Category Archives: Film

On TV: RADIO UNNAMEABLE

Coming to NYC’s WNET Channel 13 today, Monday, August 5: RADIO UNNAMEABLE

Paul Lovelace and Jessica Wolfson’s behind-the-scenes look at WBAI’s Bob Fass had its world premiere at Full Frame last year. It went on to screen at BAMcinemaFest, Silverdocs, and Sarasota, among others, and to theatrical, DVD, and VOD release.

I included the doc in my Silverdocs coverage here.

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In the Works: GENNADIY

The team behind the Sundance award-winning BLOOD BROTHER turn their attention to another man attempting to make a difference in he lives of children on the margins.

gennadiyGennadiy Mokhnenko has made it his mission to rescue the abandoned kids of Ukraine – the more than 100,000 street children who struggle to survive, often addicted to alcohol and other drugs. In his city of Mariupal, Gennadiy runs an orphanage, but in the face of often corrupt official channels, it’s hard to help as many kids as he’d like to. In response, he’s taken matters into his own hands, roaming the city at night and abducting children, forcing them to go through detox. Using a decade of archival material as well as their own original footage, director/editor Steve Hoover, working again with producer Danny Yourd and cinematographer John Pope, reveal the complexity, and controversy, behind Gennadiy’s extreme activism. Continue reading

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On DVD: WEST OF MEMPHIS

west of memphisComing to DVD this Tuesday, August 6: WEST OF MEMPHIS

Amy Berg’s investigation into the story of the West Memphis Three debuted at Sundance last year. It went on to screen at Toronto, London, and Traverse City, among others.

I wrote about the film prior to Sundance here.

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In Theatres & On Cable: CASTING BY

casting byComing to NYC’s Quad Cinema today, Friday, August 2 and to HBO as part of their Summer Docs series this Monday, August 5: CASTING BY

Tom Donahue’s tribute to the underappreciated role of the casting director made its debut last year at Toronto. It went on to screen at the New York Film Festival, Los Angeles, Sarasota, Montclair, Denver, Cleveland, Ashland, Provincetown, and RiverRun, among other events.

Little understood and often dismissed as an afterthought – perhaps because of its long primary association with women in the role – casting has never achieved the recognition that other duties behind the camera have enjoyed. As the last section of Donahue’s film points out, there is no Oscar for best casting, a contentious subject addressed here by both proponents of such an award – a parade of A-list stars who credit casting directors with their careers – and opponents – well, mostly only Directors Guild of America president Taylor Hackford, who argues, unconvincingly, that the director is ultimately the decision maker on the cast, negating the need for a separate award. The numerous examples provided in Donahue’s love letter to the art of casting put the lie to Hackford’s assertion, demonstrating how casting directors like Lynn Stalmaster and Marion Dougherty left an indelible mark on the films and television programs on which they worked. Indeed, Dougherty’s story is wisely used as the thread that pulls Donahue’s film together, saving it from simply being a nostalgic (albeit engaging) series of inside Hollywood anecdotes. Recognized as a pioneer in the craft, Dougherty developed her eye for talent in New York City, away from the Hollywood studio system and its tendency to typecast, helping to give scores of unlikely and now celebrated actors their shot to transition from stage to screen, while also mentoring future generations of women to take on the job. She’s the heart of the film, and her storied career may very well make viewers take special notice of the controversial “casting by” credit the next time they watch a film or television program.

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On TV (Encore): LAST TRAIN HOME

Returning to POV for an encore screening this Monday, August 5: LAST TRAIN HOME

Lixin Fan’s masterful examination of Chinese migrant workers bowed at IDFA in 2009, where it picked up the best feature documentary award. It went on to screen at a host of fests, including Sundance, New Directors/New Films, San Francisco, Seattle, Human Rights Watch, Cleveland, Cinema du Reél, RiverRun, Thessaloniki Doc, and Hong Kong. POV originally screened the film in its 2011 season.

I previously wrote about the doc upon its theatrical release here.

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Special Screening: CUTIE AND THE BOXER

cutieComing to Rooftop Films this Saturday, August 2: CUTIE AND THE BOXER

Zachary Heinzerling’s complex portrait of marriage, compromise, and art had its world premiere this year at Sundance. Since then, it has screened extensively, including True/False, San Francisco, Tribeca, Sarasota, Karlovy Vary, Nantucket, and Provincetown, and will bow theatrically later this month.

I profiled the doc prior to Sundance here.

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In Theatres: RISING FROM ASHES

RisingFromTheAshes_450x250Coming to theatres this Friday, August 2: RISING FROM ASHES

TC Johnstone’s look at the development of a Rwandan athletic team made its debut at last year’s Hamptons. Its fest circuit has included Denver, Bahamas, Dallas, Austin, RiverRun, and Santa Barbara.

At the outset of the Rwandan genocide, the possession of a simple bicycle as a means of escape literally meant the difference between life and death for many. More than a decade after the violence, the rebirth of competitive cycling in the nation may hold the promise of reconciliation. At least that’s the hope of Tom Ritchie, one of the creators of the mountain bike, and an initially hesitant Jock Boyer, a former Tour de France competitor, who set out to form and train the Rwandan National Cycling Team, composed of both Hutus and Tutsis. Johnstone’s inspirational and beautifully shot film chronicles their six-year mission to get the team in shape to compete at the London Olympics, profiling various athletes and the personal impact their country’s tragic past has had on them. Demonstrating the power of sports to bridge deep-set cultural and historical divides, the talented young men bond as a team, across ethnic lines, at times even poignantly sacrificing their own glory for the good of a would-be traditional “enemy” turned ally.

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Special Screening: THE EXPEDITION TO THE END OF THE WORLD

expeditionComing to Rooftop Films tomorrow, Thursday, August 1: THE EXPEDITION TO THE END OF THE WORLD

Daniel Dencik’s ridealong to the Arctic Circle made its bow at CPH:DOX last year. It has gone on to screen extensively, including at True/False, Docville, Thessaloniki Doc, Planete+ Doc, Karlovy Vary, Los Angeles, AFI Docs, and Traverse City.

I included the doc in my True/False coverage here.

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On Cable: OUR NIXON

our nixonComing to CNN this Thursday, August 1: OUR NIXON

Penny Lane’s behind-the-scenes tour through Nixon’s administration had its world premiere at Rotterdam earlier this year. Additional fest slots included SXSW, New Directors/New Films, Los Angeles, Ann Arbor, Nantucket, Seattle, AFI Docs, and Traverse City, among others. The film will also receive a national theatrical rollout beginning at the end of August via Cinedigm.

I previously wrote about the doc out of SXSW here.

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On VOD: RADIO UNNAMEABLE

Coming to VOD today, Tuesday, July 30: RADIO UNNAMEABLE

Paul Lovelace and Jessica Wolfson’s portrait of a WBAI radio legend debuted at Full Frame last year. Its fest circuit also included berths at Silverdocs, Big Sky, BAMcinemaFest, and Sarasota, among others. After a limited theatrical release, the doc comes to iTunes, XBOX, and Playstation via FilmBuff.

I previously wrote about the film out of Silverdocs here.

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