On TV & In Theatres: THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY

photo by Drew Kelly

Coming to HBO tonight, Monday, March 18 and to theatres this Friday, March 22:
THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY

Director:
Alex Gibney

Premiere:
Sundance 2019

Select Festivals:
SXSW

About:
An investigation into the high-profile rise and fall of discredited health tech company Theranos.

I profiled the doc before Sundance here.

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On TV: 306 HOLLYWOOD

Coming to PBS’s POV tonight, Monday, March 18:
306 HOLLYWOOD

Directors:
Elan Bogarín and Jonathan Bogarín

Premiere:
Sundance 2018

Select Festivals:
Nantucket, Hot Docs, Full Frame, Cleveland, Sarasota, Montclair, Aspen Ideas, Atlanta, Berkshire, Woods Hole, San Francisco Jewish

About:
A magical realist archaeological exploration of the filmmakers’ late grandmother’s home and possessions.

I profiled the doc before Sundance here.

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Special Screening: I’M LEAVING NOW (YA ME VOY)

Coming to NYC’s DCTV this Monday, March 18:
I’M LEAVING NOW (YA ME VOY)

Directors:
Lindsey Cordero and Armando Croda

Premiere:
Hot Docs 2018

Select Festivals:
DOC NYC, DocsMx, Morelia

About:
An undocumented Mexican immigrant faces the limits of self-sacrifice.

The film screened as part of DOC NYC, for which our program notes read:
Felipe, an undocumented immigrant, combs the streets of New York City collecting cans to survive on the margins of society. After 16 years of hard living, he makes plans to return to Mexico but discovers his family has squandered his money and are in debt. Felipe must decide how much more he can sacrifice for a family he no longer knows. Cordero and Croda’s poignant portrait deftly explores the shifting of one’s allegiances through time and distance, and the delusions we tell ourselves to make peace with fate.

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Special Screening: THE BRINK

Coming to NYC’s JCC in Manhattan this Sunday, March 17:
THE BRINK

Director:
Alison Klayman

Premiere:
Sundance 2019

Select Festivals:
CPH:DOX, Cleveland, Docville

About:
Steve Bannon, post-White House.

My pre-Sundance profile of the doc may be found here.

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In Theatres: COMBAT OBSCURA

Coming to theatres tomorrow, Friday, March 15:
COMBAT OBSCURA

Director:
Miles Lagoze

Premiere:
True/False 2018

Select Festivals:
AFI Docs, Jihlava, Dallas, FID Marseille, Virginia, DocuWest, Brisbane

About:
A candid, insider look at the lives of US Marines.

Miles Lagoze became a filmmaker as a Marine. Deployed to Afghanistan, he served as a combat photographer, shooting mission footage for recruitment and news coverage purposes. He kept his camera running beyond this practical concern, capturing with stark veracity the experiences of his fellow soldiers. Shaky handheld footage thrusts the viewer right in the midst of the chaos of combat on one hand, and the monotony of routine on the other. Composed of episodic verité rather than following any particular narrative development, the project might wear out its welcome for some viewers, but nevertheless offers a compelling, ground-level perspective on the futility of the seemingly endless war in Afghanistan.

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Cinéma du Reél 2019 Overview

Festival:
The 41st Cinéma du Reél

Dates:
March 15-24

About:
Nearly 50 new documentary features make up the lineup of this Paris fest, alongside many more retrospective offerings. Continue reading

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In Theatres: THE EYES OF ORSON WELLES

Coming to theatres this Friday, March 15:
THE EYES OF ORSON WELLES

Director:
Mark Cousins

Premiere:
Cannes 2018

Select Festivals:
DOC NYC, Karlovy Vary, Antenna Doc, Haifa, Taipei Golden Horse, Morelia, Dokufest, Melbourne, Biografilm

About:
A new perspective on the creativity of iconic filmmaker Orson Welles.

The film screened as part of DOC NYC, for which our program notes read:
Esteemed film historian Mark Cousins (THE STORY OF FILM) takes a novel approach to Orson Welles by studying the legendary filmmaker’s paintings, drawings, and doodles. Granted exclusive access to Welles’ private artwork, Cousins presents an unorthodox portrait, and one informed by the documentarian’s signature personal essayistic approach. Critic Todd McCarthy writes, “Freshly conceived, mordantly whimsical, light on its feet and fleet of mind, THE EYES OF ORSON WELLES rightly makes no extensive claims for Welles’ drawing and painting skills, but positions them honestly as one heretofore overlooked aspect of the man’s polymorphously abundant talent.”

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On VOD: TRUST MACHINE: THE STORY OF BLOCKCHAIN

Coming to VOD this Friday, March 15:
TRUST MACHINE: THE STORY OF BLOCKCHAIN

Director:
Alex Winter

Premiere:
NYC theatrical (October 2018)

Select Festivals:
Tallinn Black Nights

About:
An exploration of the technology behind not only cryptocurrency, but decentralization of information as a whole.

I previously wrote about the doc here.

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Special Screening: THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY

THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY | Courtesy of Sundance Institute | photo by Drew Kelly

Coming to NYC’s Pure Nonfiction at IFC Center this Thursday, March 14:
THE INVENTOR: OUT FOR BLOOD IN SILICON VALLEY

Director:
Alex Gibney

Premiere:
Sundance 2019

Select Festivals:
SXSW

About:
An investigation into the high-profile rise and fall of discredited health tech company Theranos.

I profiled the doc before Sundance here.

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On DVD: DIVIDE AND CONQUER: THE STORY OF ROGER AILES

Coming to DVD today, Tuesday, March 12:
DIVIDE AND CONQUER: THE STORY OF ROGER AILES

Director:
Alexis Bloom

Premiere:
Toronto 2018

Select Festivals:
New York, Hamptons, AFI Fest, Philadelphia, Indie Memphis, Virginia

About:
The rise and fall of the master manipulator behind Fox News.

I previously wrote about the doc here.

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