Category Archives: Film

In Theatres: THE GREAT MUSEUM

the-great-museum_592x299Coming to theatres today, Friday, April 24: THE GREAT MUSEUM

Johannes Holzhausen’s insider tour of one of Austria’s finest art institutions debuted at Berlin last year. It has gone on to screen extensively, including berths at San Francisco, Seattle, Sydney, New Zealand, Los Angeles, Jerusalem, London, IDFA, CPH:DOX, Biografilm, Reykjavik, Vancouver, and the Hamptons.

Part of a recent spate of nonfiction focused on museums, which includes sprawling multi-hour works like Frederick Wiseman’s NATIONAL GALLERY, Oeke Hoogendijk’s THE NEW RIJKSMUSEUM, and the omnibus CATHEDRALS OF CULTURE series, Holzhausen’s more contained foray into institutional operations focuses on Vienna’s impressive Kunsthistorisches Museum, established by the legendary Hapsburgs in 1891. As cleverly revealed in its opening sequence, which tours through the massive interior of the spectacular building until it follows a workman into a grand hall where he abruptly begins tearing up the floor, the film’s throughline is the renovation and reinstallation of the museum’s Kunstkammer galleries. Beyond this undertaking, the museum staff’s daily routines are observed, from investigating potential insect damage to old canvases and repairing timeworn artifacts to thanking donors for bequeathing a cherished family heirloom of historical significance to holding a staff meeting which, in a pleasantly awkward moment, reveals levels of hierarchy between curatorial and service staff. Holzhausen brings an informed art historian’s eye to his camera’s unobtrusive wanderings around the museum, but also has a knack for capturing these human moments among the grandeur, making for both an enlightening and relatable look at this rarified institution.`

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In Theatres: KURT COBAIN: MONTAGE OF HECK

kurt cobainComing to theatres tomorrow, Friday, April 24: KURT COBAIN: MONTAGE OF HECK

Brett Morgen’s reflection on the iconic Nirvana frontman made its bow at Sundance earlier this year. It has gone on to screen at Berlin, Miami, Dublin, and Full Frame, among other events. It will screen at the upcoming Hot Docs, and come to HBO next month.

I profiled the doc before Sundance here.

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On TV: NOW EN ESPAÑOL

now en espanolComing to PBS’s Voces series tomorrow, Friday, April 24: NOW EN ESPAÑOL

Andrea Meller’s behind-the-scenes look at TV’s efforts to serve Spanish-speaking audiences made its world premiere at Santa Barbara earlier this year. Other fests have included Big Sky, CineFestival, and Chicago Latino, in addition to community screenings around the country.

Meller’s film explores the challenges faced by non-white actors in a still far too whitewashed Hollywood by exploring the experiences of the five Latina actresses cast as the Spanish voice cast for ABC’s DESPERATE HOUSEWIVES series, part of a short-lived initiative by the network to reach broader Spanish-speaking audiences by providing dubbed versions. With a cast consisting of two Mexicans, a Venezuelan, an Uruguayan, and an American of Puerto Rican and Mexican descent, the trashy nighttime comedy/drama soap cast easily conveys the diversity that exists within a generically oversimplified “race” which is usually confined to stereotypical services or background roles in film and TV, if that. Still, where Meller falters is in trying to adopt DESPERATE HOUSEWIVES’ cheeky tone – while the show was successful enough to last eight seasons, it lost its mass popularity early on and hasn’t been on the air for three years. In tying her work too slavishly to a now-defunct series rather than opening it up to move beyond a single show, Meller’s documentary very quickly begins to feels very dated and very niche. Still despite this structuring drawback, she has managed to find engaging subjects who make pointed observations about the limited opportunities afforded to Latino/a performers in a backward thinking entertainment industry.

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In Theatres: SHOWRUNNERS

showrunners_592x299Coming to NYC’s Maysles Cinema tonight Thursday, April 23: SHOWRUNNERS: THE ART OF RUNNING A TV SHOW

Des Doyle’s behind-the-scenes look at how television gets made debuted in Ireland as part of Dublin’s Stranger Than Fiction doc festival. Screenings followed in Zurich and Austin, as well as a theatrical release in Los Angeles and a VOD release.

I previously wrote about the film here.

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In Theatres: REVOLUTION

imgresComing to theatres today, Wednesday, April 22: REVOLUTION

Rob Stewart’s environmental call to action debuted at Toronto in 2012. It has also screened at Vancouver, Santa Barbara, Newport Beach, Reykjavik, and Wild & Scenic, among others. While its initial theatrical release came several years ago, the film is now being re-released globally as a tie-in to Earth Day.

Stewart, whose festival and release tour with his previous documentary, SHARKWATER, about the decimation of sharks, took him around the world, unwisely turns his camera on himself as he expands his scope to consider the damage being done to earth’s oceans. While the scattershot survey he offers – which theoretically focuses upon ocean acidification, largely the result of man’s rampant abuse of fossil fuels – is generally informative, it doesn’t present anything particularly new that hasn’t been covered in numerous other environmentally-themed docs. Worse still, the filmmaker seems to think his presence is needed not only as a hopelessly awkward conversational narrator, but on camera meta-revisiting his previous film, interacting with other subjects, and participating in climate change protests, which makes the entire project feel utterly self-serving.

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On DVD: KUNG FU ELLIOT

kung fu elliotNew to DVD this week: KUNG FU ELLIOT

Matthew Bauckman and Jaret Belliveau look at Canada’s would-be action hero premiered at Slamdance last year. It went on to screen at Sarasota, Hot Docs, Awesome Fest, Fantasia, and Fantastic Fest, among others.

I previously wrote about the film here.

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In Theatres & On VOD: EMPTYING THE SKIES

Emptying-the-Skies-Key-Image-580x300Coming to theatres and to VOD today, Wednesday, April 22: EMPTYING THE SKIES

Douglas and Roger Kass’ chronicle of a fight against avian extinction made its debut at Sheffield in 2013. It went on to screen at DOC NYC, Hamptons, Big Sky, Wild & Scenic, Washington DC’s Environmental, Atlantic, and the San Francisco Green fests, among others.

Based on a widely-disseminated New Yorker essay by novelist Jonathan Franzen, the Kass’ film exposes the dangerous consequences of the traditional southern Europe practice of hunting migratory songbirds as a delicacy, and the efforts of an intrepid group of activists who have made it their mission to stop the now-illegal activity. Recognizing that many songbird species are facing extinction, the members of CABS, the Committee Against Bird Slaughter, have taken it upon themselves to seek out and sabotage the work of would-be poachers in Cyprus, Italy, and France, risking their own safety as they rescue trapped birds and come up against angry hunters, who stand to profit on the black market in the absence of their meddling. Appropriately opening on Earth Day, the film serves as effective, and often dramatic, environmental advocacy.

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On DVD: FROM NOTHING, SOMETHING

from nothingComing to DVD today, Tuesday, April 21: FROM NOTHING, SOMETHING

Tim Cawley’s exploration of creativity debuted at IFF Boston in 2012. Other fest screenings have included New Orleans, Cleveland, Montreal World, Heartland, Ashland, Cucalorus, Newport Beach, and Sound Unseen, among several others.

Cawley’s film takes a wide-ranging look at the creative process, attempting to understand different approaches, across a variety of disciplines, to tackle the titular problem of making something out nothing. His sixteen subjects – among them a chef, composer, fashion designer, choreographer, comedian, video game designer, scientist, musician, cartoonist, and architect – speak with refreshing candor about the pressures they face and how they overcome them to bring their ideas into reality. The result is an intriguing meditation not only on creativity, but on problem solving, and one that should offer ample inspiration to viewers no matter their specific domain of interest.

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San Francisco 2015: Documentary Overview

imagesThe oldest film festival in the Americas, the San Francisco International Film Festival, opens its 58th edition this Thursday, April 23, kicking things off with Alex Gibney’s latest, STEVE JOBS: THE MAN IN THE MACHINE, a critical re-evaluation of the late Apple visionary. The event closes two weeks later on Thursday, May 7, after screening nearly 100 features, among them more than 30 documentaries. The following offers some highlights from the latter: Continue reading

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In Theatres: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

don't thinkComing to NYC’s Film Forum tomorrow, Wednesday, April 22: DON’T THINK I’VE FORGOTTEN: CAMBODIA’S LOST ROCK AND ROLL

John Pirozzi’s exploration of the music lost during the reign of the Khmer Rouge debuted in Cambodia early last year. Other festival screenings have included DOC NYC, Big Sky, Rotterdam, Reel Asian, Wisconsin, and Minneapolis/St Paul, among others.

I previously wrote about the film for DOC NYC’s program, saying:
A fascinating exploration of history as reflected through a nation’s popular culture, John Pirozzi’s film excavates Cambodia’s lost era of American-inflected music. Just as traditional Cambodian songs took on a French colonial influence in the 1950s and ‘60s, the presence of US Armed Forces Radio during the Vietnam War inspired a fusion of funk, soul, and rock in the country’s postcolonial period. But when the Khmer Rouge came to power, they set out to destroy all traces of Western influence.

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