Category Archives: Releases

In Theatres: EVERYTHING IS COPY

everythingiscopy1-1600x900-c-defaultComing to theatres today, Friday, March 18: EVERYTHING IS COPY

Jacob Bernstein and co-director Nick Hooker’s portrait of Nora Ephron made its debut at the New York Film Festival last Fall. The doc also screened at Palm Springs and the Westchester Jewish film fests.

Bernstein, Ephron’s eldest son with her second husband, the Pulitzer Prize-winning journalist Carl Bernstein, constructs a straightforward but warmly engaging tribute of the celebrated writer/director. Weaving together archival personal footage, various media appearances of his mother, and interviews with family and illustrious friends and admirers, from Meryl Streep, Mike Nichols, and Meg Ryan to Rob Reiner, Tom Hanks, and Gay Talese, among several others, the film relates how the daughter of mildly successful Beverly Hills screenwriters went from a mail girl at Newsweek to a famed magazine essayist for Esquire and The New Yorker before breaking in as a Hollywood screenwriter and later director, usually drawing from her personal experiences. Borrowing its title from an aphorism oft-stated by Ephron’s mother – essentially that anything that happens in ones life is fair game for use by a writer – the film makes much of her uncharacteristic decision to keep secret her diagnosis of leukemia, which claimed her life in 2012, but thankfully Bernstein doesn’t get too bogged down in this, choosing instead to celebrate his mother’s life and her deft skill in bringing humor to personal tragedies and triumphs alike through her clever writing.

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In Theatres: BEAVER TRILOGY IV

beaver trilogyComing to Brooklyn’s Videology tomorrow, Friday, March 18 through Sunday, March 20: BEAVER TRILOGY IV

Brad Besser’s exploration of a cult classic film debuted at Sundance last year. Other screenings have included Hot Docs, St Louis, and Oak Cliff. Videology’s exclusive three-day run has been billed Trent Harris Weekend, and includes special midnight screenings of the original BEAVER TRILOGY and RUBIN & ED.

I profiled the doc before Sundance here.

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On VOD: MY BEAUTIFUL BROKEN BRAIN

broken brainComing to Netflix tomorrow, Friday, March 18: MY BEAUTIFUL BROKEN BRAIN

Sophie Robinson and Lotje Sodderland’s candid look at the unexpected aftermath of a stroke had its world premiere at IDFA in 2014. The doc went on to screen at Sheffield, ZagrebDox, and at this year’s SXSW.

A deeply personal story, the stroke victim here is Sodderland herself. After she suffered an intracranial hemorrhage, the 34-year-old went missing, alarming her friends and family who finally tracked her down at a London hospital. While they are relieved that Sodderland has survived, they soon learn she has lost fundamental language capabilities making it difficult to express herself. She turned to filmmaker Robinson to help document her long recovery, as she tries to relearn to read and write despite the aphasia the stroke has left her with, and joins an experimental study to stimulate her brain in the hopes of creating neural pathways. All the while, Sodderland contends with strange, altered vision that lends a distinct, experiential visual texture to the film, and unexpected side-effects from her treatment. As she attempts to make sense of her new reality, this prompts a fascinating consideration of her very sense of self in the absence of memories or the kinds of communication that she relied on before the stroke, ultimately leading to a hopeful new approach to life.

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In Theatres & On VOD: THE BRAINWASHING OF MY DAD

brainwashing_of_my_dad_2Coming to theatres and to VOD tomorrow, Friday, March 18: THE BRAINWASHING OF MY DAD

Jen Senko’s investigation into the obsessive appeal of right-wing media made its debut at Cinequest earlier this month, following a work-in-progress screening at Traverse City last Summer. It’s slated to screen at Sarasota, Beverly Hills, and San Luis Obispo fests in addition to one-off and limited theatrical exposure, plus a day and date VOD release on iTunes and other platforms.

As signaled by its title, Senko’s film found its origins and ostensible focus in the personal – after decades as a liberal Democrat, the filmmaker’s aging father inexplicably became an acolyte of Fox News and Rush Limbaugh and their culture of conservative outrage and bombast. In practicality, Senko’s father actually plays a rather minor role in her project, which instead becomes more broad-based as it examines the roots of the rise of American extremism. Unsurprisingly, she locates this in the form of Nixon aide and later Fox chairman Roger Ailes’ cagey understanding of the use of media to manipulate public opinion, and follows this progression through the elimination of the fairness doctrine in broadcasting, paving the way for punditry to erupt on the airwaves. This history lesson, while coming with its own political bias, is by far the most interesting element of the otherwise often roughly-made doc – though the Bill Plympton cartoons provide brief escapes from a string of talking heads, Senko’s unnecessary on-camera appearances, and repetitive anecdotal testimony from other random folks who have gone through similar experiences with “brainwashed” loved ones.

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On VOD: WE LIKE IT LIKE THAT

we_like_it_like_that_stillNew to VOD this week: WE LIKE IT LIKE THAT

Mathew Ramirez Warren’s ode to Latin boogaloo made its bow at SXSW last year. The doc also screened at the Film Society of Lincoln Center’s Sound + Vision, Ambulante California, Urbanworld, San Diego Latino, and In-Edit Spain and Chile, among other events. It now comes to VOD platforms, including iTunes.

If general audiences aren’t quite sure what Latin boogaloo even is, it’s understandable, given the music genre’s relatively short life, spanning the mid- to late-1960s and spawning only a few still familiar crossover hits. Originating within New York City’s teenage Puerto Rican and Cuban communities, boogaloo fused a variety of music styles, from R&B and doo-wop to their parents’ mambo, while also eschewing Spanish language for English or a mixture of both. In its reflection of 1960s social upheaval and changing conceptions of American identity, boogaloo served as a bridge between an earlier immigrant generation’s traditions and the wider youth culture their offspring embraced. As a result, as argued by several participants in Ramirez Warren’s scrappy if somewhat too insider project, the genre “saved” Latin music from fading away – at least until boogaloo ran its course, or, if some are to be believed here, was deliberately destroyed in favor of the coming of more traditionally-friendly salsa.

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On VOD: PURGATORIO

PugatorioguycrossingfencebetterresolutionNow on VOD: PURGATORIO: A JOURNEY INTO THE HEART OF THE BORDER

Rodrigo Reyes’ exploration of life on the border debuted at Guadalajara in 2013. It went on to screen at Los Angeles, New Orleans, Ann Arbor, San Diego Latino, Chicago, Documentary Fortnight, and Traverse City, among other fests. The doc now comes to VHX.

I previously wrote about the doc here.

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On DVD: WHAT OUR FATHERS DID: A NAZI LEGACY

1216886_a-nazi-legacy---what-our-fathers-didNew to DVD this week: WHAT OUR FATHERS DID: A NAZI LEGACY

David Evans’ profile of the sons of high-ranking Nazis made its debut at Tribeca last year. It also screened at the Jerusalem, Vancouver, Hamburg, London, Stockholm, and San Francisco Jewish film fests.

Evans’ film focuses on three men: Niklas Frank and Horst von Wachter, both sons of lawyers turned governors of Nazi-occupied territories during WWII, and Philippe Sands, a renowned international human rights attorney whose Ukrainian Jewish grandfather lost his entire family due to atrocities overseen by Frank and von Wachter’s fathers. While Frank has unreservedly condemned the actions of his father, a man who never showed him any affection before he was convicted at Nuremberg and sentenced to death, von Wachter clings to the increasingly untenable belief that his beloved father was a good man, not responsible for any war crimes. In settings both private and public, Sands and Frank challenge von Wachter to face facts, but continue to face disturbing resistance, facile excuses, and impossible demands for corroboration, making for a troubling and compelling consideration of the limits of denial.

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On VOD: BOOM BUST BOOM

boom bust boomComing to VOD today, Tuesday, March 15: BOOM BUST BOOM

Terry Jones, Bill Jones, and Ben Timlett’s creative look at economic crashes has largely bypassed festivals to instead screen at universities, conferences, and other professional events since its debut last March. It opened theatrically last week and now comes to VOD platforms including iTunes.

I previously wrote about the doc here.

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On DVD: STEVE JOBS: THE MAN IN THE MACHINE

SteveJobs_HeroComing to DVD today, Tuesday, March 15: STEVE JOBS: THE MAN IN THE MACHINE

Alex Gibney’s look at the life and legacy of the computer pioneer debuted at SXSW last year. Other fest berths included Nantucket, New Orleans, San Francisco, Seattle, AFI Docs, Melbourne, Woodstock, Napa Valley, DocPoint, Big Sky, and IDFA.

I previously wrote about the film here.

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On DVD: CENSORED VOICES

censored voicesComing to DVD tomorrow, Tuesday, March 15: CENSORED VOICES

Mor Loushy’s revealing look back at the Six Day War bowed at Sundance last year. Screenings followed at Berlin, Hot Docs, BFI London, DMZ Docs, DOXA, DocAviv, Documenta Madrid, and Docs Against Gravity, among other events.

I profiled the doc before Sundance here.

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