The 16th edition of Durham NC’s acclaimed non-fiction showcase, the Full Frame Documentary Film Festival, opens this Thursday, April 4, with Dawn Porter’s Sundance award-winning GIDEON’S ARMY, and continues through Sunday, April 6, presenting nearly a hundred programs of new and retrospective films, as well as panels and other events. Among the special series this year are a tribute to filmmaker Jessica Yu, which includes screenings of her past notable work, as well as the world premiere of her new short about sustainability in Mozambique, THE GUIDE; and “Stories About Stories,” a thematic sidebar of films exploring truth and storytelling in documentaries, including classics like Orson Welles’ F FOR FAKE, Amir Bar-Lev’s MY KID COULD PAINT THAT, and even Larry Charles’ BORAT, as well as Sarah Polley’s recent STORIES WE TELL.
Director of Programming Sadie Tillery and her team have curated a typically impressive lineup of recent non-fiction titles, many which I’ve covered out of other festivals like Toronto, IDFA, Sundance, and SXSW over the past several months. Beyond these films, Full Frame is presenting several docs which are making their debuts here, which I’ll spotlight below: Continue reading →