On DVD/VOD: IRON FISTS AND KUNG FU KICKS

New to DVD/VOD this week:
IRON FISTS AND KUNG FU KICKS

Director:
Serge Ou

World Premiere:
Melbourne 2019

About:
A look at the origins and popularization of martial arts films.

Taking a fast and furious approach to this genre love letter, director Serge Ou assembles an impressive collection of film clips – beginning with the prolific output of Hong Kong’s legendary Shaw Brothers and continuing, more or less, to the present day – with commentary from an expansive parade of talking heads representing actors, academics, and film programmers. Best when focused on the giddy enjoyment of the films themselves, with their over-the-top action and wild energy – echoed to an excessive degree in the doc’s distracting score – the film also tries to make the case or martial arts mania’s impact on such disparate developments as hip-hop, parkour, and even boxing dramas like ROCKY – some claims more convincingly than others. While, unsurprisingly, best suited to pre-existing genre fans, Ou’s doc still has its pleasures for the casual viewer.

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On DVD/VOD: CASSANDRO, THE EXOTICO!

New to DVD and VOD this week:
CASSANDRO, THE EXOTICO!

Director:
Marie Losier

World Premiere:
Cannes 2018 (ACID)

Select Festivals:
IDFA, CPH:DOX, Morelia, Ambulante, Tempo Doc, Mar del Plata, Santa Barbara, Jeonju, São Paulo, Hamburg, San Diego Latino, SF DocFest, Sarasota, Outfest Fusion, BFI Flare

About:
An intimate profile of the “Liberace of lucha libre” as he faces the end of his career.

I previously wrote about the doc here.

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Urbanworld 2019: Documentary Overview

Festival:
The 19th Urbanworld Film Festival

Dates:
September 18-22

About:
Five documentary or hybrid features screen at this NYC spotlighting films by African American and multicultural filmmakers.

BAKOSO: AFROBEATS OF CUBA

Screening as a Spotlight is Roger Ross Williams’ THE APOLLO, on the history and legacy of the legendary Harlem theatre; while other nonfiction offerings include: Lisa Cortés and Farah X’s THE REMIX: HIP HOP X FASHION, on the intersection of fashion and hip hop in the late 1980s and 90s; Daniel Effiong’s SKIN, which explores perceptions of skin color and beauty in Nigeria; Eli Jacobs-Fantauzzi’s BAKOSO: AFROBEATS OF CUBA, a look at the roots of the musical genre; and Bénédicte Liénard and Mary Jiménez’s hybrid BY THE NAME OF TANIA, the story of a Peruvian villager forced into prostitution.

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On VOD: I USED TO BE NORMAL: A BOYBAND FANGIRL STORY

Coming to VOD today, Tuesday, September 17:
I USED TO BE NORMAL: A BOYBAND FANGIRL STORY

Director:
Jessica Leski

Premiere:
Hot Docs 2018

Select Festivals:
DOC NYC, Sydney, Revelation Perth, Melbourne, Fantastic Fest, Adelaide, London, Hawaii, Göteborg, Rotterdam, Miami, Santa Barbara, Cleveland, Istanbul

About:
A look at boyband superfans.

I previously wrote about the doc here.

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On DVD/VOD: TONI MORRISON: THE PIECES I AM

photo by Timothy Greenfield-Sanders

Coming to DVD and VOD today, Tuesday, September 17:
TONI MORRISON: THE PIECES I AM

Director:
Timothy Greenfield-Sanders

Premiere:
Sundance 2019

Select Festivals:
Nantucket, Miami, Cleveland, Montclair, Wisconsin

About:
An intimate profile of the Nobel and Pulitzer Prize-winning literary icon.

I profiled the doc before Sundance here.

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Special Screening & In Theatres: WHERE’S MY ROY COHN?

photo by Ap/REX/Shutterstock

Coming to NYC’s JCC Manhattan tomorrow, Tuesday, September 17 and to theatres this Wednesday, September 18:
WHERE’S MY ROY COHN?

Director:
Matt Tyrnauer

World Premiere:
Sundance 2019

Select Festivals:
Zurich, Atlantic, New Zealand

About:
An exploration of the dark influence of Machiavellian attorney Roy Cohn on today’s polarized political landscape.

My pre-Sundance profile of the doc may be found here.

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Special Screening & In Theatres: MIDNIGHT TRAVELER

Coming to NYC’s DCTVscreening series tonight, Monday, September 16 and to theatres this Wednesday, September 18:
MIDNIGHT TRAVELER

Director:
Hassan Fazili

World Premiere:
Sundance 2019

Select Festivals:
Berlin, CPH:DOX, Hot Docs, Docaviv, DocumentaMadrid, DOXA, Sheffield, Thessaloniki, True/False, Doc Edge, RiverRun, Seattle, Montclair, Biografilm, San Francisco, Salem, Sydney

About:
The filmmaker, his wife, and their two daughters face an uncertain road to asylum when they are forced to flee Afghanistan.

I profiled the doc before Sundance here.

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In Theatres: THE GAME CHANGERS

Coming to theatres via Fathom for a special one-night only event tonight, Monday, September 16 before opening in New York/Los Angeles this Friday, September 20:
THE GAME CHANGERS

Director:
Louie Psihoyos

World Premiere:
Sundance 2018

Select Festivals:
Berlin, Hot Docs, Thessaloniki Doc, Mountainfilm, Boulder, Washington DC Environmental, EarthxFilm

About:
An exploration of the misconceptions and truths about plant-based diets.

I profiled the doc before Sundance here.

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In Theatres: DESOLATION CENTER

Coming to theatres today, Friday, September 13:
DESOLATION CENTER

Director:
Stuart Swezey

World Premiere:
CPH:DOX 2018

Select Festivals:
Sheffield, DokuFest, Big Sky Doc, Slamdance, DOXA, Indielisboa, Chicago Underground, Revelation, Sydney Underground, In-Edit Spain, Cork, Freep, Florida

About:
A look back at underground happenings stemming from the 1980s LA punk and industrial scene.

I previously wrote about the doc here.

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On DVD/VOD: CRYSTAL CITY

New to DVD/VOD this week:
CRYSTAL CITY

Director:
Terrence Crawford

World Premiere:
Cleveland 2019

Select Festivals:
Wicked Queer, Q Doc Portland

About:
Profiles of several gay New Yorkers using or in recovery from crystal meth.

Responding to the open secret of crystal meth use/abuse by gay men, Terrence Crawford’s profiles multiple men who are in recovery, and occasionally relapsing, from its use, as well as one young hustler who is still on meth and doesn’t seem to have any desire to stop. Split into titled chapters, the film explores various aspects of the epidemic, including crystal meth’s history, covalent factors, and recovery programs. The film’s subjects candidly discuss how they were introduced to the drug, and its connections to sex, hustling, and HIV. Crawford assembles a welcome mix of participants reflecting different ages and backgrounds, but there are a few too many, preventing a deeper dive into any individual’s story. The film’s gay male metropolitan context lends an insularity that might prove challenging for outside audiences, but its focus on issues of addiction and sobriety are universal.

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