Beginning this Wednesday, May 8, and running through the rest of the month, MoMA presents Chinese Realities/Documentary Visions, a retrospective series of nonfiction and nonfiction-inspired film from China. The work reflects changes to the nation’s documentary aesthetics over the past quarter century, which has come hand-in-hand with rapid modernization in the wake of China’s remarkable economic transition. Series curators Sally Berger and Kevin B Lee have assembled examples from as far back as 1988, pre-Tiananmen Square, to brand new work, spanning state-sanctioned productions to underground, independent work – the majority largely unseen by Western audiences outside of some limited festival exposure. In addition to panels, more than two dozen films make up the series, including several fiction films employing documentary strategies as well as hybrid projects. The following highlights a number of the notable documentary selections: Continue reading →