Category Archives: Film

On TV: SERENA

2016_01_27 Serena_0173.tifComing to Epix tonight, Wednesday, June 22: SERENA

Ryan White’s portrait of the tennis champion debuted at Sheffield earlier this month. It will also screen at the upcoming Nantucket Film Festival this weekend.

I previously wrote about the doc for the Nantucket program, saying:
Serena Williams won her first major championship tennis title in 1999, and she hasn’t stopped winning since. Seventeen years later, she has claimed more than 20 Grand Slam titles and four Olympic gold medals. How does the international sports icon, considered by many the greatest tennis player of all time, handle the pressure? In this revealing portrait of perseverance, Ryan White follows Serena as she looks poised to complete a calendar slam by winning four Grand Slams in a single year for the first time since Steffi Graf managed that feat in 1988.

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AFI Docs 2016 Overview

afi docsThe 14th edition of AFI Docs comes a week later this year, opening tomorrow, Wednesday, June 22 and running through the end of the weekend. The Washington DC event opens with Alex Gibney’s cyber-warfare investigation, ZERO DAYS, and closes with Heidi Ewing and Rachel Grady’s tribute to a television pioneer, NORMAN LEAR: JUST ANOTHER VERSION OF YOU, while LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD screens as part of this year’s Guggenheim Symposium with director Werner Herzog.

visitorsWhile the majority of this year’s approximately 50 features offer DC audiences the chance to catch films that have generated attention at major fests like Sundance, IDFA, SXSW, and Tribeca, AFI Docs also offers a number of premieres. This year’s world premieres are: Judd Apatow and Michael Bonfiglio’s DOC & DARRYL, on baseball legends Dwight Gooden and Darryl Strawberry; Jamie Sisley and Miguel MiG Martinez’s FAREWELL FERRIS WHEEL, a look at the lives of Mexican migrant carnival workers; and Nicole Opper’s VISITOR’S DAY (pictured), about the efforts of a street kid to better his life.

Man-Who-Saw-Too-Much-The-1Other films making at least US debuts at the festival include: Tamar Tal Anati’s SHALOM ITALIA, which follows Jewish brothers as they search for the Tuscan cave that sheltered their family during WWII; Martin Kollar’s 5 OCTOBER, a portrait of the director’s brother before a potentially life-threatening surgery; Maciej Adamek’s TWO WORLDS, about a hearing teenage daughter of deaf parents; Paula Heredia’s TOUCAN NATION, on an abused bird that became a rallying symbol for Costa Rican animal rights; and Trisha Ziff’s THE MAN WHO SAW TOO MUCH (pictured), about a veteran crime scene photographer in Mexico City.

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On DVD/VOD: ORIENTED

orientedComing to DVD and VOD today, Tuesday, June 21: ORIENTED

Jake Witzenfeld’s profile of gay Palestinians in Tel Aviv had its world premiere at Sheffield last year. Screenings have followed at Los Angeles, Cleveland, Nashville, QDoc, Seattle Jewish, Other Israel, Chicago Palestine, Seret London, and Workers Unite, among other events. It now comes to DVD as well as to VOD platforms including iTunes, Indemand, Amazon, Google Play, and Dish.

I previously wrote about the film here.

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On DVD: KING GEORGES

kinggeorges-570Coming to DVD today, Tuesday, June 21: KING GEORGES

Erika Frankel’s exploration of a culinary legacy debuted at Full Frame last year. Other fest berths included DOC NYC, IFF Boston, Seattle, AFI Docs, Traverse City, San Diego, Philadelphia, Denver, Napa Valley, Portland, and Big Sky.

I previously wrote about the film here.

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On TV: THE HAND THAT FEEDS

hand that feedsComing to PBS’s America ReFramed tomorrow, Tuesday, June 21: THE HAND THAT FEEDS

Rachel Lears and Robin Blotnick’s chronicle of undocumented workers organizing for better treatment debuted at Full Frame in 2014. Additional screenings followed at DOC NYC, Traverse City, AFI Docs, Woodstock, Sidewalk, Cleveland, Workers Unite, Boulder, and Latino fests in San Francisco, Chicago, and San Diego.

I previously wrote about the doc here.

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On TV: SUITED

suitedComing to HBO tonight, Monday, June 20: SUITED

Jason Benjamin’s look at the impact of clothing on self-esteem bowed at Sundance this year. Additional screenings have included Hot Docs, BAMcinemaFest, Human Rights Watch, Sarasota, Frameline, and QDoc.

I wrote about the doc pre-Sundance here.

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On TV: TRAPPED

trappedComing to PBS’s Independent Lens tonight, Monday, June 20: TRAPPED

Dawn Porter’s exploration of the bureaucratic war on abortion providers had its world premiere at Sundance earlier this year, where it picked up a special jury prize. In addition to scores of community screenings, the doc has also appeared at SXSW, Miami, Athena, Martha’s Vineyard, Ashland, and Montclair, and has also been released theatrically.

My pre-Sundance profile of the doc may be found here.

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On VOD: DADDY DON’T GO

DADDYDONTGO-KEYComing to VOD this Sunday, June 19: DADDY DON’T GO

Emily Abt and Andrew Osborne’s repudiation of the deadbeat dad stereotype had its world premiere at DOC NYC last Fall. It has gone on to screen at Cleveland, American Black, Santa Cruz, and Twin Cities Black fests, among other events. It makes its VOD debut exclusively on Vimeo on Demand, appropriately tied to Father’s Day.

I previously wrote about the film for DOC NYC’s program, saying:
What lies at the root of America’s fatherhood crisis? Emily Abt’s documentary takes an intimate look at the struggles of four diverse, disadvantaged NYC fathers to beat the odds stacked against them and defy the deadbeat dad stereotype. Fighting against homelessness, unemployment, bureaucracy, and, in some cases, a criminal past, Alex, Nelson, Roy, and Omar want nothing more than to honor their responsibilities and provide for their children. The film offers a moving portrait of what it means to be a good father, despite life’s circumstances.

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Special Screening: IN THE GAME

inthegame-magnumComing to NYC’s Bronx Documentary Center as part of their Sports Film Series tomorrow, Saturday, June 18: IN THE GAME

Maria Finitzo’s look at the struggles faced by a low-income students debuted at Madrid last year. Screenings also included Ashland, Documentary Edge, SXSWedu, Minneapolis-St Paul, Hollywood, St Louis, Oaxaca Sports, and the Chicago and Seattle Latino fests.

Set in a primarily Latino inner-city Chicago public high school, Finitzo’s film is ostensibly focused on Kelly High’s girls’ soccer team, who don’t even have a field to practice in and often have to use the hallways because the gym is otherwise engaged. However, this isn’t really a film about sports, or if they win a season, or even a given game. Finitzo instead focuses on the players, and their inspirational father figure of a coach, to comment on the inequities these young women face, not only in school, but in the outside world, because of gender, race, and class, and the resilience they’ve developed to keep going.

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On VOD: A PLACE TO STAND

Place-to-Stand-Johnny-Baca-2Coming to VOD tomorrow, Friday, June 17: A PLACE TO STAND

Daniel Glick’s portrait of a prisoner turned poet premiered in New Mexico in 2014. Festival play has included Boulder, Maui, Sedona, Napa Valley, Santa Fe, and Illuminate. The doc now comes to VOD platforms including iTunes, Google Play, Amazon, Vudu, Youtube, XBOX, Playstation and Cable On Demand.

Jimmy Santiago Baca was sent to the notorious Arizona State Prison to serve five years for theft and drug charges. Hardened by a childhood of abandonment and abuse, he acted out as an adult through violence and aggression, and was given solitary confinement. When a Christian missionary reached out to him via letters, the essentially illiterate Baca became inspired to learn to read. Struggling through the process over a long period, he gained a new perspective and self-confidence, abandoning violence for the power of self-expression. Developing into a poet while still incarcerated, he began to have his work published, and, after his release, he has returned to prisons to lead writing workshops. While Baca’s story of redemption is compelling, Glick tells it in a conventional manner, weighing it down with an excess of narration and talking heads, making for an unfortunately static experience that detracts from the power of the poet’s words.

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