Category Archives: Overviews

Celebrating its 35th anniversary, the Margaret Mead Film Festival has the distinction of being the longest-running doc festival in the US. Named for the noted cultural anthropologist, who died two years after the festival’s founding in commemoration of her 75th birthday, and hosted by the American Museum of Natural History where Mead worked, the festival is acclaimed as a showcase for international ethnographic and experimental non-fiction. This year’s event, which runs November 10-13, includes 25 feature length works, and more than a dozen shorts, panels, and other special presentations. Continue reading →

After a successful inaugural event last year, Thom Powers and Raphaela Neihausen’s DOC NYC returns for 2011 with additional days and an expanded line-up which includes over 50 feature-length documentaries. Running November 2-10, the festival pulls from Powers’ Toronto line-up (where he serves as documentary programmer) while also presenting a number of US and international films to make their NYC debut. Taking a section-by-section look at this year’s events, here are the titles I’m most interested in trying to see: Continue reading →

For nearly twenty years, the Hamptons has served as a perfect opportunity to escape the city for a long weekend of well-selected films and well-heeled events in New York’s legendary getaway seaside communities. Taking place post-season, the festival caters more to the year-round locals than to the summer crowd, but also draws an impressive number of industry from NYC for a more casual cinema-going experience.

It’s been a few years since my schedule has allowed me to attend, but I’m hoping to make it for a couple of evenings later this week – the festival opens this Thursday and wraps on Monday. Documentaries are regularly represented in the fest’s “Films of Conflict & Resolution” strand, some of which are also part of the documentary competition. This year, the Hamptons screens thirty new feature-length docs. Continue reading →

The Camden International Film Festival begins tomorrow and runs through Sunday. Sadly, I won’t be able to make it. Hopefully next year. Despite its closeted name, Camden is a doc festival (C’mon Ben Fowlie! How about CamDocs?). Over four nights, the fest presents about forty programs, including thirty feature-length docs. In addition, over Friday and Saturday, the Points North Documentary Forum conference takes place, offering New England-based filmmakers access to key industry for professional development.

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The Film Society of Lincoln Center’s annual showcase is on every New York cinephile’s calendar. The highly selective lineup stretches out over more than two weeks, spotlighting some of the best US and world cinema. While the festival has typically included some non-fiction, in a very welcome development this year, in addition to a few works in the accompanying Views from the Avant-Garde program and in the fest’s Main Slate, organizers have grouped an additional ten documentaries as “special presentations.” Following are the non-fiction projects I am most interested in screening:

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Together with what usually seems the entirety of the film industry, I’ll be headed up to Canada later this week for the Toronto International Film Festival, the event that, for me, marks the start of the new festival year (sadly I’ve never been to Telluride or Venice). For quite some time now, TIFF has been the pre-eminent North American launching pad for critically and commercially successful films, setting off awards buzz. Many of the titles premiering at the festival will be making their way to theatres before the end of the year, but industry and public audiences get an early, taste-making look at eventual Oscar nominees.

Of course, while trying to catch some of these hopefuls, my focus is on the festival’s non-fiction programming. This year, by my count, there are 38 feature-length documentaries, with the majority represented in the festival’s Real to Reel section, programmed by Thom Powers. Twelve additional docs are spread out among seven other sections. I’m going to do my best to see as many of these as possible within the six days I’m attending, and hope to catch ones I miss if they’re programmed at Powers’ DOC NYC and Stranger Than Fiction series.

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The film festival I was involved with/ran from 1996-2008, NewFest: The New York LGBT Film Festival, begins its 23rd edition next Thursday, July 21, having moved from its traditional early June date and set up shop at the Film Society of Lincoln Center for its gala screenings. Having shepherded the festival for so long, it means a great deal to me, so if you’re in NYC between July 21-28, check out its offerings, whether you are LGBT or not. Among its 60 feature-length films – by, about, or of interest to LGBT audiences and their supporters – NewFest includes 28 documentaries.

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Brooklyn’s Northside Festival is the third of three posts on events beginning in NYC tomorrow. Now in its third year, the event, organized by The L Magazine, spotlights music, film, art, and ideas – a sort of mini-SXSW in Williamsburg and Greenpoint. Running June 16-19, there’s a little bit of something for everyone.

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In this second of three postings about NYC based festivals beginning tomorrow, I’m looking at the non-fiction offerings of the Human Rights Watch International Film Festival. A mainstay for over twenty years, HRWIFF has separate events in NYC and London, with a selection of films from those lineups included in a traveling festival screening around the US and Canada. The NYC festival brings 18 films to the Film Society of Lincoln Center through the end of the month.

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In the first of three postings today about NYC festivals all starting this week, we’ll start with BAMcinemaFEST. Now in its third year, this BAM Rose Cinemas based event begins tomorrow and runs through June 26. More or less a successor to Sundance at BAM, which ran for three editions, this popular Brooklyn event features a great selection of strong films culled from top fests, including but no longer limited to Sundance – many films this year made their debuts at Berlin and SXSW. In addition, the fest features special retro and outdoor screenings.

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