Category Archives: Releases

On VOD: ACORN AND THE FIRESTORM

Coming to VOD today, Tuesday, May 1:
ACORN AND THE FIRESTORM

Directors:
Reuben Atlas and Sam Pollard

Premiere:
Tribeca 2017

Select Festivals:
AFI Docs, Montclair, Traverse City, Indie Memphis, Cucalorus, St Louis, Milwaukee, Napa Valley

About:
An exploration of the manufactured controversy that led to the downfall of a powerful community-based advocacy group.

I previously wrote about the doc here.

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Special Screening & In Theatres: RBG

Coming to the JCC Manhattan tomorrow, Tuesday, May 1 and to theatres this Friday, May 4:
RBG

Directors:
Betsy West and Julie Cohen

Premiere:
Sundance 2018

Select Festivals:
Miami, Cleveland, San Francisco, Montclair

About:
A portrait of legendary, outspoken US Supreme Court Justice Ruth Bader Ginsburg.

I profiled the doc before Sundance here.

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On TV: TRUE CONVICTION

Coming to PBS’s Independent Lens tonight, Monday, April 30:
TRUE CONVICTION

Director:
Jamie Meltzer

Premiere:
Tribeca 2017

Select Festivals:
Nantucket, Traverse City, SF DocFest, Hot Springs Doc, St Louis, Cucalorus, Stockholm, Newburyport Doc, Heartland

About:
Three wrongfully convicted men help others after their exoneration.

I previously wrote about the doc for Nantucket’s program, saying:
After serving jail time for more than a decade for a murder he didn’t commit, Christopher Scott was exonerated. Seeking to make sense of his experience, he joins forces with fellow exonerees Steven Phillips and Johnnie Lindsey to start a detective agency. Their mission: to find other wrongfully convicted prisoners, investigate their cases, and prove their innocence. Director Jamie Meltzer follows these determined men as they struggle to make a difference on the outside.

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In Theateres & On VOD: THE RACHEL DIVIDE

Coming to theatres and to Netflix today, Friday, April 27:
THE RACHEL DIVIDE

Director:
Laura Brownson

Premiere:
Tribeca 2018

About:
An in-depth portrait of Rachel Dolezal, the former NAACP leader who engendered controversy over her racial identity.

In 2015, Dolezal, the outspoken president of the Spokane chapter of the NAACP found herself in the midst of a media firestorm when journalists learned that she was white, even interviewing her parents who questioned her motives for passing as African American. Dolezal held firm, eventually claiming a “transracial” identity – a designation that only fueled the outrage against her perceived expression of white privilege. Brownson picks up in the aftermath, with Dolezal a pariah, removed from both the NAACP and from her position teaching African American Studies at a local university, and dependent on braiding hair to support her sons while she writes her autobiography. The film delves into her background, the biological daughter of a white couple who felt spiritually called to adopt several African American children – children who claim, as does Rachel, that they were then subject to violence and, for some sexual abuse. This allegation is positioned here as the reason that Dolezal’s background was initially called into question – she was a key party to a legal case by her adoptive sister against members of the family, and the damage done to Dolezal’s credibility effectively ended the possibility of the charges going forward. Despite this disturbing information, Dolezal remains obstinate and self-focused, never acknowledging the reasonable criticisms of cultural appropriation and privilege leveled against her – and their troubling impact on her own children – making this at once a fascinating and frustrating portrait.

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In Theatres: LOVE & BANANAS: AN ELEPHANT STORY

Coming to theatres today, Friday, April 27:
LOVE & BANANAS: AN ELEPHANT STORY

Director:
Ashley Bell

Premiere:
Washington DC Environmental 2018

Select Festivals:
Sedona, Earth Focus Environmental, International Wildlife Missoula

About:
An elephant conservationist sets out on a mission to rescue an Asian elephant in Thailand.

Bell’s earnest but clunky film ostensibly focuses on the efforts of Sangdeaun Lek Chailert to rescue Noi Na, a blind elephant in captivity for decades, forced to five tourists rides. Lek, a Thai women whose lifelong advocacy for the endangered Asian elephant made her, for a time, an enemy of the state, and turned her own family against her, is a sympathetic and inspiring figure, and her mission is worthwhile and potentially compelling, if only Bell would trust in its impact enough. Instead, the actress-turned-director can’t help but insert herself in virtually every frame of the film – in addition to being ever-present onscreen, Bell also narrates, to a superfluous and distracting degree. While it’s clear Bell has the best of intentions for the film, its execution is wanting, even if its message may still rightly sway viewers to its cause.

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On VOD: TINY SHOULDERS: RETHINKING BARBIE

Coming to Hulu tomorrow, Friday, April 27:
TINY SHOULDERS: RETHINKING BARBIE

Director:
Andrea Nevins

Premiere:
Tribeca 2018

About:
An exploration of the popular doll’s complicated relationship to body image and feminism.

Since her introduction in 1959, Barbie has been a magnet for controversy. Emerging in a marketplace that only included baby dolls, Barbie’s “adult” body – one with breasts – was a gamble for Mattel, but it paid off, eventually making the company part of the Fortune 500. While the grown-up role-playing that Barbie’s endless varieties of accessories and professions encouraged was in its own way progressive, the doll still came to represent all things negative about gender stereotypes, and, increasingly, was criticized for its unrealistic body shape and size. In recent years, facing declining sales and bad press, Mattel acknowledges it’s time for a change. Nevins’ well-crafted film follows the company’s careful efforts to finally better represent a diversity of body image as they develop and release a new generation of Barbie dolls, at the risk of further criticism and damage to their brand. As the filmmaker profiles several of the women behind the initiative, she skillfully weaves in Barbie’s evolution over time, and her impact on and response to changes in women’s place in society.

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In Theatres: THE TEST & THE ART OF THINKING

Coming to theatres this Friday, April 27:
THE TEST & THE ART OF THINKING

Director:
Michael Arlen Davis

Premiere:
San Luis Obispo 2018

About:
A detailed examination and critique of the SAT and standardized testing.

Davis’ film offers a survey of opinions on the SAT, its meaning, what it does or doesn’t measure, how it’s used in college admissions, and who gets left out because of it. Primarily composed of talking heads, the film also convenes a roundtable of SAT test prep professionals who grouse about the College Board and discuss the tricks of their trade. In addition, class disparities are given a spotlight through the example of students who cannot afford costly prep classes. While accomplishing what it sets out to do, the project could have delved further into the history of standardized testing – its most interesting aspect – to help enliven its overall conventional approach.

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In Theatres: THE BLOOD IS AT THE DOORSTEP

Coming to theatres tomorrow, Thursday, April 26:
THE BLOOD IS AT THE DOORSTEP

Director:
Erik Ljung

Premiere:
SXSW 2017

Select Festivals:
Human Rights Watch, Traverse, Indie Memphis, Maryland, Salem, Freep

About:
A family struggles in the aftermath of the police shooting of an unarmed African-American man diagnosed with schizophrenia.

After a Starbucks barista called the cops on Dontre Hamilton for loitering in a public park, he was shot 14 times. Police reports further marginalized Hamilton and spread falsehoods about his criminality. Outraged and in grief as they wait for the DA to bring charges against the officer, his family members organize for justice for Dontre and for other black lives lost to police violence. While hampered by a somewhat awkward title, Ljung’s film is a powerful, compelling look at a pressing, sadly still-topical issue, that benefits from a hyper focus on a single family’s efforts to make positive change out of tragedy.

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On TV: THROUGH THE REPELLENT FENCE

Coming to PBS’s America ReFramed tonight, Tuesday, April 24:
THROUGH THE REPELLENT FENCE

Director:
Sam Wainwright Douglas

Premiere:
Documentary Fortnight 2017

Select Festivals:
SXSW, Full Frame, Sarasota, Montclair

About:
A collective of Native American artists install a work of land art on both sides of the US/Mexico border.

Douglas’ film charts the creative process of the artist collective, Postcommodity, and the eventual installation of their project, known as “Repellent Fence.” The piece employs two dozen linked, inflated spheres top temporarily conceptually “suture” the border over which they hover, serving as a political statement about present-day barriers, while also speaking to erased indigenous history about the cultures who once occupied the land before borders were drawn. Somewhat awkwardly woven within Postcommodity’s story is a small survey of other land art examples, which feels like it’s just padding out the proceedings.

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On DVD: DO NOT RESIST

filkins-do-not-resist-1200Coming to DVD today, Tuesday, April 24:
DO NOT RESIST

Director:
Craig Atkinson

Premiere:
Tribeca 2016

Select Festivals:
Hot Docs, Traverse City, AFI Docs, DOXA, Human Rights Watch, Telluride Mountainfilm, Bergen, Zurich, Dokufest, Camden

About:
An exploration of the militarization of America’s police force.

I previously wrote about the doc here.

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