Category Archives: Recommendations

In Theatres: HONDROS

Coming to theatres today, Friday, March 2:
HONDROS

Director:
Greg Campbell

Premiere:
Tribeca 2017

Select Festivals:
Hot Docs, Denver, Hamptons, GlobeDocs, Stockholm, Vancouver

About:
A portrait of Chris Hondros, an acclaimed photojournalist who was killed in the same mortar blast that claimed the life of Tim Hetherington.

Chris Hondros was killed in 2011 in Libya while covering the civil war there. His best friend and fellow journalist, Greg Campbell, directs this portrait, having been on that same trip with Chris but leaving just a few days before his death. The film incorporates interviews conducted with Hondros reflecting on his challenging career and what drives him, together with interviews with his mother, Inge, a German WWII refugee; his fiancee Christina; fellow photojournalists, who had both experienced kidnapping while on the job; plus several others who speak of the dangers of combat photojournalism and of Chris’ character. Campbell also draws on video of Hondros in the field, opening in Liberia in 2003 while Chris is literally dodging bullets, and ending with his coverage of the Libyan conflict, and its tragic consequences. Two of the subjects of Chris’ iconic photographs are also featured: Joe, a Liberian fighter who Hondros captured midjump while protecting a bridge; and Samar, who was photographed as a toddler crying after the accidental shooting by US military of a car containing her family, killing both of her parents. The aftermath of these images – for those within them and for Hondros himself – is examined in a not wholly successful thread which follows Campbell as he tries to track down Joe and Samer. Like other similar projects on slain combat journalists, like the Hetherington-focused WHICH WAY IS THE FRONT LINE FROM HERE? or JIM: THE JAMES FOLEY STORY, this elegaic film is its strongest when focused on Hondros himself, via the ample archival footage showing him in his element, compelled to bear witness to war and to capture its difficult yet unforgettable images.

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Thessaloniki Documentary Festival 2018 Overview


Festival:
The 20th Thessaloniki Documentary Festival

Dates:
March 2-11

About:
The notable Greek nonfiction event celebrates its anniversary milestone with approximately 165 new and recent features, in addition to retrospective programming. Continue reading →

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In Theatres: DID YOU WONDER WHO FIRED THE GUN?

Coming to theatres today, Wednesday, February 28:
DID YOU WONDER WHO FIRED THE GUN?

Director:
Travis Wilkerson

Premiere:
Sundance 2017

Select Festivals:
True/False, Locarno, Camden, New York, Denver, Rotterdam

About:
The filmmaker interrogates an obscured incident from his family’s past involving the murder of an African American man.

I profiled the film before Sundance here.

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True/False 2018 Overview

Festival:
The 15th True/False Film Fest

Dates:
March 1-4

About:
Columbia MO’s crown jewel cultural event returns with more than 30 documentary features, a couple of narratives, some hybrids, secret screenings, retrospective presentations, game shows, and shorts. Continue reading →

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On VOD: SPETTACOLO

Coming to VOD today, Tuesday, February 27:
SPETTACOLO

Directors:
Jeff Malmberg and Chris Shellen

Premiere:
SXSW 2017

Select Festivals:
Nantucket, Hot Docs, Sheffield, Biografilm, AFI Docs, Provincetown, Melbourne, Cleveland, Dallas, Sarasota, Nashville, SF DocFest

About:
Italian villagers transform their lives into an annual play.

I previously wrote about the doc here.

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Neighboring Scenes 2018: Documentary Overview

Festival:
The 3rd Neighboring Scenes: New Latin American Cinema

Dates:
February 28-March 4

About:
This annual showcase of contemporary Latin American cinema is co-presented by the Film Society of Lincoln Center and Cinema Tropical and includes five docs among its fourteen feature slate. Continue reading →

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On DVD: QUEST

Coming to DVD tomorrow, Tuesday, February 27:
QUEST

Director:
Jonathan Olshefski

Premiere:
Sundance 2017

Select Festivals:
Nantucket, True/False, New Directors/New Films, Cleveland, RiverRun, Nashville, Ashland, Hot Docs, Dallas, DOXA,

About:
A longitudinal portrait of an African-American family in North Philly.

I profiled the doc before Sundance here.

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On VOD: WINNIE

Coming to VOD via Netflix today, Monday, February 26:
WINNIE

Director:
Pascale Lamche

Premiere:
Sundance 2017

Select Festivals:
Encounters, Hot Docs, Sheffield, Doclisboa, Seattle, Sydney, Biografilm, Jerusalem, Melbourne, Vancouver, Warsaw

About:
A profile of polarizing South African political leader and activist Winnie Mandela.

I profiled the doc before Sundance here.

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On TV: RAT FILM

Coming to PBS’s Independent Lens this coming Monday, February 26:
RAT FILM

Director:
Theo Anthony

Premiere:
Locarno 2016

Select Festivals:
Rotterdam, True/False, SXSW, Florida, Maryland, Art of the Real, Docaviv, Doclisboa, Vancouver, Mar del Plata, Torino

About:
A provocative essay about Baltimore’s rodents emerges as a simultaneous cultural anthropology of race and class.

I previously wrote about the film here.

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In Theatres: EL MAR LA MAR

Coming to theatres today, Friday, February 23:
EL MAR LA MAR

Directors:
Joshua Bonnetta and JP Sniadecki

Premiere:
Berlin 2017

Select Festivals:
New York, London, IDFA, Indielisboa, Dokfest Munich, Docaviv, Docs Against Gravity, AFI Docs, Camden, Chicago, Vienna, AFI Fest, San Francisco, Hong Kong

About:
An immersive exploration of life and death in a desert along the US/Mexico border.

Bonnetta and Sniadecki’s film draws the viewer into the Sonoran Desert, one of the most dangerous border crossing routes, and one sadly frequented by the most vulnerable, undocumented immigrants with the fewest resources or alternatives. Taking an experiential approach, the filmmakers convey the treacherous journey via offscreen testimony, never identifying individuals; an elaborate, unsettling sound design; and images of the scorched landscape and what travelers have left behind. While the project’s pace and poetic elements might limit its accessibility for some viewers, its stories of desperation, struggle, and death quietly yet hauntingly illuminate the continuing debate over border policies for those willing to listen.

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