Category Archives: Releases

New to DVD this week:
THE DISRUPTED

Director:
Sarah Colt

Co-Director:
Josh Gleason

World Premiere:
DOK.fest Munich 2020

Select Festivals:
Mountainfilm, Woods Hole

About:
A portrait of three working class individuals facing disruption and change in their economic situations.

I previously wrote about the doc here.

New to DVD this week:
BORN TO BE

Director:
Tania Cypriano

World Premiere:
New York Film Festival 2019

Select Festivals:
Docaviv, Hamptons, Palm Springs, Hong Kong, Melbourne, Sarasota, Cleveland, Nashville, Cinequest, Seattle Asian American

About:
A portrait of a physician who specializes in gender transition surgery and his patients at Mt Sinai.

I previously wrote about the doc here.

Coming to VOD this Friday, January 22:
HEALING FROM HATE: BATTLE FOR THE SOUL OF A NATION

Director:
Peter Hutchison

World Premiere:
DOC NYC 2019

Select Festivals:
Martha’s Vineyard, Big Sky Doc

About:
Former hate group members help others attempting to leave behind radicalism.

I previously wrote about the doc here.

Coming to The WORLD Channel’s America ReFramed today, Tuesday, January 19:
THE AREA

Director:
David Schalliol

World Premiere:
Full Frame 2018

Select Festivals:
Black Harvest, SF IndieFest

About:
A longitudinal portrait of a historically Black South Side Chicago neighborhood as it faces destruction.

For generations, Englewood has been home for hundreds of Black families, part of a legacy that stretches back to the Great Migration. Notably, despite decades of inequities and racist policies that have historically limited the ability of many Black people to be homeowners, Englewood has beaten the odds, with half of its families owning their homes. David Schalliol’s film begins in 2012, when the Norfolk Southern railroad company has already begun to decimate Englewood, buying up property to expand its nearby rail yard. Working in concert with local politicians, all too eager to reframe the neighborhood as suffering from urban blight and to erase its long history, Norfolk Southern’s victory is sadly inevitable. Despite this, some local residents refuse to go quietly, demanding to be treated with respect and to be offered fair compensation for their homes. Schalliol follows their righteous, if Sisyphean, struggle – and the sad demise of Englewood – over five years in this sensitively observed profile.

Coming to DVD tomorrow, Tuesday, January 19:
DRIVING WHILE BLACK: RACE, SPACE AND MOBILITY IN AMERICA

Director:
Ric Burns and Gretchen Sorin

World Premiere:
PBS (October 2020)

About:
An expansive consideration of how the movement of Black people has been policed in American history.

Based on Gretchen Sorin’s book DRIVING WHILE BLACK: AFRICAN AMERICAN TRAVEL AND THE ROAD TO CIVIL RIGHTS, this screen version reveals the pivotal role transportation and movement have played in African American life in the 20th century. While mainstream (white) audiences were introduced to the treacherous aspects of road travel for Black individuals via Hollywood’s GREEN BOOK, Sorin and her co-director Ric Burns delve more deeply, and broadly, into the concept of the transformative possibilities – and limits – of travel by African Americans in the US, from slavery through Jim Crow, the Great Migration through the Civil Rights era and into the present day. They cover a wide swath of history, perhaps too wide – an exploration of the restrictions on the Black body for any of these periods could easily fill its own feature length treatment – but it’s an informative and insightful meditation that remains all too relevant to this day.

Coming to PBS’s American Masters today, Monday, January 18:
HOW IT FEELS TO BE FREE

Director:
Yoruba Richen

World Premiere:
American Masters (January 2020)

About:
An exploration of the political activism and impact of six legendary Black female actresses and musicians.

Based on HOW IT FEELS TO BE FREE: BLACK WOMEN ENTERTAINERS AND THE CIVIL RIGHTS MOVEMENT, Yoruba Richen’s screen treatment profiles five of the women featured in Ruth Feldstein’s book – Lena Horne, Abbey Lincoln, Nina Simone, Diahann Carroll, and Cicely Tyson – and swaps in Pam Grier instead of Miriam Makeba for the sixth spot. This multi-subject focus is a departure from the typical singular approach for American Masters, and a daunting one – each of these icons could and should receive their own standalone doc, or, at the least, would have benefitted from an episodic form instead. Richen and her panel of experts – Feldstein as well as historians, family members, and notable present-day performers – do succeed in drawing out compelling arguments and observations about how these subjects broke barriers in Hollywood and the larger entertainment industry, and, just as often, were frustrated in their efforts, as well as the more overt activism some of them engaged in, particularly around civil rights. At the same time, the need to balance six biographical threads lends a choppiness to the proceedings, and a sense that there’s far more to each women’s story than is possible to cover in the available time.