Category Archives: Documentary

2014 Sundance Docs in Focus: THE NOTORIOUS MR BOUT

notorious mr boutNext up in the World Cinema Documentary Competition: From Russia, Tony Gerber and Maxim Pozdorovkin’s portrait of a convicted international arms smuggler, THE NOTORIOUS MR BOUT.

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In Theatres: THE GREAT FLOOD

the-great-flood_592x299Coming to NYC’s IFC Center tomorrow, Wednesday, January 8: THE GREAT FLOOD

Bill Morrison’s elegiac reflection on the Great Mississippi River Flood of 1927 was commissioned by and debuted at the University of Illinois at Urbana-Champaign in 2011. Following revisions, it went on to screen at festivals including Cleveland, Vancouver, Adelaide, and Viennale, and has had special performances at Carnegie Hall, Chicago’s Symphony Hall, London’s Queen Elizabeth Hall, and Los Angeles’ Royce Hall, among others.

The third collaboration between Morrison and acclaimed guitarist/composer Bill Frisell, the film chronicles the most destructive river flood in US history, which saw nearly 150 breaks in the Mississippi’s levees, flooding of 27,000 square miles, the deaths of 250 people in seven states, and damages estimated at over $400 million. As in his previous work, Morrison turned to decaying archival footage of the actual flood to convey the story of the flood, its deterioration lending a poignant, faraway, dreamlike quality to the project. Dialogue-free, with minimal text, the lovely monochromatic footage marries well with Frisell’s original score, inspired by the evolution of period music into various forms – blues, jazz, gospel, soul, rock, and r&b – that followed the forced migration north of sharecroppers displaced by the disaster. The result creates an almost hypnotic effect, more suited for an immersive theatrical or concert setting than home viewing. Still, this is decidedly esoteric arthouse territory, and will likely be an endurance experience for most audiences, even at a relatively brief 80 minute running time.

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2014 Sundance Docs in Focus: MY PRAIRIE HOME

my prairie homeLaunching into the second half of this year’s World Cinema Documentary Competition: From Canada, Chelsea McMullan’s MY PRAIRIE HOME, following a transgender performer through a tour of personal and geographical history.

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On VOD: WE CAUSE SCENES

we cause scenesComing to VOD today, Tuesday, January 7: WE CAUSE SCENES

Matt Adams’ overview of the history of prank collective Improv Everywhere had its world premiere at SXSW last year. It went on to screen at Hot Docs, Heartland, Philadelphia, and St Louis, among others. The film now becomes available for direct download and on iTunes via FilmBuff.

In 2001, aspiring actor Charlie Todd was inexplicably mistaken for musician Ben Folds in a bar and ran with it, convincing other patrons he was the singer and giving them a story to tell friends. Inspired, Todd set out to create other memorable moments for the strangers of the city, recruiting friends to stage the first No Pants Subway Ride, an event that has since become a popular annual occurrence. Dubbing their escapades Improv Everywhere, Todd and his motley crew of accomplices set up a website and videotaped their exploits – but in a pre-YouTube age, couldn’t really disseminate them – and a new form of public performance art/mass practical joke was born. Recruiting “agents” online as word spread about their pranks – from staging a rooftop U2 concert with imposters to causing havoc in a Best Buy by dressing like their employees – Todd attracted television interest but ultimately wasn’t picked up for a series. When YouTube launched, Todd suddenly had a way to easily share video footage of IE’s escapades, including the pranks filmed for the TV pilot, which went viral, spawning imitators around the world, widespread media attention, and invitations for Todd to stage a wide variety of events for a range of partners. While Todd is a genial guide, Adams’ film is something of a greatest hits clip show (often drowning in distracting background music), and decidedly surface – there’s virtual no attempt to explore the deeper dynamics of what IE does, why “agents” want to become involved, or why their pranks elicit anger or irritation in some of those not in on the joke. Still, the viewer does get a sense of the fun being perpetrated on an unsuspecting public, and, more interestingly, offers an intriguing window into a surprisingly recent pre-social media cultural phenomena.

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2014 Sundance Docs in Focus: Mr leos caraX

mr leos caraxThe first half of this year’s World Cinema Documentary Competition profiles wraps up with Tessa Louise-Salomé’s Mr leos caraX, from France, about the enigmatic director of such films as HOLY MOTORS and THE LOVERS ON THE BRIDGE.

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New York Jewish Film Festival 2014: Documentary Overview

56_New-York-Jewish-Film-FestivalThe 23rd edition of the New York Jewish Film Festival kicks off tomorrow, Wednesday, January 8 at the Film Society of Lincoln Center. A co-presentation of The Jewish Museum and the Film Society, the festival runs through Thursday, January 23, and presents more than 30 new and retrospective feature films, as well as shorts and special programs, such as symposium exploring film genres and identity-based programming, guest curation by Wim Wenders, a master class with Amos Gitai, and a celebration of the work of Otto Preminger and Saul Bass. Compared to last year’s edition, which saw about half the lineup focus on nonfiction programming, there are fewer documentaries screening, all noted below. Continue reading

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2014 Sundance Docs in Focus: LOVE CHILD

love childToday’s World Cinema Documentary Competition profiles wrap up with Sundance alum Valerie Veatch’s LOVE CHILD, a South Korean/US production, an in-depth look at the real life consequences of a young couple’s virtual reality.

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On VOD: EATING ALABAMA

eating alabamaComing to VOD tomorrow, Tuesday, January 7: EATING ALABAMA

Andrew Beck Grace’s exploration of food and farming had its world premiere at SXSW in 2012. It went on to screen at Full Frame, New Orleans, Sidewalk, Oxford, SF Doc Fest, and the Southern Circuit Tour, among others. FilmBuff now releases the doc on iTunes, Movies on Demand, Amazon, Google, Sony PlayStation, Xbox, Cinemanow, and Vudu.

A sort of food-focused spin on NO IMPACT MAN, Grace’s film documents a year-long attempt by the Alabama-based filmmaker and his wife Rashmi to eat only locally-sourced food – at least for about half the film. Motivated by his familial connection to farming – his grandfather, who pops up in the film more than once, left agriculture decades ago, but shared with him nostalgic tales of a simpler age connected to the land – Grace longs for a way of life he quickly comes to realize essentially no longer exists – at least not in any kind of sustainable manner, as an initial search for groceries results in a nearly 800-mile trek. Still, a combination of local small-scale farmers, home gardening, and creative menu planning gets Andrew and Rashmi through the year, at which point the film somewhat awkwardly changes course to consider just why his nostalgia-fueled dream is so unsustainable in an age of industrial farming and hyper-litigious companies like Monsanto. Grace’s generally likeable if structurally bifurcated film joins a growing body of food and farming focused docs, but is notable – for better and for worse – in its adoption of a personal essay approach, with near-constant narration that grounds it even as it feels a bit too hokey.

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2014 Sundance Docs in Focus: HAPPINESS

happinessContinuing my spotlight on this year’s World Cinema Documentary Competition with the first of three films that debuted at IDFA this past Fall: From France/Finland, HAPPINESS, Thomas Balmès’ illuminating look at the advent of modernity in a Bhutanese village.

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On DVD: LINSANITY

linsanityComing to DVD tomorrow, Tuesday, January 7: LINSANITY

Evan Jackson Leong’s look at the celebrated basketball player made its debut at last year’s Sundance. It went on to screen at SXSW, Hawaii, Hong Kong, NY’s Asian American, LA Asian Pacific, and Pacific Rim, among others, and to enjoy a limited theatrical release.

My pre-Sundance profile of the doc may be found here.

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