Category Archives: Releases

In Theatres: MY LOVE, DON’T CROSS THAT RIVER

MyLoveDontCrossThatRiver-thumb-630xauto-55760Coming to theatres tomorrow, Friday, June 17: MY LOVE, DON’T CROSS THAT RIVER

Jin Mo-young’s portrait of an elderly couple debuted at DMZ Docs in 2014, where it won the audience award. Other screenings have included Hot Docs, Los Angeles, Tempo Doc, Visions du Reel, DocAviv, Sydney, BFI London, RIDM, Cork, DOK Leipzig, Moscow, Hamptons, and the New York Asian fests.

Cho Byeong-man, 98, and Kang Kye-yeol, 89, have been married 76 years. Their children and grandkids may occasionally come to visit, but, for the most part, it’s just the two of them, inseparable in their modest country home. When they walk into town, or head out on group outings with other seniors, the loving couple dress in bright matching traditional outfits. They’re prone to playfulness, engaging in snowball or water fights. Cho can’t fall asleep unless he’s touching his beloved Kang, while she requests that he sing for her while she’s using the outhouse late at night to allay her fears. Although Cho tries to stay active, collecting firewood and tending to his beloved dogs, he has started to become short of breath and prone to painful coughing bouts. Over the course of the film, his condition worsens. With no recourse due to his advanced age, relatives descend on the family home to say their farewells, and Kang sadly prepares for the inevitable, slowly beginning to burn some of Cho’s clothes so he has something to wear in the afterlife. Jin’s remarkably crafted, at times magical, portrait offers audiences a brief but enduring glimpse of love, companionship, and mortality.

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On VOD: RAIDERS!

raidersComing to VOD tomorrow, Friday, June 17: RAIDERS!

Jeremy Coon and Tim Skousen’s chronicle of a lifelong obsession debuted at SXSW last year. Other screenings have included DOC NYC, Dallas, Hot Docs, Fantasia, Traverse City, Melbourne, Sidealk, Denver, Rotterdam, and Docs Against Gravity. FilmBuff now releases the film on major VOD platforms.

I previously wrote about the film for DOC NYC’s program, saying:
When three Mississippi preteens set out to pay tribute to their favorite film in 1982, little did they know it would become an obsession that lasted three decades. Committed to making their own version of RAIDERS OF THE LOST ARK, they spent seven eventful summers recreating the epic adventure, shot for shot – with the exception of one scene beyond their scope. When footage of their project surfaces decades later, becoming a sensation, it reignites their drive to finally finish their low-budget masterpiece, no matter what.

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On VOD: RABIN IN HIS OWN WORDS

Rabin_in_his_own_words_720_432New to VOD this week: RABIN IN HIS OWN WORDS

Erez Laufer’s chronicle of the assassinated Israeli prime minister debuted at Haifa last year, where it won the best documentary award. Its circuit has also included Hot Docs, Cleveland, Other Israel, and the Atlanta, Toronto, and Miami Jewish fests.

Constructed almost entirely from archival sources featuring Yitzhak Rabin, including public appearances, interviews, and personal letters, Laufer’s film, per its title, functions as almost an autobiography of the Israeli politician, who was twice elected prime minister, as well as serving as the nation’s US Ambassador and minister of defense. Demonstrating his skillful editing, Laufer directs Rabin’s own voice to relate the leader’s life and career, from personal reflections on a strict upbringing and about meeting his wife, to candid thoughts on his involvement in nation-defining events like the Six Day War as head of the Israeli Defense Forces. Summarizing decades of public service against the backdrop of ever-present tensions or all-out conflict in the Middle East, Laufer uses some shortcuts that may prove unclear to viewers not intimately aware of Israeli politics and history, but, for the most part, the film provides just enough context to remain always engaging. The film is particularly compelling as it lays out Rabin’s contentious diplomatic efforts with the PLO for peace through the Oslo Accords, which sadly led ultraconservative factions to rally against Rabin, inspiring Yigal Amir to assassinate him in 1995.

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Special Screening & In Theatres: TICKLED

tickledComing to NYC’s Rooftop Films this Thursday, June 16 and to theatres this Friday, June 17: TICKLED

David Farrier and Dylan Reeve’s investigation into a stranger-than-fiction web fetish made its debut at Sundance this year. Screenings have followed at True/False, Cleveland, Sarasota, San Francisco, Hot Docs, Montclair, Seattle, Sydney, Auckland, and the upcoming Nantucket Film Festival.

My pre-Sundance profile of the doc may be found here.

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On DVD: INVITATION TO DANCE

Invitation-to-Dance-002Coming to DVD tomorrow, Tuesday, June 14: INVITATION TO DANCE

Christian von Tippelskirch and Simi Linton made its bow at Santa Barbara in 2014. Other fests included Margaret Mead, ReelAbilities, Moscow’s Breaking Down Barriers, and Buffalo.

Collaborating with his subject as co-director, von Tippelskirch reveals the life of disabled rights activist Linton, who lost the use of her legs in a car accident while a college student in 1971. Though already an anti-war activist, she was initially unaware of the burgeoning disability rights movement in America until she found herself excluded from the mainstream due to issues of access. Over time, Linton became an outspoken advocate for equality, regardless of ability, as chronicled here in effective parallel with broader developments in the struggle, such as the passage of the Americans with Disabilities Act. Less successfully integrated is Linton’s belief in the importance of dance in the self-expression of people with disability, and the corresponding progress that has made the performing arts more inclusive – dance sequences here more often feel like random interruptions intended to lend the project an air of artiness rather than an organic element to the proceedings.

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On VOD: DOGLEGS

Doglegs_2Coming to VOD tomorrow, Tuesday, June 14: DOGLEGS

Heath Cozens profile of an underground wrestling league which includes disabled competitors had its world premiere at Hot Docs last year. Other screenings have included Fantastic Fest, Cleveland, and Nippon Connection. It now comes to VOD platforms via FilmBuff.

The titular Tokyo-based setting originated decades ago as a support group for the disabled. Seeing the potential of confronting spectators – and themselves – about disability and ableism, the participants organized wrestling bouts pitting themselves against able-bodied opponents. Rather than going the route of providing a space for a feel-good display of inclusion, however, this league is confrontational – disturbingly so, as evidenced by the seemingly neverending rivalry between founders “Sambo” Shintaro, who has cerebral palsy, and “Antithesis” Kitajima, the group’s non-disabled volunteer leader. Likened to SM play, Kitajima is ruthless in the ring, not only physically, but psychologically, hurling humiliating insults about Shintaro’s frailty. Another combative pair, married couple L’Amant, a crossdressing alcoholic with severe cerebral palsy, and Mrs L’Amant, twice his size, also publicly work out their complex psychodramas in the ring. Cozens presents his audience with often shocking images, making the viewer question from one scene to the next whether what’s on display is empowering or exploitative – or, somehow, both – making for an ever-provocative, complex re-assessment of one’s conscious or subconscious perspectives on the disabled.

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On VOD: THOSE WHO FEEL THE FIRE BURNING

those_who_feel_the_fire_burning_stillComing to VOD tomorrow, Tuesday, June 14: THOSE WHO FEEL THE FIRE BURNING

Morgan Knibbe’s immersive imagination of refugee life bowed at IDFA in 2014. Screenings followed at True/False, Thessaloniki Doc, Hot Docs, Docs Against Gravity, Sarajevo, and AFI Fest, among other fests. FilmBuff now releases the film on various VOD platforms.

I previously wrote about the doc here.

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On VOD: HE NAMED ME MALALA

HENAMEDMEMALALA-KEYComing to VOD tomorrow, Saturday, June 11: HE NAMED ME MALALA

Davis Guggenheim’s look at the influential activist had its world premiere at Telluride last year. Screenings followed at DOC NYC, Toronto, Tokyo, Mumbai, Adelaide, London, Hamptons, and Athena, among other fests. The film now comes to VOD exclusively via Hulu.

I previously wrote about the doc here.

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On TV: OJ: MADE IN AMERICA

ojComing to ABC beginning tomorrow, Saturday, June 11 for its first episode, then to ESPN for an encore broadcast and the remainder of the series this coming Tuesday, June 14 through Saturday, June 18: OJ: MADE IN AMERICA

Ezra Edelman’s in-depth look at the infamous celebrity athlete-turned-murder suspect made its debut at Sundance earlier this year. It also screened at Hot Docs, Tribeca, and the Freep Film Festival.

I profiled the series before Sundance here.

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In Theatres: GERMANS & JEWS

germans and jewsComing to theatres tomorrow, Friday, June 10: GERMANS & JEWS

Tal Recanati and Janina Quint’s consideration of the complex relationship between the two titular groups makes its debut today at the Greenwich film fest before opening in NYC’s Cinema Village.

Taking on a thought-provoking topic, Recanati (American, Jewish) and Quint (German, non-Jewish) host a dinner party for Jewish Germans, non-Jewish Germans, and non-German Jews living in Germany to reflect on the two people’s shared history and their ongoing modern reconciliation as the population of Jews in Germany continues to rise. Taking as a point of contrast the ways that the East and West approached the legacy of the Nazi era, the film offers viewers a concise history of how, when, and why a reckoning with the past came, and the impact this had on their respective populaces. Moving beyond the topic of Vergangenheitsbewältigung, other conversations explore more explicitly present-day concerns, including fears of the growth of anti-Semitism as the nation’s Muslim population grows, and the challenges of being de facto perceived as anti-Semitic if one criticizes Israel. While the topic lends itself to these and other engaging ideas, the conventional filmmaking approach taken, with an excess of talking heads, makes it more appropriate for the small screen than theatrical venues.

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