Category Archives: Recommendations

2017 Sundance Docs in Focus: DID YOU WONDER WHO FIRED THE GUN?

did you wonderDID YOU WONDER WHO FIRED THE GUN?
Travis Wilkerson transforms an obscured incident from his family’s past into a singular documentary murder mystery performance.

Festival Section:
New Frontier
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On DVD: DANCER

dancerComing to DVD this coming Tuesday, January 17:
DANCER

Director:
Steven Cantor

Premiere:
Los Angeles theatres, September 2016

Select Festivals:
Zurich, BFI London, Calgary

About:
A profile of the bad boy of modern ballet, Sergei Polunin.

I previously wrote about the doc here.

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2017 Sundance Docs in Focus: 18 BLACK GIRLS / BOYS AGES 1-18 WHO HAVE ARRIVED AT THE SINGULARITY AND ARE THUS SPIRITUAL MACHINES: $X IN AN EDITION OF $97 QUADRILLION

18 black girls / boys18 BLACK GIRLS / BOYS AGES 1-18 WHO HAVE ARRIVED AT THE SINGULARITY AND ARE THUS SPIRITUAL MACHINES: $X IN AN EDITION OF $97 QUADRILLION
Terence Nance reveals society’s race-related associations in this performance-based project.

Festival Section:
New Frontier
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2017 Sundance Docs in Focus: UNTITLED BUENA VISTA SOCIAL CLUB DOCUMENTARY

untitled lucy walker buena vistaUNTITLED BUENA VISTA SOCIAL CLUB DOCUMENTARY
Lucy Walker revisits the Grammy Award-winning musicians that revived global interest in Cuban music.

Festival Section:
Documentary Premieres
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On TV: DEEP RUN

deep runComing to the WORLD Channel’s Reel South series this Sunday, January 15:
DEEP RUN

Director:
Hillevi Loven

Premiere:
Frameline 2015

Seelct Festivals:
DOC NYC, Outfest, San Diego, Indie Grits, RiverRun, Belfast, Woodstock, LGBT fests in Austin, Denver, Stockholm, Atlanta, Miami, Melbourne, Seattle

About:
A portrait of transgender life in the rural South.

I previously wrote about the film for DOC NYC’s program, saying:
Growing up transgender in rural North Carolina, Cole has remained remarkably upbeat despite rejection from his family, school, and church. With religion deeply ingrained as part of his identity, Cole longs to find acceptance within a community of faith, but doesn’t want to hide who he is or who he loves. Can the affable young trans man live openly with his true love in the Bible Belt? Hillevi Loven explores the intersection of modern identity and faith in the American South.

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On VOD: TOWER

towerPreviously available on iTunes and other VOD platforms, but new to Amazon Video this week:
TOWER

Director:
Keith Maitland

Premiere:
SXSW 2016

Select Festivals:
Hot Docs, Seattle, Karlovy Vary, Jerusalem, Melbourne, Fantasia, the Hamptons, BFI London, Sitges, Mill Valley

Notable Recognition:
The doc has been shortlisted for the Academy Awards.

About:
An animated re-telling of a sniper’s attack on school campus in 1966.

I previously wrote about the doc here.

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2017 Sundance Docs in Focus: TRUMPED: INSIDE THE GREATEST POLITICAL UPSET OF ALL TIME

trumpedTRUMPED: INSIDE THE GREATEST POLITICAL UPSET OF ALL TIME
A behind-the-scenes look at Donald Trump’s presidential campaign.

Festival Section:
Documentary Premieres Continue reading →

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2017 Sundance Docs in Focus: THIS IS EVERYTHING: GIGI GORGEOUS

this is everything gigiTHIS IS EVERYTHING: GIGI GORGEOUS
Barbara Kopple provides viewers with a behind-the-scenes look at the YouTube celebrity’s life-changing transition.

Festival Section:
Documentary Premieres
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2017 Sundance Docs in Focus: TELL THEM WE ARE RISING: THE STORY OF BLACK COLLEGES AND UNIVERSITIES

tell them we are risingTELL THEM WE ARE RISING: THE STORY OF BLACK COLLEGES AND UNIVERSITIES
Stanley Nelson explores the pivotal role played by historically Black institutions of higher learning in American society.

Festival Section:
Documentary Premieres
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In Theatres: RESET

1237700_large_reset_original_1Coming to theatres tomorrow, Friday, January 13:
RESET

Directors:
Thierry Demaizière and Alban Teurlai

Premiere:
French TV 2015

Select Festivals:
Tribeca, Sydney, Jerusalem, Melbourne, IDFA, Seattle, Vancouver

About:
A new director aims to shake up the Paris Opera Ballet.

Acclaimed choreographer, New York City Ballet principal, and BLACK SWAN choreographer/performer Benjamin Millepied took on the prestigious post of dance director for the Paris Opera Ballet in late 2014. Attaining privileged access, Demaizière and Teurlai follow the charismatic, forward-thinking newcomer as he prepares for his first show while trying to reinvigorate the institution by diversifying casting and updating staging technologies. As the film counts down to the opening night, Millepied is seen developing movements and overseeing his dancers, while the camera also spotlights the physical spaces of the Ballet itself. Given its lack of any real narrative drama, the film, while somewhat overlong, works best as an institutional portrait, one that is beautifully lensed and well edited – with the exception of intermittent rapid-fire montage sequences which prove more distracting than instructive.

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