Category Archives: Releases

In Theatres: 95 AND 6 TO GO

Coming to theatres today, Friday, September 21:
95 AND 6 TO GO

Director:
Kimi Takesue

Premiere:
Doclisboa 2016

Select Festivals:
DOC NYC, CPH:DOX, RIDM, BAFICI, FIDM, Open City, DOK Leipzig, Indie Memphis, San Diego Asian, Hawai’i, CAAMFest, LA Asian Pacific, Sarasota, Krakow

About:
A creative portrait of the filmmaker’s grandfather.

I previously wrote about the film for DOC NYC’s program, saying:
In this affectionate portrait, filmmaker Kimi Takesue finds an unlikely collaborator while visiting her grandfather Tom in Hawai’i. A recent widower in his 90s, Tom seems content to go about his daily routines until he shows surprising interest in his granddaughter’s screenplay. In alternately funny and poignant discussions, Kimi’s fictional love story – and Tom’s creative revisions – soon serve as a vehicle for his past memories of love and loss to surface.

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On VOD: THE KING

New to VOD this week:
THE KING

Director:
Eugene Jarecki

Premiere:
Cannes 2017

Select Festivals:
Sundance, Nantucket, Nashville, Seattle, Martha’s Vineyard, London, Sarasota, Chicago DOC 10, Deauville, Zurich, Haifa

About:
A musical road trip across the US in Elvis Presley’s 1963 Rolls Royce explores the rise and fall of the American empire.

My pre-Sundance profile of the doc may be found here.

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On DVD/VOD: NANA

New to DVD/VOD this week:
NANA

Director:
Serena Dykman

Premiere:
St Louis 2016

Select Festivals:
Fargo, Harlem, Miami Jewish, Rocky Mountain Women’s

About:
The filmmaker revisits her grandmother’s enduring mission to share her story as a Holocaust survivor.

I previously wrote about the doc here.

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In Theatres: LOVE, GILDA

Coming to theatres tomorrow, Friday, September 21:
LOVE, GILDA

Director:
Lisa D’Apolito

Premiere:
Tribeca 2018

Select Festivals:
Nantucket, Hot Docs, Montclair, AFI Docs, San Francisco Jewish, Boston Jewish, Seattle, Sidewalk

About:
An intimate, personal portrait of the legendary Gilda Radner.

I previously wrote about the doc for Nantucket’s program, saying:
In this deeply intimate portrait, alternately touching and uproarious, Lisa D’Apolito reveals the personal side of Gilda Radner. Told largely through the comedian’s own words via intimate recordings and private journal entries read by admirers like Amy Poehler and Melissa McCarthy, the film relates how Radner emerged from the world of improv to become one of the members of the original cast of SATURDAY NIGHT LIVE. There, gifted with an uncanny ability to create unforgettable characters, she introduced the world to Roseanne Roseannadanna, Emily Litella, and many others, while confronting both the perils and pleasures of instant celebrity. But neither success nor her romance with actor Gene Wilder could prepare the spirited comedian for her biggest challenge – a battle with ovarian cancer.

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On DVD: DID YOU WONDER WHO FIRED THE GUN?

Coming to DVD today, Tuesday, September 18:
DID YOU WONDER WHO FIRED THE GUN?

Director:
Travis Wilkerson

Premiere:
Sundance 2017

Select Festivals:
True/False, Locarno, Camden, New York, Denver, Rotterdam

About:
The filmmaker interrogates an obscured incident from his family’s past involving the murder of an African American man.

I profiled the film before Sundance here.

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In Theatres: GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE

Photograph by Judy Teller | Courtesy of Greenwich Entertainment

Coming to theatres tomorrow, Wednesday, September 19:
GARRY WINOGRAND: ALL THINGS ARE PHOTOGRAPHABLE

Director:
Sasha Waters Freyer

Premiere:
SXSW 2018

Select Festivals:
San Francisco, New Zealand, Thin Line, Vancouver, Haifa

About:
A history and appreciation of acclaimed street photographer.

Garry Winogrand was known for a body of work that encompassed street photography as well as acclaimed publications of American life in Texas and California in the 1960s. Though prone to montages, Freyer makes good use of a rich archive of Winogrand’s striking images in this watchable but fairly straightforward artist portrait, while the photographer himself, who died of cancer in 1984, is represented largely through a frank audio interview with fellow photographer Jay Maisel. Admirers help position his work among those photographers who changed popular understanding of photography from a discipline that illustrated magazine articles to an art form. Taking on particular resonance is work that was produced later in his career, including photo books WOMEN ARE BEAUTIFUL, which was met with scorn, seen as emblematic of the male gaze coming at the height of feminism; and PUBLIC RELATIONS, focused on the creation of images rather than notable events themselves, a sort of harbinger of the selfie generation.

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On TV: 93QUEEN

Coming to PBS’s POV tonight, Monday, September 17:
93QUEEN

Director:
Paula Eiselt

Premiere:
Hot Docs 2018

Select Festivals:
San Francisco Jewish, Marfa, Charlotte Jewish

About:
A driven woman faces controversy when she sets out to form the first all-female Hasidic EMT corps.

I previously wrote about the doc here.

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In Theatres: SCIENCE FAIR

Coming to theatres today, Friday, September 14:
SCIENCE FAIR

Directors:
Cristina Costantini and Darren Foster

Premiere:
Sundance 2018

Select Festivals:
SXSW, Edinburgh, Cleveland, New Zealand, Vancouver, Sun Valley, Portland, Provincetown

About:
A profile of participants in the world’s premier science fair.

My pre-Sundance profile of the doc may be found here here.

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In Theatres: THE DAWN WALL

Coming to theatres today, Friday, September 14:
THE DAWN WALL

Directors:
Josh Lowell and Peter Mortimer

Premiere:
IDFA 2017

Select Festivals:
SXSW, Banff Mountain, Mountainfilm, Melbourne, Greenwich

About:
Two free climbers attempt to scale a seemingly unscalable rock face.

Named for the section of Yosemite’s El Capitan sheer rock face that captures the first light of the day, Lowell and Mortimer’s appealing film chronicles the 2015 effort of climbing partners Tommy Caldwell and Kevin Jorgeson to ascend the granite monolith. The pair are free climbers, only using ropes as supports in case they slip. El Capitan has long been declared an impossible goal for free climbers, but Caldwell – whose background contains a few surprises – has been wanting to conquer it for a decade. The well-shot film is its most engaging and even thrilling as it shadows the two men for the nineteen days of their attempt, witnessing the punishing lengths they take to complete sections of the course, and celebrating their dedication and teamwork. The filmmakers struggle with pacing, however, interrupting the flow of their climb with sometime superfluous interviews apparently meant to inject more human interest long after it’s really needed, as well as with structure. Given the worldwide media attention the pair received, it’s a strange decision to have the entire narrative hinge on the foregone conclusion of their climb, only to abruptly end with very little reflection from the men afterward.

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In Theatres: AMERICAN CHAOS

Coming to theatres today, Friday, September 14:
AMERICAN CHAOS

Director:
James D Stern

Premiere:
Montclair 2018

Select Festivals:
Zurich, Martha’s Vineyard

About:
Another look back at the 2016 US Presidential election.

The unlikely ascent of Donald Trump to the top of the Republican Party ticket motivates director James D Stern – a lifelong Democrat – to try to understand the businessman’s appeal to his supporters. Stern – who appears on camera in Michael Moore mode, but unassuming where that veteran director is instead confrontational – sets out across the country expressly just to listen, rather than to debate. The results, this long after the events of 11/08/16, are not at all surprising – Trump supporters range from individuals with legitimate viewpoints, acknowledging some of their candidate’s negative aspects, but willing to let them slide, to those with a pathological hatred of Hillary Clinton and a persecution complex. All along, Stern, only rarely so incensed to very delicately challenge some outright lies being spouted, lets them have the stage, subjecting the film’s viewers to his exasperation after the fact. His is a well-intentioned project, but it doesn’t reveal anything really new, and it’s hard to imagine who will want to revisit this terrain yet again.

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