Category Archives: Recommendations

On VOD: MY FATHER THE SPY

New to VOD this week:
MY FATHER THE SPY

Director:
Jaak Kilmi and Gints Grube

World Premiere:
Sheffield 2019

Select Festivals:
Jihlava, Riga, Cinema Verite, EBS International Doc

About:
A woman explores the impact of her father’s life as a Soviet double agent.

Ieva Lešinska-Geibere was born in Soviet Latvia during the Cold War. In 1978, at the age of 20, a rare visit to the US to visit her father irrevocably changed her life. Ieva discovered that her father, who worked for Soviet mission at the United Nations, was not only a KGB spy, but that he was planning to defect. Ieva was offered the choice of joining him, leaving her mother and life in Latvia behind to live under a new identity in the US, or of protecting herself by heading to the Soviet embassy. Now a translator and journalist, Ieva recounts this transformative time in her life, revisiting locations and speaking to former federal agents who played a role, while also trying to make sense of her fraught relationship with her parents as a result of these Cold War spy games. Filmmakers Jaak Kilmi and Gints Grube enliven an already fascinating story with the clever use of stylized photographic re-enactments, adding another layer to Lešinska-Geibere’s unusual tale of secrets and lies.

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AFI Docs 2020 Overview

Festival:
The 18th AFI Docs

Dates:
June 17-21 (online)

About:
Available online throughout the US, this Washington DC event showcases nearly 30 new feature and episodic documentaries. Continue reading

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On DVD/VOD: WHAT SHE SAID: THE ART OF PAULINE KAEL

Coming to DVD/VOD today, Tuesday, June 16:
WHAT SHE SAID: THE ART OF PAULINE KAEL

Director:
Rob Garver

World Premiere:
Telluride 2018

Select Festivals:
DOC NYC, Berlin, Edinburgh, Karlovy Vary, Thessaloniki Doc, Miami, Cleveland, Montclair, Seattle, Docs Against Gravity, Transilvania, New Zealand, Vancouver, Mumbai, Rio, Docaviv

About:
A portrait of controversial and influential film critic Pauline Kael.

I previously wrote about the doc here.

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On TV: MAE WEST: DIRTY BLONDE

Coming to PBS’s American Masters tomorrow, Tuesday, June 16:
MAE WEST: DIRTY BLONDE

Directors:
Sally Rosenthal and Julia Marchesi

World Premiere:
PBS broadcast (June 2020)

About:
A portrait of the trailblazing film icon.

While Mae West long ago became part of the Hollywood pantheon that makes her unforgettable, over time she’s been reduced to something of a caricature, remembered more for a catchphrase than for specific roles. Surprisingly, Sally Rosenthal and Julia Marchesi’s PBS documentary corrective is the first notable documentary about the controversial entertainment powerhouse, who ruled pre-Code Hollywood. They spruce up a conventional biography format with fantastic archival footage and numerous clips from her films, as well as commentary from historians, friends, and celebrity admirers. What emerges is an intriguing profile of a self-assured woman who insisted on controlling her own image and career, and who was particularly savvy about using controversy to her benefit. While some of the arguments presented about her films’ intersection with race and class matters are perhaps overstated, the documentary succeeds in reclaiming West’s revolutionary appeal and will inspire viewers to seek out her body of work.

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On TV: LITTLE MISS WESTIE

Coming to The WORLD Channel’s America ReFramed tomorrow, Tuesday, June 16:
LITTLE MISS WESTIE

Directors:
Joy E Reed and Dan Hunt

World Premiere:
DOC NYC 2018

Select Festival:
Southern Circuit, BendFilm, LGBT fests in Palm Springs, London, Philadelphia, San Antonio, Ft Lauderdale, and Melbourne

About:
A young trans girl is coached through her first pageant by her trans brother.

The film screened as part of DOC NYC, for which our program notes read:
If Ren could go back in time before she was four, she would tell her parents that she wasn’t happy living as a boy. Now, Ren is about to take part in a rite of passage for their community in West Haven, CT as the first out transgirl to compete in the Little Miss Westie Pageant. Coaching her through the competition: Her older brother Luca, who previously took part in the pageant when he lived as a girl. Gender dynamics evolve in front of the viewer’s eyes while two transgender siblings explore who they are in this intimate portrait.

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On TV: RECORDER: THE MARION STOKES PROJECT

Coming to PBS’s Independent Lens tonight, Monday, June 15:
RECORDER: THE MARION STOKES PROJECT

Director:
Matt Wolf

World Premiere:
Tribeca 2019

Select Festivals:
Hot Docs, AFI Docs, London, New Orleans, Melbourne, Montclair, Maryland, SF DocFest, Sidewalk, Heartland, Antenna

About:
The story of a woman who recorded television news around the clock for thirty years.

I previously wrote about the doc here.

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On TV: RINGSIDE

Coming to Showtime tonight, Friday, June 12:
RINGSIDE

Director:
André Hörmann

World Premiere:
Berlin 2019

Select Festival:
DOC NYC, New Orleans, Sydney, Hot Springs, Chicago

About:
A longitudinal portrait of two young boxers in Chicago.

The film screened as part of DOC NYC, for which our program notes read:
Two young men strive to define their destiny in Chicago’s South Side in this poignant chronicle. Kenny and Destyne dream of boxing greatness, charting very different paths towards their shared goal. Kenny quickly moves into the pressure cooker of semi-pro competitions, while Destyne is imprisoned for a petty crime. Filmed over the course of eight years with incredible access and stirring intimacy, Ringside is a complex, emotional portrait of two youths on the brink.

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In Virtual Release: IN MY BLOOD IT RUNS

Coming to virtual theatrical today, Friday, June 12:
IN MY BLOOD IT RUNS

Director:
Maya Newell

World Premiere:
Hot Docs 2019

Select Festivals:
DOC NYC, Sydney, AFI Docs, Durban, New Zealand, Melbourne, Brisbane, DocsMX, Warsaw

About:
A portrait of a young Aboriginal Australian boy.

The film screened as part of DOC NYC, for which our program notes read:
Dujuan Hoosan, a 10-year-old Australian boy, lives in two worlds. During the day he must speak English at school and conform to the modern world. Elsewhere, he is a vital member of the Arrernte tribe as a respected healer and advocate for Aboriginal rights. The confluence of these two realities overwhelms Dujuan, leading to trouble with the police and child services. Maya Newell’s evocative and shrewd profile of this singular child bursts with hope and imagination.

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Human Rights Watch 2020: Documentary Overview

Festival:
The 31st Human Rights Watch Film Festival

Dates:
June 11-20 (online)

About:
The NYC edition of this respected event presents eleven documentary features, available online throughout the US.

BELLY OF THE BEAST

Among the lineup’s offerings are the world premiere of Erika Cohn’s BELLY OF THE BEAST, an exposé of the illegal practice of involuntary sterilizations in California’s women’s prisons. Other selections include Christina Antonakos-Wallace’s FROM HERE, which contemplates belonging and identity through the stories of four immigrants in Berlin and NYC; Sanjay Rawal’s GATHER, about indigenous efforts to reclaim their food sovereignty; Mira Jargil’s REUNITED, about a Syrian family separated across three countries; Juliana Fanjul’s RADIO SILENCE, about a crusading Mexican radio journalist who risks her life to fight against fake news and government corruption; and Ursula Liang’s DOWN A DARK STAIRWELL, about the aftermath of the killing of a black man by a Chinese American police officer.

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On VOD: BORN IN EVIN

New to VOD this week:
BORN IN EVIN

Director:
Maryam Zaree

World Premiere:
Berlin 2019

Select Festivals:
Hot Docs, IDFA, Sarajevo, Morelia, Biografilm, Human Rights Watch NYC, Cologne, Heartland

About:
A personal film investigating the filmmaker’s birth in an Iranian prison for dissidents.

Actress Maryam Zaree was born in Iran, but has lived in Germany for most of her life. Both of her parents were dissidents critical of the Shah of Iran, but found no more freedom under the Ayatollah’s rule. Instead, they were both persecuted, leading to Maryam being born in Evin, a notorious prison. While Maryam’s mother has thrived since she found asylum in Germany, she has never wanted to discuss her experiences. Still seeking answers about her own past, Maryam sets out on a journey to find other victims of the regime, including others like her, who were born to dissidents in prison. Unapologetically a personal film – and one that doubles as a form of therapy, for good and bad – Zaree’s project finds power in providing a platform for Maryam and others to confront generational trauma.

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