About: Nine young people share their experiences of suicide and depression.
With suicide rates increasing among young people – and only exacerbated by the social isolation and other pressures caused by the pandemic – filmmaker Alexandra Shiva shines a spotlight on the issue by going directly to the source: Nine young people who have struggled with depression and suicidal ideation. Shiva has assembled a group of articulate and candidly vulnerable participants, and has given them a platform to address issues both universal and specific to their backgrounds with compelling results. For example, cultural backgrounds factor into the stories of a young Indian woman, a Black man, and a Latinx man, as they relate how mental health issues are often not discussed openly or are stigmatized in their communities; while trans and lesbian subjects reflect the disproportionate rates of suicide within the LGBTQ community. Structured as a series of vignettes that profiles each of the nine participants individually, the film also brings them all together intermittently via a group Zoom chat. While all of us are likely well past the point of Zoom fatigue, these moments are actually quite important, showing the commonality and community between the disparate subjects, and reminding the viewer of the additional challenges this past year has brought to us all.
About: Presented online – and a few weeks later than its usual concurrence with Sundance – this ever-scrappy event presents 25 features, with docs making up just over half that number, including the highlights below.
About: A personal meditation on the relationship between the gay filmmaker and his grandmother.
The film screened as part of DOC NYC, for which our program notes read: From a young age, filmmaker Stéphane Riethauser was groomed to become the golden heir to his family’s business—an alpha male who would fulfill their patriarchal expectations. His best friend and confidante was his grandmother Caroline, a self-made independent woman ahead of her time. After playing the part for several years, Stéphane matures into his true self and embraces LGBTQ activism. But will glamorous, old-fashioned Caroline understand? Riethauser’s filmis an honest and edgy confrontation with things long left unsaid in a family’s past.
The Academy of Motion Picture Arts & Sciences announced the Best Documentary Feature and Best Documentary Short Subject shortlists today. In addition, two documentary features are included on the International Feature Film shortlist. Congratulations to all the filmmakers – especially the Sundance, DOC NYC, and Nantucket Film Festival alumni represented.
The official lists are below, with links to my previous coverage, where applicable. The final nominees will be announced on March 15.
Documentary Feature:
76 DAYS
ALL IN: THE FIGHT FOR DEMOCRACY
BOYS STATE
COLLECTIVE
CRIP CAMP
DICK JOHNSON IS DEAD
GUNDA
MLK/FBI
THE MOLE AGENTMY OCTOPUS TEACHERNOTTURNOTHE PAINTER AND THE THIEF
TIME
THE TRUFFLE HUNTERS
WELCOME TO CHECHNYA
Documentary Short Subject: Abortion Helpline, This Is Lisa Call Center Blues Colette A Concerto Is a Conversation Do Not Split Hunger Ward Hysterical Girl A Love Song for Latasha The Speed Cubers What Would Sophia Loren Do?
International Feature Film: Denmark, ANOTHER ROUND Hong Kong, BETTER DAYS Czech Republic, CHARLATAN
Romania, COLLECTIVE
Romania, COLLECTIVE Russia, DEAR COMRADES Mexico, I’M NO LONGER HERE Norway, HOPE Guatemala, LA LLORONA
Chile, THE MOLE AGENT
Chile, THE MOLE AGENT Ivory Coast, NIGHT OF THE KINGS Bosnia and Herzegovina, QUO VADIS, AIDA? Iran, SUN CHILDREN France, TWO OF US Taiwan, A SUN Tunisia, THE MAN WHO SOLD HIS SKIN
About: Female officers from the Minneapolis Police Department provide an inside look at a troubled institution.
The film screened as part of DOC NYC, for which our program notes read: When Janeé Harteau becomes Minneapolis’s first female police chief, she sets out to change a troubled department by addressing racially biased policing, increasing transparency, recruiting more women into the force, and championing leadership roles for female officers. But all of her reforms are threatened by an officer’s fatal shooting of an unarmed woman. Filming both before and after George Floyd’s murder, Deirdre Fishel follows four female officers as they navigate the changing department, offering a compelling inside look at the complex intersection of gender, race, and the limits of reform within an ethically questionable institution.