Category Archives: Recommendations

Sydney 2017: Documentary Overview

Festival:
The 64th Sydney Film Festival

Dates:
June 7-18

About:
Approximately 60 new documentaries screen out of a lineup consisting of over 150 features. Continue reading →

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On VOD: THE FREEDOM TO MARRY

freedom_to_marryComing to VOD today, Tuesday, June 6:
THE FREEDOM TO MARRY

Director:
Eddie Rosenstein

Premiere:
Frameline 2016

Select Festivals:
DOC NYC, Hawaii, Savannah, Big Sky Doc, Sebastopol Doc, Jewish fests in SF, Boston, Denver, and Philadelphia, LGBT fests in Houston, Austin, Durham, Atlanta, Melbourne, Seoul

About:
A behind-the-scenes look at the fight to legalize same-sex unions in America.

I previously wrote about the doc here.

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On DVD: ELIÁN

Coming to DVD today, Tuesday, June 6:
ELIÁN

Directors:
Ross McDonnell and Tim Golden

Premiere:
Tribeca 2017

Select Festivals::
Montclair

About:
A look back at the story of the 6-year-old Cuban boy who became a symbol of US/Cuban relations in 1999-2000.

I previously wrote about the doc here.

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On DVD: A GOOD AMERICAN

AGOODAMERICAN-KEYComing to DVD tomorrow, Tuesday, June 6:
A GOOD AMERICAN

Director:
Frederich Moser

Premiere:
CPH:DOX 2015

Select Festivals:
DOC NYC, Palm Springs, Rotterdam, Portland, Sedona, Diagonale, Movies That Matter, Cleveland, RiverRun, DOXA, Docs Against Gravity, Biografilm, Dokufest

About:
The little-known story of how the NSA abandoned an effective intelligence-gathering system before the 9/11 attacks.

I previously wrote about the doc here.

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Special Screening: CHASING CORAL

Coming to NYC’s Stranger Than Fiction tomorrow, Tuesday, June 6:
CHASING CORAL

Director:
Jeff Orlowski

Premiere:
Sundance 2017

Select Festivals:
SXSW, Hot Docs, Sundance London, San Francisco, Boulder, Seattle, Sydney

About:
A race to chronicle the climate change-driven destruction of coral reefs around the world.

I previously profiled the doc before Sundance

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Filed under Documentary, Film, Film Festivals, Recommendations, Sundance

On DVD: JAMES BEARD: AMERICA’S FIRST FOODIE

Coming to DVD tomorrow, Tuesday, June 6:
JAMES BEARD: AMERICA’S FIRST FOODIE

Director:
Elizabeth Federici

Premiere:
Sonoma 2017

About:
A portrait of the influential food author, instructor, and personality.

I previously wrote about the doc here.

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On DVD: JACQUES PÉPIN: THE ART OF CRAFT

Coming to DVD tomorrow, Tuesday, June 6:
JACQUES PÉPIN: THE ART OF CRAFT

Director:
Peter L Stein

Premiere:
American Masters (May 2017)

About:
A celebration of the acclaimed French chef and his impact on American food culture.

I previously wrote about the doc here.

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On VOD: ELIÁN

Coming to VOD today, Friday, June 2:
ELIÁN

Directors:
Ross McDonnell and Tim Golden

Premiere:
Tribeca 2017

Select Festivals::
Montclair

About:
A look back at the story of the 6-year-old Cuban boy who became a symbol of US/Cuban relations in 1999-2000.

I previously wrote about the doc here.

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On TV: THE AMERICAN EPIC SESSIONS

american-epic-01Coming to PBS tonight, Friday, June 2:
THE AMERICAN EPIC SESSIONS

Director:
Bernard MacMahon

Premiere:
BFI London 2015

Select Festivals:
IDFA, Hawaii, Göteborg, IDFA

About:
A celebration of early music recording.

I profiled the program before Sundance here.

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Special Screening: RAT FILM

Coming to NYC’s Rooftop Films tomorrow, Friday, June 2:
RAT FILM

Director:
Theo Anthony

Premiere:
Locarno 2016

Select Festivals:
Rotterdam, True/False, SXSW, Florida, Maryland, Art of the Real, Docaviv, Doclisboa, Vancouver, Mar del Plata, Torino

About:
A provocative essay about Baltimore’s rodents emerges as a simultaneous cultural anthropology of race and class.

Anthony’s film serves as a contemplation not only of the infestation of the city by rats – checking in with rat killers patrolling the streets, presenting crude video game footage approximating a rat’s perspective of the city, and offering observations about scientific rat studies – but also expand beyond this to consider the “people problem” in Baltimore, linking historical urban planning that segregated based on race and economics with approaches to pest control. Taking a page out of mentor Werner Herzog’s playbook, Anthony presents these tangential but more-or-less connected threads via a detached narrator, keeping the viewer engaged with curious looks at crime-scene dioramas and strange virtual reality asides, alongside investigative journalism and history lessons. The result is an original project that works more often than it doesn’t, and which remains ever-intriguing.

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