WORLD Channel’s Strength of Women series today, Friday, March 13: SOLAR MAMAS

Jehane Noujaim and Mona Eldaief’s look at female empowerment through solar energy made its feature debut at Toronto in 2012. It also screened at DOC NYC, IDFA, Sheffield, Montclair, and Human Rights Watch, among others. This shortened broadcast version debuted as part of Independent Lens the same year.

The central figure in Noujaim and Eldaief’s film is Rafea, a compelling Bedouin woman from a small Jordanian desert community. Despite, or perhaps because, she is illiterate, she is selected to participate in Indian visionary Bunker Roy’s Barefoot College, a six month training program that specifically targets mothers from the developing world. His reasoning: In contrast to men, woman have more patience to learn, and, significantly, their family ties lead them to stay in their home communities to pass on their newfound knowledge rather than escape to urban settings after they return from training. Rafea, together with her cousin, joins an international group in India to learn how to construct and install solar panels. The Jordanian governmental minister who has arranged for them to participate expects that they will be able to open their own training center, giving otherwise out of work Bedouins a way of making a living, while significantly contributing to the betterment of their community with the introduction of solar power. Rafea is up for the challenge, but, once in India, she faces incessant harassment from back home, with her shiftless husband in particular threatening to divorce her and take their daughters. The film captures the possibilities of – as well as the barriers to – gender equality in traditional societies, offering an eye-opening look at the shifting power dynamics that have a profound impact on women’s lives in these settings.

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In Theatres: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF

going clearComing to theatres today, Friday, March 13: GOING CLEAR: SCIENTOLOGY AND THE PRISON OF BELIEF

Alex Gibney’s exposé of the controversial organization/church made its debut at Sundance earlier this year. Its fest circuit includes True/False, Big Sky, and the upcoming Martha’s Vineyard.

I profiled the doc before Sundance here.

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Thessaloniki Documentary Festival 2015 Overview

thessaTomorrow, Friday, March 13 marks the opening of the Thessaloniki Documentary Festival, which sees its 17th edition run through Sunday, March 22. While I’ve been fortunate to attend the past few years, I’m taking a break this time around. The following section overview offers highlights of new and recent films that I would try to see, were I to be heading to Greece:

 

 

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Special Screening: A DANGEROUS GAME

dangerousComing to NYC’s Stranger Than Fiction tonight, Thursday, March 12: A DANGEROUS GAME

Anthony Baxter’s exposé on the high cost of luxury golf development debuted at Hot Docs last year. It went on to screen at Sheffield, Edinburgh, Hamptons, DC’s Environmental fest, Vancouver, Reykjavik, Denver, and One World, among others.

In 2011, Baxter’s previous documentary, YOU’VE BEEN TRUMPED, drew significant press and festival attention as it chronicled billionaire Donald Trump’s concerted efforts to develop a golf course in Scotland, despite the resistance of several locals and serious environmental concerns. While revisiting this story and its protagonists – who Trump vilified in the press, but who emerged as local heroes – Baxter’s follow-up expands beyond Aberdeenshire to explore other contentious, posh golf resort developments, including another Trump foray in New Jersey, an unconnected project in Dubrovnik, Croatia, and an environmentally dodgy Las Vegas set course. Baxter also underscores the point that he’s not against the game in and of itself, profiling his golf-loving uncle, who provides some quirky moments and historical context. And, finally, if this all weren’t enough, Baxter- channelling Michael Moore – re-engages the Trumps, finally getting Donald and his son to consent to on camera interviews as a form of damage control that doesn’t quite go their way, ultimately. It’s a bit much for the somewhat too-slickly produced yet still folksy film to juggle, but Baxter still manages to make his new film accessible to viewers who haven’t seen its predecessor, while maintaining the impact of its David vs Goliath themes.

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SXSW 2015: Documentary Overview

sxsw-film-logoThis Friday, March 13, sees the kick off of the latest edition of SXSW, with the film program continuing through Saturday, March 21. I’ll be attending the first half of the festival, joining the hordes of film, music, and interactive professionals and fans who annually descend on Austin. In terms of nonfiction programming, the festival has increased the number of feature docs in its lineup after a bit of a reduction last year, with 68 out of 145 selections. The following section breakdown (excepting Festival Favorites and Midnighters) offers highlights of many of these: Continue reading

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On DVD: THIS AIN’T NO MOUSE MUSIC!

This_Aint_No_Mouse_Music_4.470x264New to DVD this week: THIS AIN’T NO MOUSE MUSIC!

Chris Simon and Maureen Gosling’s profile of a curmudgeonly record label owner made its bow at SXSW in 2013. Screenings followed at Hot Docs, Mill Valley, Margaret Mead, and Hot Springs Doc, among several others.

I previously wrote about the film out of Hot Docs here.

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On VOD: BITE SIZE

bite sizeComing to VOD today, Tuesday, March 10: BITE SIZE

Corbin Billings’ look at childhood obesity debuted at Cinequest last year, winning a jury award. It will also screen at the upcoming TIFF Kids fest. BOND/360 now releases the doc on VOD exclusively via Vimeo.

Billings’ film offers a survey of the causes and consequences of unhealthy eating by sharing the stories of four American youth of diverse backgrounds, ages 11-13: Davion, who tries to use his size to join the football team even as he struggles with diabetes and to be in shape; Emily, who faces setbacks after a successful (though costly) experience at weight loss camp; Moy, whose sedentary videogaming concerns his parents; and KeAnna, who is encouraged to stay active through her love of dance. Highlighting the important role family eating habits play in shaping children’s own choices, some of the subjects’ family members or adult role models are also profiled, most notably Moy’s – his mother takes responsibility for changing the kinds of foods she prepares, while his father owns up to his own shortcomings after a health scare. While the film could have shed one of the characters and fleshed out the others a bit more – KeAnna in particular seems more peripheral here than the school counselor who organizes her dance team – it does succeed in presenting several straightforward case studies that demonstrate the realities of childhood obesity, and steps that can be taken to combat it.

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On DVD: REMOTE AREA MEDICAL

still_remoteComing to DVD today, Tuesday, March 10: REMOTE AREA MEDICAL

Jeff Reichert and Farihah Zaman’s microcosmic exploration of health care access had its world premiere at Full Frame in 2013. Additional screenings followed at Hot Docs, IFF Boston, Sarasota, RiverRun, Traverse City, Seattle, Los Angeles, Denver, and Nashville, among others.

I previously wrote about the film out of Hot Docs here.

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On TV: LOOKS LIKE LAURY, SOUNDS LIKE LAURY

ARF_310_LOOKSLIKELAURY_8-crop-321x150Coming to PBS’s America ReFramed tomorrow, Tuesday, March 10: LOOKS LIKE LAURY, SOUNDS LIKE LAURY

Pamela Hogan’s chronicle of the loss of a close friend makes its debut on the WORLD Channel tomorrow. The screening is part of the Strength of Women, a monthlong programming series in recognition of Women’s History Month.

Hogan, working in partnership with producer Connie Shulman, tells the poignant story of their friend Laury Sacks, a wife, mother, and sometime character actress, who suddenly and inexplicably begins losing her words. The once lively, quick-witted New Yorker soon finds herself frustratingly unable to speak coherently, putting an emotional drain on family, friends, and Laury herself. Even an eventual diagnosis – fronto-temporal dementia – offers little relief, as the neurological condition remains under-researched and untreatable. Shot over the course of a year, just as the disease takes hold, Hogan’s simple but touching film offers an intimate look at a woman’s attempts to reckon with the unthinkable – recognizing the fundamental change her condition forces on her very sense of self, but maddeningly being unable to articulate it to the outside world.

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