Category Archives: Releases

In Theatres: PAUL WILLIAMS STILL ALIVE

Coming to theatres this Friday, June 8: PAUL WILLIAMS STILL ALIVE

Stephen Kessler’s portrait of one of the most ubiquitous celebrities of the 1970s had its world premiere last year at Toronto. Additional screenings followed at SXSW, IDFA, Thessaloniki Documentary, and Seattle, among other festivals.

I included the film in my Toronto roundup here.

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On VOD: (A)SEXUAL

Coming to VOD today, Tuesday, June 5: (A)SEXUAL

Angela Tucker’s exploration of a community of individuals with no sexual inclination made its world premiere last year at Frameline. Its festival circuit included additional LGBT events, the New Orleans Film Festival, and a multi-city tour for Asexual Awareness Week last October.

I previously wrote about the doc here.

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On TV: WE WERE HERE

Coming to PBS’ Independent Lens this Thursday, June 7: WE WERE HERE

David Weissman’s brought his elegaic yet hopeful look back at AIDS to Sundance for its world premiere last year. After an extensive festival run and a limited theatrical release, the doc made the Oscar shortlist,

My pre-Sundance profile of the film may be found here.

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On DVD: BEAR NATION

Coming to DVD next Tuesday, June 5: BEAR NATION

Malcolm Ingram’s exploration of a uniquely gay subculture made its premiere at SXSW in 2010. In addition to screening at numerous LGBT film fests, including NewFest, Frameline, and Outfest, among others, the doc was presented at numerous bear events around the US, and picked up a jury award at the Atlanta Film Festival in 2011.

Ingram’s previous documentary, SMALL TOWN GAY BAR, provided insight and inspiration as it demonstrated the need for community, even against a backdrop of intolerance. In a similar vein, his newest film is focused on belonging – specifically, the brotherhood that has formed among gay men with a particular body type that is typically not celebrated in either the mainstream straight or gay communities. While those well-versed in the gay community may know what bears are – generally, larger, hairier gay men – the general public most likely does not. Interestingly, it’s this latter group that Ingram’s film may best serve, providing exposure to an alternate conception of gay male sexuality that embraces a specific conception of masculinity that might be surprising to straight women and men who associate male homosexuality with effeminacy. The presence of Ingram’s good friend, filmmaker Kevin Smith, as both executive producer and on-screen “honorary bear” further emphasizes this link to non-gay audiences. This is not to say that gay audiences haven’t responded to the doc, of course, but it may be a little “Bears 101” for those in the know. Additionally, as is clear from the film in its discussion of subgroups of bears – muscle bears vs fat bears, for example – there is cliquish behavior based on what one is attracted to which makes the audience for this film fairly self-selecting within the larger gay male community. As a whole, Ingram offers a broad view of a subculture that challenges stereotypes of gay men both within and outside of the gay community, explores the significance of finding one’s own community, and celebrates the power of acknowledging and accepting one’s body type and sexual preferences.

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On DVD: HIT SO HARD

Coming to DVD next Tuesday, June 5: HIT SO HARD

P David Ebersole’s portrait of Hole’s Patty Schemel premiered at SXSW last year. Its festival circuit included, among others, New Directors/New Films, Seattle, Sheffield, Frameline, Outfest, and Provincetown. It had a limited theatrical release this Spring.

I wrote about the film out of SXSW here.

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In Theatres: PINK RIBBONS, INC

Coming to theatres this Friday, June 1: PINK RIBBONS, INC

Léa Pool’s exposé of the breast cancer industry premiered in Toronto last year. It has been screening at numerous festivals since, including Sarasota and Nashville, leading up to its release this week, and expanding through July.

Early in Pool’s film, a commentator notes: “We used to march in the street; now we run for a cure.” This observation succinctly encapsulates the film’s basic thesis – the industry and culture that has been developed around breast cancer has served to redirect anger and outrage that once fed into direct activism into an at times simplistic, pink-colored, positive-spin campaign that is in many ways a profit-driven corporate endeavor. Among the surprises here for viewers who may not be up on their breast cancer history is the fact that the ubiquitous pink ribbon for breast cancer awareness actually started out as more of an orange ribbon, changing hue via focus group test marketing only after its originator refused to have her symbol co-opted by corporate interests; or that breast cancer awareness month was developed by a pharmaceutical company that directly benefits from increased diagnoses of the disease. To her credit, Pool gives space in her film not only to those convincingly arguing against the disturbing marriage of philanthropy, corporate interests, and “cause marketing,” but to representatives from a wide range of breast cancer industry foundations, organizations, and corporations, including the Susan G Komen Foundation, most recently at the center of a huge controversy around their relationship to Planned Parenthood. While the film is certainly not impartial – nor does it need to be – it neither paints these pink ribbon-waving groups as pure villains; while big questions loom over their practices and priorities – working with corporations whose products and policies likely contribute to the spread of cancerous agents, focusing on pharmaceutical treatments rather than prevention – it’s clear that many of the speakers believe in their missions. While that may be the case, Pool’s film offers powerful voices of dissent that should encourage critical thinking in a culture that too easily embraces quick-fixes and feel-good symbols.

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On DVD: THE WOODMANS

Coming to DVD next Tuesday, June 5: THE WOODMANS

C Scott Willis’ study of a family of artists premiered at Tribeca in 2010, picking up Best New York Documentary. Additional festival exposure included Silverdocs, Cleveland, Palm Springs, and Planete Doc Review, among others. After a limited theatrical release, which also saw the film garner a nomination for Best Documentary from the Gothams, the film had its broadcast premiere on PBS’ Independent Lens late last year.

I previously wrote about the doc here.

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In Theatres: 5 BROKEN CAMERAS

Coming to NYC’s Film Forum for a two-week engagement beginning tomorrow, Wednesday, May 30: 5 BROKEN CAMERAS

Emad Burnat and Guy Davidi’s visceral and personal chronicle of Arab/Israeli relations premiered at IDFA, picking up two awards. It came stateside at Sundance, where it claimed the World Cinema Documentary Directing Award. The doc has played extensively since, including festival appearances at New Directors/New Films, Thessaloniki Documentary, and Hot Docs.

I wrote about the film before Sundance here.

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On DVD: MURDER BY PROXY

Available on DVD: MURDER BY PROXY: HOW AMERICA WENT POSTAL

Emil Chiaberi’s exposé of workplace conditions that drive people to their breaking point screened at a number of festivals beginning in 2010, including Montreal World and Strasbourg. It became available on DVD last month.

Taking as its point of departure the series of workplace shootings that took place in the mid-1980s and 1990s, most notably at post offices, Chiaberi’s film seeks to go beyond sensationalism to try to understand why seemingly ordinary people one day snapped. Media footage of the incidents at the time focused on the idea that there was something wrong with the individuals, but through contemporary interviews, a different picture emerges to explain this desperate behavior. Subjects in Chiaberi’s film argue that the murderous impulses were the result of abuse by employers and generally demeaning working conditions, and, through the course of the film, some of the interviewees are involved with trying to get legislation passed to address this issue. Perhaps most provocatively, Chiaberi argues that we’re on the verge of a potential epidemic of violence due to the recession – laying the blame squarely at the feet of our political leaders, who, since Reagan, have systematically stripped workers of their power, instead privileging their superiors. While the film has its issues – the occasional narration is weak, the sound levels are off, and it errs on the side of the conventional talking heads issue doc – Chiaberi gets good material out of his subjects, and its relevance to recent attempts to union bust beg an update that can help it resonate even more for today’s audience.

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On DVD: SING YOUR SONG

Coming to DVD this coming Tuesday, May 29: SING YOUR SONG

Susanne Rostock’s brought the world premiere of her biography of Harry Belafonte to Sundance last year. Notable screenings followed at Berlin, SXSW, and Tribeca, among others. It made its broadcast premiere on HBO this past Fall, and also made the shortlist for Best Documentary Oscar.

I profiled the doc before Sundance

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