Category Archives: Releases

On VOD: PORTRAIT OF WALLY

Now on VOD: PORTRAIT OF WALLY

Andrew Shea’s engaging look at the international controversy over a stolen Egon Schiele painting had its world premiere at Tribeca last year. It went on to screen at Silverdocs, DocAviv, Philadelphia, Melbourne, Vancouver, and the United Nations Association Film Festival, among others, and to have a limited theatrical release. It came to iTunes and cable VOD earlier this week, and will expand to additional digital platforms over the next couple of months.

I previously wrote about the doc out of Tribeca here.

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In Theatres: THIS AIN’T CALIFORNIA

this ain't californiaComing to NYC’s Maysles Cinema for a one-week run beginning this Friday, April 12: THIS AIN’T CALIFORNIA

Marten Persiel’s look back at skateboarding in 1980s East Germany made its world premiere at last year’s Berlinale, where it picked up a jury award. It went on to screen at Karlovy Vary, Warsaw, CPH:DOX, Tempo, and Rooftop Films, among others.

Seamlessly blending non-fiction and fiction, Persiel’s film revels in the subversive freedom a group of GDR teens found in skateboarding, and the close-knit, family-like community they helped found around the underground sport in the repressive Eastern Bloc nation. Structured as a memorial to the wild boy “Panik” (by some accounts a composite character based on real skaters who were part of the group), the film gathers a number of former skaters more than twenty years after the fall of the Berlin Wall, as they reflect on their turbulent youth. Utilizing Super-8mm footage (some re-created, other contemporary), Persiel wonderfully translates the gleeful joy in the stories his subjects share of resisting authority and attempting to adopt the trappings of Western popular culture within their tightly constrained, Soviet-controlled bubble – a form of political defiance despite their surface apoliticism. Though the film has come under fire for not explicitly announcing its hybridized form – and perhaps it does take too many liberties with the audience in this regard – it remains an eloquent, ridiculously enjoyable depiction of a singular time and place, and to the power of subcultures to unite individuals and leave an indelible impression on their life experiences.

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In Theatres: WHICH WAY IS THE FRONT LINE FROM HERE?

which way is the front line from hereComing to NYC’s Quad Cinema and to Los Angeles’ Noho 7 this Friday, April 12: WHICH WAY IS THE FRONT LINE FROM HERE? THE LIFE AND TIME OF TIM HETHERINGTON

Sebastian Junger’s affecting tribute to his fallen comrade had its world premiere at Sundance this past January. Since then, it has screened at True/False, Miami, Cleveland, and Full Frame, among others. The film’s limited theatrical release comes just before its HBO premiere next week.

My pre-Sundance profile of the doc may be found here.

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On DVD: LOVE FREE OR DIE

Coming to DVD today, Tuesday, April 9: LOVE FREE OR DIE

Macky Alston picked up a special jury prize upon the debut of his portrait of gay bishop Gene Robinson at Sundance last year. The doc has had an extensive fest circuit, with stops at Cleveland, Full Frame, Seattle, New Orleans, IFF Boston, Frameline, Outfest, and NewFest, among others, while also screening at a number of churches and community centers.

I wrote about the film before Sundance here.

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On VOD: ONLY THE YOUNG

Coming to VOD today, April 9: ONLY THE YOUNG

Elizabeth Mims and Jason Tippet’s refreshing portrait of adolescence made its premiere at True/False last year. It went on to screen at San Francisco, Hot Docs, and Silverdocs, where it picked up an award. It enjoyed a limited theatrical release this past Winter, and now comes to iTunes, Amazon, XBOX, Vudu, Google Play, cable on demand, and direct digital download from Oscilloscope.

I included the film in my Hot Docs coverage here.

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On DVD: THE LAST FLIGHT OF PETR GINZ

Petr-Ginz-05Coming to DVD tomorrow, Tuesday, April 9: THE LAST FLIGHT OF PETR GINZ

Sandra Dickson and Churchill Roberts’ creative recounting of one boy’s experience of the Holocaust has screened at a number of Jewish film festivals over the past year, including Atlanta, Toronto, Zagreb, Cleveland, Hong Kong, Warsaw, UK, Washington, Houston, and Miami. The film has also screened at the Czech Republic’s Zlin children’s fest, and picked up a special award at last year’s Jerusalem International Film Festival.

Dickson and Roberts’ film tells the story of a young Polish Holocaust victim through his surviving diaries and imaginative drawings and stories, produced while he was held at the Terezin concentration camp before his murder at Auschwitz at the age of sixteen. His journals, and his sister’s narration, relate the harsh reality of life in Poland under the Nazi occupation, but it is in Ginz’s fictional writing and artwork that he let his imagination free him from his bonds. Inspired by Jules Verne and other science fiction writers, the young man wrote numerous novels, including a thinly-veiled indictment of the Nazis in the form of mechanical monsters trying to enslave the world, and, most remarkably, a secret underground literary journal co-produced with fellow camp prisoners. His experiences structure this film, with animated segments in different styles reflecting both his real-life and fictional flights of fancy. While some of the storytelling and journal recital sequences overstay their welcome, the filmmakers have made a concerted effort to produce a very different kind of Holocaust narrative – one that celebrates life, creativity, and defiance even in the direst of circumstances – and in that they have decidedly succeeded.

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On VOD: LA SOURCE

Coming to VOD tomorrow, Tuesday, April 9: LA SOURCE

Patrick Shen’s profile of the efforts to bring clean water to a Haitian village made its world premiere at Silverdocs last year. It went on to screen at DocuWeeks, DocuWest, Big Sky, Palm Springs, and the Arclight Doc fest, where it picked up an award. It comes to VOD on iTunes, Amazon, Vudu, YouTube, CinemaNow, and other platforms.

I previously wrote about the film here.

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In Theatres: NO PLACE ON EARTH

no place onearth_01Coming to theatres today, Friday, April 5: NO PLACE ON EARTH

Janet Tobias’ exploration of how Ukrainian Jews survived WWII by hiding in caves premiered at Toronto last year. Its fest circuit has included the Hamptons, IDFA, Martha’s Vineyard, and Miami, among others.

I included the doc in my Toronto roundup here.

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On Cable: 50 CHILDREN: THE RESCUE MISSION OF MR & MRS KRAUS

50-children-the-rescue-mission-of-mr-and-mrs-kraus-1024Coming to HBO this Monday, April 8: 50 CHILDREN: THE RESCUE MISSION OF MR & MRS KRAUS

Steven Pressman’s film about a Jewish American couple’s heroic efforts has previously screened, under its earlier title, TO SAVE A LIFE, as part of the Philadelphia Jewish Film Festival’s New Filmmaker Weekend. It makes its official debut via HBO Documentary Films, in commemoration of Yom HaShoah, Holocaust Remembrance Day.

Gilbert and Eleanor Kraus were an affluent, secular Jewish couple from Philadelphia who managed to navigate a series of bureaucratic hurdles to rescue fifty Jewish children from Austria in the Spring of 1939. Narration by Alan Alda and Eleanor’s enacted journal entries detail the particulars, aided by interviews with Kraus offspring and the surviving rescued children: In the early days of the European conflict, before America was at war, Jews were permitted to leave Nazi controlled areas – but rampant anti-Semitism meant that they typically had few options for asylum, with strict quotas preventing many from entering the US and other European nations. Hearing of the Kindertransport that saved many Jewish children’s lives, the Krauses wondered if they could help establish foster families for other Jewish youths. Learning that some visas issued to Austrians went unclaimed after the Anschluss, they hatched a plan to allot those visas to fifty children, provided they could secure foster families in Philadelphia and the permission of children’s parents in Vienna, who they visited in the heart of Nazi territory, at the risk of their own safety – in the end saving not only the children, but in many cases later enabling their parents to join them, avoiding the Holocaust. The story will be perhaps most revelatory for some audiences in its underlining of how many more lives could have been saved were it not for the discriminatory policies that literally left Jewish people with nowhere to go. Despite being largely conventional in approach and structure, and drowning in narration and journal recitals, Pressman’s film is often affecting, telling a little-known story of determination, samaritanship, and sacrifice in more than challenging circumstances.

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On Cable: LUNARCY!

lunarcy_02Coming to EPIX today, Wednesday, April 3: LUNARCY!

Simon Ennis’ survey of moon-obsessives had its world premiere at Toronto last year. It’s gone on to screen at Calgary, Vancouver, Global Visions, and SXSW, among other fests.

As signaled by Ennis’ deliberately hyperbolic title (though awkward and redundant – LUNACY! would have been just as effective instead of the punny neologism), his film is meant to be fun. For the most part, it succeeds in this goal, taking a generally light approach in its profile of several men who have the moon on their minds – from Christopher, the key subject, who lobbies for lunar colonization, and Peter, who’s been publishing a speculative guide to life on the moon for over twenty years, to Dennis, the shady real estate entrepreneur who sells deeds to parcels of lunar property, and Alan, a former astronaut who uses moondust in his space-themed paintings. These characters, to varying degrees, inspire sympathy or incredulity, and are just quirky enough to engage the viewer’s attention and curiosity without delving too deeply. It’s an enjoyable film with a simple premise, and is, like its subjects, relatively harmless – even Dennis only makes about $20 per plot from his suspect business – but for these reasons, it’s also unlikely to rank as an indelible portrait of obsession for most audiences.

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