Category Archives: Film Festivals

SXSW 2014: Documentary Overview

sxswfilmSXSW kicks off tomorrow, Friday, March 7, and runs through Sunday, March 16. Between attending True/False (post to come) and working on programming Nantucket, I have been remiss in highlighting this year’s documentary line-up in any depth. As I’ve noted before, my annual pilgrimage to Austin feels like a rite of Spring, a week of typically warm weather that preps me for the eventual thawing out of a NYC seemingly caught in an endless polar vortex. While I’ll be checking out as many of the offerings, fiction and nonfiction alike, for Nantucket, my heart remains with the latter, so I’m especially interested in the fifty feature docs that are included in this year’s lineup. Selections from each section are highlighted below. Continue reading →

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In Theatres: INTERIOR. LEATHER BAR.

interior leather barComing to theatres tomorrow, Wednesday, March 5: INTERIOR. LEATHER BAR.

James Franco and Travis Mathews’ fiction/non-fiction hybrid re-imagining the rumored lost footage of William Friedkin’s CRUISING made its debut at Sundance last year. Since then, it has screened extensively, including berths at Berlin, Hot Docs, Rotterdam, Cleveland, Seattle, Atlanta, and at scores of LGBT fests, such as Frameline, NewFest, Outfest, Mix Brasil, and Russia’s Side By Side, among many others.

My pre-Sundance profile of the film may be found here.

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True/False 2014 Overview

true-falseOne of my favorite film events of the year, the True/False Film Festival, begins its second decade tomorrow, with its eleventh edition running through the weekend. Just over forty features plus several shorts will screen for the fest’s loyal local Columbia MO audience, as well as the scores of visitors that flock to the event each year. A festival with a distinctive vision, an appreciation for cinematic non-fiction, the organizers also have cultivated a unique approach to the event itself, peppering it with beloved traditions, like the March March Parade, eclectic screening venues, and fun parties. This year, they’ve decided to shake things up even further, revealing several weeks ago that they will be sharing revenue with their featured filmmakers. I’m always excited to head out to the festival, which carefully curates a program of new and recent work, cherry-picking from among the best of Sundance, IDFA, and other events, while offering some secret sneak previews, and, this year notably, a number of world premieres – though they don’t make a big deal about the latter. The following highlights these as well as other works I haven’t already mentioned here before. Continue reading →

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On DVD: THE CRASH REEL

crash reelComing to DVD tomorrow, Tuesday, February 25: THE CRASH REEL

Lucy Walker’s exploration of snowboarder Kevin Pearce’s traumatic brain injury had its world premiere at Sundance last year. The film went on to screen at DOC NYC, Berlin, Hot Docs, True/False, Full Frame, Seattle, and Los Angeles, among many others, and was shortlisted for the Best Documentary Oscar.

I profiled the doc before Sundance here.

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On DVD: NARCO CULTURA

narco culturaComing to DVD tomorrow, Tuesday, February 25: NARCO CULTURA

Shaul Schwarz’s exploration of Mexico’s drug-inspired music genre had its world premiere at Sundance last year. It went on to screen at Berlin, Hot Docs, Fantastic Fest, Sydney, Stockholm, and San Sebastian, among others.

I profiled the doc before Sundance here.

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ZagrebDox 2014 Overview

zagrebdox_logoCroatia’s ZagrebDox celebrates its first decade beginning this Sunday, February 23, with the documentary fest wrapping up its tenth edition the following Sunday, March 2. Nearly a hundred features screen over the course of the event, representing new and recent docs, as well as a significant number of retrospective works. Amongst its lineup are several titles familiar from the international documentary circuit, already covered here elsewhere, and, more intriguingly, a healthy sampling of national and regional work, much of it spotlighted below: Continue reading →

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On DVD: MUSCLE SHOALS

muscle shoals newComing to DVD next Tuesday, February 25: MUSCLE SHOALS

Greg “Freddy” Camalier’s tribute to the influential Alabama recording studios had its world premiere at Sundance last year. It went on to screen at SXSW, Nantucket, Atlantic, Melbourne, Seattle, Maui, Nashville, and Hot Docs, where it won an Audience Award.

My pre-Sundance profile of the doc may be found here.

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Special Screening: THE STUART HALL PROJECT

stuart hall projectComing to NYC’s BAM as part of the BAMcinématek series on the Black Audio Film Collective next Monday, February 24: THE STUART HALL PROJECT

John Akomfrah’s profile of the recently departed influential British cultural theorist made its debut at Sundance last year. It went on to screen at DOC NYC, DOXA, Leeds, Torino, CPH:DOX, and African Diaspora, among other events.

My pre-Sundance profile on the doc may be found here.

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On VOD: THE MOO MAN

moo manComing to VOD tomorrow, Tuesday, February 18: THE MOO MAN

Andy Heathcote and Heike Bachelier’s day in the life of a British dairy farm made its world premiere at Sundance last year. It went on to screen at Berlin, Sheffield, True/False, and Los Angeles, and was nominated for a British Independent Film Award. The doc now becomes available on iTunes.

My pre-Sundance profile of the doc may be found here.

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Big Sky Documentary Film Festival 2014 Overview

big skyMontana’s largest film festival, Missoula’s Big Sky Documentary Film Festival, kicks off its 11th edition tomorrow, Saturday, February 15, and running through Sunday, February 23. Presenting a mix of new films, recent festival favorites, and a healthy dose of retrospective selections, the event has carved a distinctive space for nonfiction in the American West. This year, in addition to its annual Made in Montana sidebar, showcasing local productions like Daniel T Skaggs’ FREELOAD, about modern-day train hoppers; music doc section Sights and Sounds; indigenous showcase; and past fest participants, Encore; the event offers sidebars on comedy docs, wilderness films, and a retrospective on Robert B Weide. Other selections are highlighted below. Continue reading →

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