Category Archives: Film

In Theatres & On VOD: LUCHA MEXICO

LUCHAMEXICO-KEYComing to theatres and to VOD this Friday, July 15: LUCHA MEXICO

Alex Hammond and Ian Markiewicz’s look at wrestling across the border debuted at Guanajuato last year. It came stateside at DOC NYC, and has also screened at DOXA and Hola Mexico.

I previously wrote about the film for DOC NYC’s program, saying:
In Mexico, the war between good and evil has been waged each week for decades, thrilling generations of fans with the spectacle of Lucha Libre. Real-life superheroes and villains, these masked wrestlers work tirelessly to entertain their legions of fans. Gaining unprecedented access to the largest Lucha federations, Alex Hammond and Ian Markiewicz offer an entertaining, no-holds-barred look at some of the sport’s top performers, from the “1000% Guapo” Shocker, the little person mascot KeMonito, the Luchador heir Blue Demon Jr, hardcore wrestler El Hijo Del Perro Aguayo, and American bodybuilder Jon “Strongman” Andersen.

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On VOD: LOVE BETWEEN THE COVERS

LOVEBETWEENTHECOVERS-KEYComing to VOD today, Tuesday, July 12: LOVE BETWEEN THE COVERS

Laurie Kahn’s look at the lure of romance writing debuted at Hot Docs last year. In addition to book events, its festival circuit included DOC NYC, Los Angeles, Provincetown, Woods Hole, Sidewalk, Hot Springs Doc, Mill Valley, and St Louis, among others.

I previously wrote about the film for DOC NYC’s program, saying:
For a publishing genre that easily outstrips all others in annual sales, romance fiction remains readily dismissed by the mainstream. Dominated by women, the billion-dollar industry has offered a space for female creators, their heroines, and consumers to thrive like no other. Laurie Kahn’s revealing film explores the vast community that has formed around romance, sharing the stories of voracious fans and prolific authors like Nora Roberts and Beverly Jenkins and demonstrating why love stories are no trivial matter.

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On DVD: ABOVE AND BELOW

ABOVEANDBELOW-KEYComing to DVD today, Tuesday, July 12: ABOVE AND BELOW

Nicolas Steiner’s look at lives lived on the fringes of society had its world premiere at Rotterdam last year. Festival berths followed at DOC NYC, Hot Docs, BAFICI, Docs Against Gravity, Edinburgh, Karlovy Vary, Vancouver, CPH:DOX, DocPoint, Big Sky, and Camden, among others.

I previously wrote about the doc here.

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On TV: PERVERT PARK

pervert parkComing to PBS’s POV tonight, Monday, July 11: PERVERT PARK

Frida Barkfors and Lasse Barkfors’ look at a community of sex offenders had its premiere at CPH:DOX in 2014. Screenings followed at Sundance, BAMcinemaFest, Hot Docs, Dokufest, New Zealand, Sarasota, San Francisco Doc Fest, and Minneapolis, among other fests.

I profiled the doc before Sundance here.

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Special Screening, In Theatres & On VOD: TONY ROBBINS: I AM NOT YOUR GURU

tonyrobbins1Coming to NYC’s Rooftop Films tonight, Monday, July 11, to theatres this Wednesday, July 13, and to VOD exclusively through Netflix this Friday, July 15: TONY ROBBINS: I AM NOT YOUR GURU

Joe Berlinger’s immersive look at the motivational speaker’s popular seminar debuted at SXSW earlier this year. The film has also screened at Hot Docs, Sheffield, Sarasota, Montclair, and Nashville.

Tony Robbins has made a career of offering pop psychology for a price to an audience hungry for personal transformation, whether in the realms of finance, relationships, or health. Berlinger, who has attended past seminars, invites viewers to attend the favorite of Robbins’ many speaking events – the intensive six-day “Date With Destiny.” When viewed within the context of a concert film, rather than a critical exploration (which this most certainly is not), Berlinger’s project offers a “you are there” experience, allowing the audience to witness the pyrotechnics both literal and metaphorical that take place when the toothy-grinned, gruff-voiced, and oddly charismatic host confronts attendees about issues that are holding them back from being fulfilled. The film captures several interventions, marked at the same time by both their clear emotional intensity and their too-surface treatment, as Robbins quickly cuts through any deep analysis to zero in, for good or ill, what he surmises to be at the root of the seminar attendee’s reason for speaking up – a young woman asking about diet concerns is cajoled into a teary admission of estrangement from her father; another woman is pressured into breaking up with her overly-nice boyfriend on the phone in the middle of the seminar audience (end cards reveal they get back together). While it’s clear that the self-selecting environment – audience members pay $5000 for the seminar – draws individuals predisposed to seek and accept all manners of advice, a more detached viewer is not likely to become convinced here. Extending the concert film comparison here, existing fans will find much to be enthusiastic about, while those who never cared for this kind of music won’t be rushing out to buy the next album.

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In Theatres: AT THE FORK

at the forkComing to theatres today, Friday, July 8: AT THE FORK

John Papola’s exploration of large-scale farming and food choices makes its debut theatrically via Tugg this month.

Perhaps hoping to distinguish his film from numerous others focused on similar concerns, Papola, a meat-eater married to Lisa, a vegetarian, uses their story as a starting point to look into the conundrums faced by both farmers and consumers seeking quality yet inexpensive food while still treating animals humanely. Papola and his wife pop up throughout the film, but this personal aspect to the story is not particularly developed nor does it ultimately have a satisfying narrative pay-off, making it feel like an ultimately unnecessary, somewhat half-formed, storytelling crutch. Leaving this aside, what remains is a sometimes effective survey of several farms using a variety of methods to raise chickens, cows, and pigs for the market, with forthright farmers noting the dilemmas they must face to balance productivity with animal welfare. Working in concert with these producers, Papola is granted notable access to their farms, resulting in a project that eschews the kind of undercover surveillance that has uncovered disturbing abuses within the industrial farming system in past nonfiction on the subject. While the filmmaker doesn’t stop eating meat, he does provide a call to action in the film’s credits to suggest helpful steps that consumers can take towards a better, more humane way of approaching food choices, including options that can remain palatable to other omnivores who are also unlikely to radically change their diets.

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On VOD: HARLEM STREET SINGER

Harlem-Street-Singer-Key-Image-Photo-by-Alice-Ochs-Getty-Images--580x300Coming to VOD today, Friday, July 8: HARLEM STREET SINGER

Trevor Laurence and Simeon Hutner’s look back at an unheralded musician had its world premiere at DOC NYC in 2013. Screenings followed at St Louis, Leeds, Revelation, and Tallgrass, among others.

I previously wrote about the doc here.

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In Theatres: INDIAN POINT

IndianPOint_web_3Coming to theatres tomorrow, Friday, July 8: INDIAN POINT

Ivy Meeropol’s consideration of nuclear power plant safety bowed at Tribeca last year. The doc went on to screen at Hot Docs, DC Environmental, Traverse City, Rio, Hamptons, St Louis, Big Sky, Thessaloniki Doc, Salem, and Cleveland.

Long the subject of controversy, New York state’s Indian Point nuclear power plant has come under increased scrutiny in the wake of the Fukushima disaster. Meeropol presents an extended look at the plant – located in Buchanan, NY, just 35 miles from densely populated New York City – and arguments for and against its continued existence. The film offers a strong mix of subjects, including environmental journalist Roger Witherspoon and his wife, Marilyn Elie, an activist; ousted US Nuclear Regulatory Commission chair Gregory Jaczko, and Brian Vangor, a 35-year veteran employee of the plant. Meeropol’s film is strongest when it’s focused on the Buchanan plant and those subjects who are most closely tied to specific questions of its safety. With the shadow of Fukushima looming over the project, however, the director seems compelled to spend an inordinate amount of time referencing that disaster without adequately delineating how similar or dissimilar Indian Point is from the Japanese plant, ultimately coming off as alarmist in contrast to a more thoughtful, evenhanded approach earlier in the film.

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Outfest 2016: Documentary Overview

outfestOutfest, the Los Angeles LGBT film fest, opens its 34th edition tonight, Thursday, July 7. Over 60 features will screen before the event comes to a close on Sunday, July 17, including 25 documentaries. Among these are its doc centerpiece, KIKI, Sara Jordenö’s intimate look at NYC’s youth ballroom scene, which debuted earlier this year at Sundance.

0049The festival’s remaining nonfiction includes a mix of highlights from Sundance and other notable events, as well as lesser known or brand new work. Among these are: Dante H Alencastre’s RAISNG ZOEY, a profile of a typical teenage girl, who happens to be trans; Annalise Ophelian’s MAJOR! (pictured), a biography of a notable black trans community leader; C Fitz’s JEWEL’S CATCH ONE, about the long-running African-American owned disco; Tiffany Rhynard’s FORBIDDEN: UNDOCUMENTED AND QUEER IN RURAL AMERICA, on a young man’s dual activism around immigration and LGBT rights; Robyn Symon’s UNCLE GLORIA: ONE HELLUVA RIDE!, about a criminal who found her true gender after crossdressing to escape the law; and Yony Leyser’s hybrid DESIRE WILL SET YOU FREE, an exploration of Berlin’s queer art scene.

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In Theatres: NORMAN LEAR: JUST ANOTHER VERSION OF YOU

norman learComing to theatres tomorrow, Friday, July 8: NORMAN LEAR: JUST ANOTHER VERSION OF YOU

Heidi Ewing and Rachel Grady’s portrait of the small screen pioneer debuted at Sundance at the beginning of the year. Further fest play has included Nantucket, Hot Docs, Seattle, Montclair, Palm Beach, AFI Docs, True/False, Miami, Sarasota, RiverRun, Biografilm, and the upcoming Traverse City, Woods Hole, San Francisco Jewish, and Martha’s Vineyard fests.

My pre-Sundance profile of the doc may be found here.

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