Category Archives: Documentary

On VOD: MY OWN MAN

my own manComing to VOD today, Friday, March 6: MY OWN MAN

David Sampliner’s personal exploration of manhood made its bow at Tribeca last year. It has gone on to screen at the San Francisco and Boston Jewish fests, Big Eddy, and LA’s ArcLight Documentary series. The doc now comes to VOD exclusively via Netflix.

At 40, filmmaker David Sampliner learns he will soon become a father to a baby boy, a prospect that should fill him with pride and joy, but instead brings on an existential crisis, reawakening a long-seated anxiety about his own sense of masculinity. He’s decidedly not an alpha male, as unequivocally confirmed by not only his close male friends – who self-assuredly are – but by his siblings and parents. David’s father, in particular, seems to serve as the filmmaker’s foil: A matter-of-fact, no-nonsense 1950s style father, a retired, successful surgeon who is in excellent shape despite his advanced age, in contrast to his more sensitive, empathic, and slightly out-of-shape son, a definite follower, not a leader. David’s highly personal film follows his at times strained and cringe-worthy efforts to get in touch with his masculinity – participating in mens’ groups, taking up hunting, working a voice coach, and hitting the gym – while also trying to understand just why his supposed lack of traditionally “manly” traits upsets him so much. While suffering from the typical excesses of first-person docs, including a surfeit of narration and a general self-indulgence, Sampliner’s film does speak to our society’s self-imposed stunted sense of masculinity and its limits, and how these in turn do damage to men’s conception of self.

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In Theatres: MERCHANTS OF DOUBT

1201x782-01.-MerchantsOfDoubt_Still_014-copy-1160x652Coming to theatres today, Friday, March 6: MERCHANTS OF DOUBT

Robert Kenner’s exposé of anti-science corporate shills made its debut last year at Telluride and Toronto. It went on to screen at the New York Film Festival, DOC NYC, CPH:DOX, Palm Springs, Whistler, Hong Kong, Goteborg, and ZagrebDox, among others.

While in no way household names, the subjects of Kenner’s latest film might be vaguely familiar to viewers, particularly those who make a habit of watching cable news networks. They’ve made a career out of making media appearances, acting as “scientific experts” offering their opinions on a variety of issues like tobacco safety or climate change. Their use of dubious statistics and studies is designed to sow doubt about the credibility of consumer threat – just what their corporate employers want. While Big Tobacco or Big Oil don’t necessarily think these pundits-for-hire will convince everyone that cigarettes don’t cause cancer, or that global warming is a hoax, that’s not important – their actual goal is to convince enough people that there is even a debate to be had, a stalling tactic that’s been successful time and time again in delaying actual substantive change from being made. Kenner slickly details several examples of this public misdirection, adopting a similar feel as in his earlier call to action doc FOOD INC, resulting in an equally enraging and engaging polemic against those entities who put profit ahead of all else.

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Tribeca 2015: Additional Programming Announced

tribecaFollowing Tuesday’s announcement of the bulk of this year’s programming, the Tribeca Film Festival today revealed the films in its Spotlight, Midnight, Special Screenings, and Works In Progress sections. The latest announcement brings the total of feature documentaries to be presented at this year’s festival to 45, which includes previously announced opening night selection LIVE FROM NEW YORK!, Bao Nguyen’s exploration of the long-running SATURDAY NIGHT LIVE, celebrating its 40th anniversary this year. The documentary titles unveiled today are noted below: Continue reading

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On DVD/VOD: ILYA AND EMILIA KABAKOV: ENTER HERE

ilyaandemiliakabakoventerhereNew to DVD and VOD this week: ILYA AND EMILIA KABAKOV: ENTER HERE

Amei Wallach’s portrait of a pair of influential Russian conceptual artists made its debut at the Moscow Biennale in 2013. It screened at NYC’s Film Forum, and also was included in events such as the Vancouver International Film Festival and Montreal’s Festival of Films on Art.

Wallach’s ambitious but flawed film ostensibly focuses on a massive retrospective of the titular husband and wife team’s work held in 2008 in Moscow, but constantly undermines itself by overreaching. While biographical details are essential for an artistic team that is likely not well-known outside of the art world cognoscenti, these too frequently are presented in utterly conventional ways that rob the energy and interest in the subjects and their intriguing work – the construction of multiple, complex life-size installations in various locations around the Russian capital, the first time the pair have worked in their native country since they left the USSR in the late 1980s. Supposed creative flourishes just end up looking cheap, such as the unfortunate repetitive use of gauzy superimposed talking heads over random scenes, subtitles which snake around the screen in different spots, the distracting use of dubbing vs subtitling for some subjects for no discernible reason, the overdramatic enacted voiceover of letters from Ilya’s mother, and sweeping shots of the artwork that barely allow viewers a chance to take any of it in. While Ilya and the strangely sidelined Emilia have clearly had a fascinating career – and one whose intersection with the social, artistic, and political history of Russia lend it significant weight – the film seems a missed opportunity to explore it.

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In Theatres: THE MIND OF MARK DEFRIEST

1201x782-Key-IMAGE-_DeFriest-Courtesy-of-Found-Object-Films-and-Thought-Café-copy-1160x652Coming to theatres tomorrow, Friday, March 6: THE MIND OF MARK DEFRIEST

Gabriel London’s exploration of the history of a notorious prison escape artist debuted at Hot Docs last year. It went on to screen at DOC NYC, Los Angeles, Tallgrass, Denver, and Lone Star, among others. The film has already led to surprising developments in DeFriest’s case.

I previously wrote about the film for DOC NYC’s program, saying:
In 1979, teenager Mark DeFriest received a four-year prison sentence for stealing his own tools. After countless outrageous jailbreak attempts – many humorously recounted here through animated sequences – he’s still incarcerated and will be until 2084. Shortly after his confinement began, Mark’s mental competency was questioned, but the opinion of Dr Robert Berland, a single dissenting psychiatrist, kept him behind bars. Now, agreeing to re-examine the oddly amiable but troubled Houdini, Dr Berland may provide the means to finally secure Mark’s freedom.

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In Theatres: AN HONEST LIAR

honest liarComing to theatres this Friday, March 6: AN HONEST LIAR

Justin Weinstein and Tyler Measom’s portrait of a famed paranormal debunker bowed at Tribeca last year. It went on to screen at Nantucket, Hot Docs, AFI Docs, and Outfest, among other fests.

I previously wrote about the doc here.

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True/False 2015 Overview

true falseBeginning tomorrow, Thursday, March 5, the 12th edition of the True/False Film Festival takes over Columbia MO through the weekend. More than forty features figure in the popular destination event’s programming, representing an eclectic cross-section of brand new work, recent Sundance titles, standouts from the past Fall’s European festivals like IDFA, CPH:DOX, and elsewhere, several “secret screenings” that offer attendees sneak previews of upcoming debuts, and works on the border of fiction and nonfiction, as featured in the event’s Neither/Nor series. I’m looking forward to returning to the festival again, with the below highlights foremost on my watch list: Continue reading

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On TV: NO EVIDENCE OF DISEASE

NO-EVIDENCE-OF-DISEASE-4Coming to the WORLD Channel’s Strength of Women series tonight, Wednesday March 4: NO EVIDENCE OF DISEASE

Andrea Kalin’s look at a rock band’s efforts to spread awareness of cancer has been screening around the country via TUGG since 2013, and has appeared in events including the Rocky Mountain Women’s Film Festival, Awareness Film Festival, Cinequest, and Australia’s Big Picture Film Festival. The film screened nationwide and in Canada on February 4 in commemoration of World Cancer Day.

While most people are aware of breast cancer and its devastating impact, much less attention has been placed on the various forms of GYN cancer that claim the lives of thousands each year. The members of NED – which stands for No Evidence of Disease, a term for remission – do their part to change that, not only by performing benefit concerts and incorporating survivors into their shows, but notably through their day jobs: The six members of the band are gynecological oncologists, specialists in treating ovarian, cervical, labial, and uterine cancers. Kalin profiles each of the doctor bandmates, as well as several courageous patients, but the heart of her intimate and inspirational film is the solitary female physician, Joanie, NED’s compelling lead singer.

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Tribeca 2015: Competition & Viewpoints Lineups Announced

tribecaThe Tribeca Film Festival has just announced the films in its World Narrative Competition, World Documentary Competition, and Viewpoints section. The remaining features from the Spotlight, Midnight, and Special sections will be revealed this Thursday, March 5. Of the 51 titles revealed today, 23 are documentaries, noted below: Continue reading

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In Theatres: GREY GARDENS

Coming to NYC’s Film Forum this Friday, March 6: GREY GARDENS

Albert and David Maysles, Ellen Hovde, and Muffie Meyer’s seminal portrait of an unforgettable mother and daughter bowed in 1975 at the New York Film Festival. It went on to screen at Cannes and Toronto the following year, and is recognized as a classic of nonfiction filmmaking. The film now returns to theatres in a newly restored version for its 40th anniversary.

I previously wrote about the doc here.

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