On TV: FORBIDDEN: UNDOCUMENTED AND QUEER IN RURAL AMERICA

Coming to Logo tonight, Thursday, August 3:
FORBIDDEN: UNDOCUMENTED AND QUEER IN RURAL AMERICA

Director:
Tiffany Rhynard

Premiere:
Outfest 2016

Select Festivals:
San Diego Latino, Charlotte, NewFest, LGBT fests in Rochester, Santa Barbara, Boston, Kansas City, Honolulu, Memphis, and Miami

About:
A young gay Latino, brought to the US at 18 months old, fights for immigration reform.

Now in his early 20s, Moises Serrano has become an immigration activist, sharing his undocumented, unafraid story in various speaking engagements, in contrast to the kind of growing xenophobic rhetoric most pointedly represented here in Donald Trump’s infamous candidacy speech, shown here. Although the title of Rhynard’s workmanlike film strangely references Moises’ sexuality and rural upbringing, neither of these carry much narrative weight compared with the topic of immigration reform. The bulk of this profile consists of fairly repetitive speeches given by the young activist, and his concerns over unfair tuition rates applied to undocumented college students. While Moises is an appealing, charismatic subject, as presented here, his story doesn’t wholly sustain feature-length treatment.

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On VOD: HILLEMAN: A PERILOUS QUEST TO SAVE THE WORLD’S CHILDREN

New to VOD this week:
HILLEMAN: A PERILOUS QUEST TO SAVE THE WORLD’S CHILDREN

Director:
Donald Rayne Mitchell

Premiere:
Scinema 2016

Select Festivals:
American Documentary, New Hope

About:
A profile of Dr Maurice Hilleman, credited with developing most childhood vaccines.

Mitchell’s film follows the now-familiar conventions of the unheralded hero profile – “the most important X the public has never heard of” – and in this case positions Hilleman as “the greatest scientist of the 20th century” for his pioneering work in eliminating many childhood diseases via vaccines. Responsible for the measles-mumps-rubella vaccine, as well as those addressing a host of other diseases, from hepatitis B to the flu, there’s reason to recognize the microbiologist’s achievements in the same way that Salk and Sabin are celebrated for their polio vaccines. Mitchell constructs a fairly conventional, overly narrated biographical portrait more suited to PBS than to theatrical, drawing from archival material as well as more recent interviews with Hilleman before he passed away.

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On VOD: I AM THE BLUES

New to VOD this week:
I AM THE BLUES

Director:
Daniel Cross

Premiere:
IDFA 2016

Select Festivals:
SXSW, Hot Docs, Pan African, Raindance, Salem, Docs Against Gravity, IndieBo

About:
An ethnomusicological tour of the American South.

I previously wrote about the doc here.

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Melbourne 2017: Documentary Overview

Festival:
The 66th Melbourne International Film Festival

Dates:
August 3-20

About:
This long-running Australian event showcases approximately 200 features, among them more than 75 documentaries. Continue reading

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Special Screening: DINA

Coming to NYC’s Rooftop Films tomorrow, Thursday, August 3:
DINA

Directors:
Antonio Santini and Dan Sickles

Premiere:
Sundance 2017

Select Festivals:
Nantucket, True/False, Full Frame, SF Jewish, Seattle, Sheffield, Sun Valley, Sarasota

About:
A profile an unforgettable woman as she seeks to realize her desires.

My pre-Sundance look at the doc may be found here.

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Locarno 2017: Documentary Overview

Festival:
The 70th Locarno Film Festival

Dates:
August 2-12

About:
This Swiss event, a favorite of cinephiles and critics, and one of the world’s oldest film festivals, this year offers 100 features, among which are just over 40 documentaries or hybrids. Continue reading

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On VOD: ROMEO IS BLEEDING

Coming to VOD today, Tuesday, August 1:
ROMEO IS BLEEDING

Director:
Jason Zeldes

Premiere:
San Francisco 2015

Select Festivals:
Seattle, Berkshire, Newport Beach, Cleveland, St Louis, Aspen, St Louis, Hot Springs Doc, Napa Valley, Honolulu, Sarasota, Florida, RiverRun, Urbanworld

About:
A young African-American man turns to Shakespeare to address the violence in his community.

I previously wrote about the doc here.

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Special Screening: THE CHALLENGE

Coming to NYC’s Rooftop Films tomorrow, Tuesday, August 1:
THE CHALLENGE

Director:
Yuri Ancarani

Premiere:
Locarno 2016

Select Festivals:
IDFA, Hot Docs, Edinburgh, SXSW, Dubai, New Directors/New Films, True/False, Thessaloniki Doc, Göteborg, Encounters, Taipei, Traverse City, Melbourne, Docs Against Gravity, Docaviv, San Francisco

About:
A privileged look at the lives of ultra-rich Qatari amateur falconers.

Told largely without dialogue and absent explanatory cards, Ancarani presents a series of artfully framed tableaux and curious sequences, loosely focused on falconry in the Persian Gulf. Rich men race SUVs in the dunes, train their falcons, let wild cats ride shotgun in Lamborghinis, fly rows of hooded falcons in a private jet, and bid on falcons by phone. These and other indelible, almost surreal, images offer a fascinating glimpse of a world of conspicuous wealth and leisure.

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On DVD: OBIT.

Coming to DVD today, Tuesday, August 1:
OBIT.

Director:
Vanessa Gould

Premiere:
Tribeca 2016

Select Festivals:
Hot Docs, AFI Docs, GlobeDocs, Philadelphia, Provincetown, New Zealand, Traverse City, Hot Springs Doc, Denver, Palm Springs

About:
An inside look at The New York Times obituaries department.

I previously wrote about the doc here.

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Special Screening: THE ROAD MOVIE

Coming to NYC’s Rooftop Films tomorrow, Tuesday, August 1:
THE ROAD MOVIE

Director:
Dmitrii Kalashnikov

Premiere:
IDFA 2016

Select Festivals:
True/False, Sheffield, Hot Docs, Sarajevo, Docs Against Gravity, Nashville,

About:
A dashboard camera view of modern Russia.

Kalashnikov’s project is deceptively and deviously simple, consisting entirely of found footage shot from scores of ordinary civilian dashboard cameras, a ubiquitous feature of Russian vehicles. Edited together like a YouTube supercut, these clips offer a seductive, compulsively watchable series of disconnected mini-episodes in the lives of Russian motorists, from the harrowing to the sublime. Positioned in the driver’s seat, the viewer witnesses road rage, narrowly avoids collisions – or doesn’t!, watches as some of the strangest human dramas briefly flash on screen, drive through a forest on fire, and are confronted with impending violence at seemingly every turn. At the same time, part of the pleasure of this refined clip show is experiencing the reactions of the drivers, often darkly comedic or blasé, suggesting that Russians have pretty much seen it all.

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