Category Archives: Releases

On VOD: VENUS

New to VOD this week:
VENUS

Directors:
Mette Carla Albrechtsen and Lea Glob

Premiere:
IDFA 2016

Select Festivals:
True/False, Sheffield, DocPoint, Thessaloniki Doc, Göteborg, DOXBIO, Docs Against Gravity, Biografilm, Sao Paulo

About:
100 women are surveyed about their sexual experiences.

Danish filmmakers Mette Carla Albrechtsen and Lea Glob set out to explore perceptions about female sexuality in their country by announcing an open casting call for women to participate as interview subjects in their project. The film features the various women who show up, walk into the frame, and are interviewed by Albrechtsen and Glob. Questions range from fairly basic to probing – even confrontational – interrogations about virginity, first or uncomfortable sexual experiences, body image issues, and the like, resulting in a kind of riff of the casting couch. The filmmakers even ask if their subjects are willing to pose naked for the camera. The result is a surprisingly engaging and vulnerable study of not only female sexuality, but of the give and take between filmmaker and subject.

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On VOD: ROUGH AUNTIES

Coming to OVID this Sunday, May 19:
ROUGH AUNTIES

Director:
Kim Longinotto

Premiere:
IDFA 2008

Select Festivals:
Sundance, Hot Docs, Thessaloniki Doc, Full Frame, BAFICI, One World, Krakow, Vienna, Big Sky Doc, Durban, Salem

About:
A group of women are on a mission to help the abused and neglected children of South Africa.

I previously wrote about the doc for the Sundance program, saying:
Jackie, Mildred, Eureka, Sdudla, and Thuli are the women behind Bobbi Bear, a nonprofit organization based in Durban, South Africa, that counsels sexually abused children and works to bring their abusers to justice. Born out of a recognition of cultural stigmas that discourage reporting abuse and inadequate methods of communicating with young victims, Bobbi Bear developed a method of letting children use teddy bears to explain their abuse. Since 1992, the multiracial staff has become the fearless and powerful voice for those victims who would otherwise continue to live in fear, powerless against their oppressors and ignored by the legal system. Director Kim Longinotto adeptly and intimately follows Bobbi Bear staff in difficult direct sessions with children and consultations with family members, and on raids with authorities to arrest the perpetrators of these heinous acts. Facing tragedy daily as part of their advocacy work and, heartbreakingly for some, in their personal lives, the women draw strength from each other and find hope despite the suffering around them. Equally as compassionate to the young victims as they are steadfast in their pursuit of justice, these five exceptional women have found themselves transformed by their mission into “rough aunties,” crossing barriers of race, culture, and socioeconomic status to become formidable agents of change in their community.

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On VOD: HOW TO LOSE YOUR VIRGINITY

Coming to OVID this Sunday, May 19:
HOW TO LOSE YOUR VIRGINITY

Director:
Therese Shechter

Premiere:
Jihlava 2013

Select Festivals:
DOC NYC, Cucalorus, St John’s International Women

About:
A personal exploration of the elusive concept of purity.

I previously wrote about the doc here.

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In Theatres: WALKING ON WATER

Coming to theatres tomorrow, Friday, May 17:
WALKING ON WATER

Director:
Andrey Paounov

Premiere:
Locarno 2018

Select Festivals:
DOC NYC, Toronto, Docudays UA

About:
A behind the scenes look at Christo’s long-gestating Floating Piers project.

The film screened as part of DOC NYC, for which our program notes read:
For decades Christo and Jeanne-Claude dazzled art lovers with their epic installation projects, such as The Gates in Central Park. Seven years after the death of Jeanne-Claude, the larger-than-life Christo finally realizes a long-planned project, The Floating Piers. Mounted in 2016 on Italy’s Lake Iseo, the mammoth undertaking allows visitors to walk across a great stretch of water. Once again, witnessing the realization of Christo’s vision feels like watching a real-life miracle.

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On VOD: MOSUL

New to VOD this week:
MOSUL

Director:
Daniel Gabriel

Premiere:
Cleveland 2019

About:
The diverse coalition of anti-ISIS forces fighting to free Mosul is viewed through the eyes of an Iraqi journalist.

I previously wrote about the doc here.

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On TV: I USED TO BE NORMAL: A BOYBAND FANGIRL STORY

Coming to Fuse this Saturday, May 18:
I USED TO BE NORMAL: A BOYBAND FANGIRL STORY

Director:
Jessica Leski

Premiere:
Hot Docs 2018

Select Festivals:
DOC NYC, Sydney, Revelation Perth, Melbourne, Fantastic Fest, Adelaide, London, Hawaii, Göteborg, Rotterdam, Miami, Santa Barbara, Cleveland, Istanbul

About:
A look at boyband superfans.

The film screened as part of DOC NYC, for which our program notes read:
New Kids on the Block, N*Sync, One Direction, and, of course, The Beatles: Bands with big hair, bigger personalities and the ubiquitous screaming fangirls. Jessica Leski’s entertaining film profiles these ardent fans, charming groupies who find joy in their devotion. Whimsical and lustrous, the film explores the complexity of social media relationships and the gray line between passion and obsession. At its core the story is a celebration of music as a universal language, one that unites frantic fans and provides a sense of belonging.

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On VOD: THE WILD SIDE OF DOGS

New to VOD this week:
THE WILD SIDE OF DOGS

Director:
Daniel Meyers

About:
A study of Sardinian sheepdogs and Romanian street dogs.

Attempting to de-anthropomorphize dogs, filmmaker Daniel Meyers follows Sardinian sheepdogs and Romanian street dogs, showing them as they demonstrate their wild attributes, revealing pack behavior, dominance, mating, and the manipulation of humans for food. While this might have been an interesting observational nature doc, unfortunately, the filmmaker excessively narrates the project, giving the film an old-fashioned feel that makes it an unpleasant watch.

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On TV: THE WELL-PLACED WEED: THE BOUNTIFUL LIFE OF RYAN GAINEY

Coming to PBS’s Reel South tomorrow, Thursday, May 16:
THE WELL-PLACED WEED

Directors:
Steve Bransford and Cooper Sanchez

Premiere:
Indie Grits 2018

Select Festivals:
Macon

About:
A portrait of an eccentric Southern gardener.

The subject of Steve Bransford and Cooper Sanchez’s film, Ryan Gainey, was a well-known local figure in Atlanta and other parts of the American South, and achieved a small measure of wider renown via appearances on PBS gardening specials. Filmed over several years, this portrait captures the garden designer as he reckons with damage to his Decatur home, well-known for its expansive garden, and sets up a more modest environment in Lexington GA. Interviews with Rainey and friends reveal a sometimes friendly, sometimes cantankerous eccentric, born to a poor South Carolina family, ostracized for being gay at school, but who came into his own as a garden designer to the rich in 1970s Atlanta. Gainey comes off as performative at times, and the film has a rough feel, never quite finding a compelling central thread, resulting in an acceptable but not particularly memorable profile.

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In Theatres: PARALLEL LOVE: THE STORY OF A BAND CALLED LUXURY

Coming to theatres today, Wednesday, May 15:
PARALLEL LOVE: THE STORY OF A BAND CALLED LUXURY

Director:
Matt Hinton

Premiere:
Covellite 2018

Select Festivals:
Newport Beach, St Louis, Southern Circuit

About:
The unusual history of alt-rock band Luxury, from its 1990s origins to the present.

The members of the band that would become known as Luxury met in a Christian college in Toccoa GA. Though they signed with independent Christian rock label Tooth & Nail Records, their music was not particularly concerned with religious or spiritual messages, and, instead, pushed the boundaries of acceptable content, with lyrics suggesting ambiguous sexuality. Gaining attention and an audience locally, the band saw their dreams of stardom be upended after a major vehicular accident while touring, and within a few years, the bandmates went their separate ways. When they reunite several years later, three of the five musicians have become ordained Orthodox priests in the intervening years, the accident having had a major impact on their worldview. Matt Hinton’s film takes a loving, if at times somewhat insular, view of Luxury, with which most viewers likely will not be that familiar. Still, the bandmates come off as very appealing, charismatic subjects, particularly lead singer Lee Bozeman, and the unusual path they took to embracing religion, while not as central a topic as it could have been, makes this an intriguing portrait that elevates it beyond the typical rock band doc.

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On VOD: THE GRACE LEE PROJECT

Coming to OVID this Sunday, May 19:
THE GRACE LEE PROJECT

Director:
Grace Lee

Premiere:
SF Asian American 2005

Select Festivals:
SXSW, Los Angeles, Pusan, St Louis, Hawaii, New York Asian American, Toronto Reel Asian

About:
A personal consideration of names, culture, and identity.

I previously wrote about the doc here.

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